- 2 days ago
Igra sudbine - 1818 epizoda NOVO
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TVTranscript
00:00S.T.A.R.
00:13Hello.
00:16I'm back.
00:17Good, good.
00:19As soon as you flew, you didn't do anything.
00:24Well, you sound.
00:25The girl started to do nothing.
00:27Don't say to me.
00:28You called me in the back.
00:33Okay.
00:36There is one more important thing that I have to tell you.
00:40Which one?
00:43You definitely need to do this.
00:45But let's go slowly.
00:48Let's go and solve the situation.
00:54I don't know.
00:55I can't agree with you.
01:01The most important thing is that these are...
01:06...the emotional patterns.
01:07You know what?
01:10It's clear to me when I'm on the question.
01:14You know what?
01:15You know what?
01:15They're burning biological hours.
01:17And now...
01:19...they're burning all the pressure
01:21so they can be opened like a mother.
01:23Mm-hmm.
01:32It's clear to me.
01:40It's clear to me.
01:41What we've been doing?
01:42What was the next day after a few days?
01:44How long we've been doing?
01:45How long?
01:46How long we've been doing?
01:54Idle.
02:00Idle, do you want to sleep?
02:02I don't want to sleep anymore.
02:04I can't do this anymore.
02:14You will only have a friend,
02:17and when I'm back, I'll be the rest.
02:21Don't do it.
02:21I don't want to sleep anymore.
02:27I want to sleep.
02:29What?
02:34No, nothing.
02:36No, nothing.
02:37No, nothing, nothing.
02:39I'll tell you that I'll be the rest of you.
02:41I'll be the rest of you.
02:42I'll be the rest of you.
02:43I'll be the rest of you.
02:47Ciao.
02:51Not working.
02:55Not working.
02:57I get started.
02:58I want to sleep.
03:02A man's name is Alexander Seshop.
03:06Seshop isn't for porn.
03:09He's obviously still on the spot.
03:10Some hurt.
03:10Lots of hurt.
03:11The Francuzians call him Cylons.
03:16So, there is no museum or museum in which he didn't come.
03:23A walk like a piece, thick like a glass.
03:28And with us it was taken as a Francuz.
03:33Francuz?
03:34And what do I do with these Francuzs?
03:37How do they have a connection with Vult?
03:39For now I have a place.
03:41What do I do?
03:43No, you don't do anything.
03:44For now.
03:45For now.
03:51Well, good.
03:52It looks a lot.
03:53I told you that it will be good.
03:55I think I can go back to training tomorrow.
03:58It doesn't come up to me.
04:00I didn't think about it.
04:01I'm just sharing information.
04:02My parents.
04:05I am.
04:06You and I have to talk about something.
04:10What is that?
04:13Let's listen to me.
04:14Yes?
04:16Good, you are a lot of people.
04:18I will be worried about you.
04:18How much can I do?
04:20How much can I do?
04:22While I am not moving forward, I have to go back a little.
04:28Okay, I think so, I believe.
04:32Let's go now.
04:33Let's sleep a little more.
04:35Can you?
04:36It can be done, I believe.
04:38Let's go, Gabriela.
04:40I'm afraid of you.
04:43I'm shocked by you.
04:45Why am I shocked?
04:46Wait, excuse me.
04:47You don't have any reaction.
04:50Gabriela, I don't do anything from you.
04:52Let's go.
04:52Let's go.
04:53Just let me in peace.
04:56That's okay.
05:04Only my son, Relja, can see what you see.
05:08That I feel the flame
05:10in the water that kills me.
05:12That X-factor.
05:14What, Relja?
05:22That shot until so, that's, though...
05:36They say that life write novels.
05:41They say that life is not fine.
05:46Sometimes it's a good time, but it's a good time
05:50And everything is not clear, but it's a good time
06:00Like love in the war, there's nothing to do
06:09You have one life, only one chance
06:13To become the one who is the star
06:18It's a good time, but it's a good time
06:23I play a game like a circle of happiness
06:27Someone will want someone, someone will not
06:31Like on the moon, the world will be over
06:35When he has a 여러 time
06:37In that moment
06:41Soon may be
06:42Wow
06:46Wow
06:50Wow
06:52Wow
06:54Wow
06:57Wow
06:58Wow
06:58Wow
07:23Pekarsko-zanatska radionica L.
07:26A, ne, ne, ne, ne, malo ste pogrešili, ovo je jedna eksperimentalna radionica, recimo.
07:32Da, to ste počeli da uzgajate nove kulture pšenice, ako se ne vara.
07:37Morat ću da vas razočaram, ali u pitanju je obično belobrašno i običan sir.
07:42Da, ali, eksperimentalni moment leži u tome što sam ja zapravo pokušala da napravim pitu.
07:49Ja si kladim da je ta pita savršena.
07:52E, znala sam da ćeš to da počneš da radiš, znači stani s nima.
07:55Nema komplimenta dok ne probaš. I nemoj slučajno da me nešto hvališ ako stvarno to ne misliš.
08:00O Bože, zar ja prevrkljivac?
08:02E, nisam to rekla, ne bi se mnoho, hoću da tražem.
08:05Da sve ide po zasluga.
08:08Dobro.
08:08Da, mislim, ostalom onda ću ti uvek, ono, praviti neku tako lošu prosječnu hranu, tako zauvek.
08:15I kad smo baš kod te vremenske odrednice zauvek.
08:21Imam jedno pitanje sa tebe.
08:23Dobro.
08:25Ovaj, koje mi mnogo znači ja ti ja, nismo stigli da porazgovaramo o tom dviješ uvek.
08:30Da pa, kako je da stignemo da pričamo o stvarima kad se stalno nešto dešava.
08:34Tako je.
08:36Zanima me kako je tvoje mišljenje i kakav je tvoj stav po pitanju dece i porodice.
08:57Pa kako koji? Relja Topić.
09:04Koji bre, Relja Topić?
09:10Pa, Relja, mislim, vi ste sigurno čuli svašta o njemu.
09:16Mislim, ja sam se u njega zaljubila jer on se pojavio u moj život kao neki princ na belom konju.
09:23I ja sam stvarno bila zaljubljena u njega.
09:26Međutim, onda prosto nije verovao u moju karijeru.
09:29Baš to je briga, da, verovao u tvoju karijeru.
09:32Te, ti si, ti si devojka Relje Topića.
09:39E, ne. Mislim, nisam, nisam više, zato što on više nije taj princ.
09:45A baš mi pripada da ovdje imam princ, sajdi.
09:48Naš napolje.
09:53Molim.
09:54Čušću ti kažem, moj da ponavljam. Izlazi napolje.
09:58Šta vam je?
09:59Izlazi napolje, nemoj ja da ti izbacu. Mrš napolje!
10:06Ne morate tako da se ponošat.
10:16I ona.
10:18Ajde, molim te dođi malo do... do fejma. Moramo nešto da porazgovaramo.
10:24Ne.
10:39Pa, Lenke.
10:41Pa, sad.
10:46Šta, nešto nisi oduševljena decom, šta?
10:48Ne, ne, ne, ne, ne. Ja, vidi, ja decu boža.
10:51Stvarno, baš ih mnogo volim, nego...
10:55Ne znam, možda nije malo prerano da pričamo o takvim stvarima sad,
10:59u ovom našem odnosu. Ako me razumeš?
11:02Ne razumeš.
11:03Mislim da smo se upustili u to, bilo bi prerano.
11:05Ali razgovor o odnosu uvijek je upravo u vrem.
11:11Da. Da. Svažem se, upravo si.
11:13Da, treba da... da možemo da pričamo o svemu. Svažem se.
11:18Vidiš, ja sam mislio da devojke vole muškarce
11:20sa kojima mogu da pričaju otvoreno o odnosu o svemu.
11:24I vole. I upravo si.
11:25I meni je mnogo drago što... što mogu da pričam s tobom o...
11:29bukvalno o svemu.
11:30Samo što...
11:33iskreno stvario tome što sam ja imala baš velike planove na tu temu
11:37sa svojim bivšim partnerom.
11:39I onda mi je sad malo čudno da pričamo svemu o tome.
11:42Ja, misliš na čuvenog galaksa, o?
11:44Da. Da, na njega mislim.
11:47Dobra.
11:50Ima još jedno pitanje za tebi.
11:52ja mi je svemu sve 78%
12:08I muerte za tebi.
12:08Z jobar dan.
12:10Zatim šta je bilo,
12:11nisno ga njega počinje tek za dva sata.
12:14Dotrčala sam baze.
12:16Sedi malo, leto svi.
12:20Okay.
12:25Okay.
12:26And there was no secret between us now, right?
12:31No, there's no secret.
12:34I've received you here to work as a child.
12:39That's right.
12:40Thank you very much for that.
12:42The payment is okay.
12:44The payment is okay.
12:45Yes, I'm very satisfied with the payment, and the conditions, and all of them.
12:49Have I ever had something like that?
12:53Uncertainty?
12:54No, Chef, it's a tough job.
12:57I'm really happy here.
12:59Just a moment.
13:00I don't know what I'm talking about.
13:03Why do you call me a death sentence?
13:18I don't know what I'm talking about.
13:20We're grown people.
13:24I think we can talk about everything.
13:27So, my question is...
13:29Have you been able to fix your feelings for Alexi?
13:34I see, Uroša, I don't have to do that.
13:36I don't have to do that.
13:38I mean...
13:39Alexi and I are finished.
13:41It's a complete story of the past.
13:43And I believe that my goals,
13:45related to this topic,
13:46do not have to do that with them.
13:48Yes.
13:48I don't know what I'm talking about.
13:49I don't know.
13:52I don't know.
13:53I don't know what we're doing in life.
13:55I don't know how life is really changing.
13:58I don't know how life always finds a way to get out of the glass.
14:02I don't know what we're doing.
14:05I don't know what we're doing.
14:06I think it's great that you said.
14:08I think that it's a great place.
14:12But before I try to ask...
14:15I think...
14:16I think...
14:17I think that...
14:19that people who are in contact,
14:23or who are not in contact,
14:24they can have these steps.
14:26But when there is someone
14:28or a woman who is in love,
14:30I think that these steps are hurting.
14:33Well, you see what you're saying?
14:36Yes.
14:37You're wrong?
14:38No.
14:39Okay.
14:40If you're wrong, I can tell you
14:42that I'm not...
14:42I don't know what you're saying.
14:46I don't know what you're saying.
15:01I don't know what you're saying.
15:12You need to be a little bit of things.
15:15We're doing a way to go.
15:17Yes.
15:18Yes, yes.
15:20And...
15:20I...
15:22Another question.
15:24Is that a call?
15:25A call?
15:26Yes.
15:27And we'll finish with the bad news.
15:29For today's Album.
15:30Yes.
15:30Yes.
15:31That's what a call is.
15:32Yes.
15:33Yes.
15:33No, I don't want to call me as a partner.
15:39Can you?
15:41We can be partners when we open up a radio station
15:45or I don't know anything, but now I want you to be only a mom.
15:50Okay, I understand and I think I'll be able to do that.
15:55So don't blame me, now I'm a mom, nothing else.
15:59No, nothing else.
15:59No, no, no, no, no, no.
16:01I want to be a mom.
16:03And then, after that, a verenik.
16:08And then, a son of a son.
16:16I don't want to eat.
16:17Is it really good?
16:19Great.
16:20Let's try it.
16:22I don't want to eat.
16:22I don't want to eat.
16:33I don't want to eat.
16:35I don't want to eat.
16:36Back to the hospital, What is that?
16:37I don't want to eat.
16:38No, I don't want to eat.
16:39I am not from yesterday, but I need to wait here
16:41to come and play the music here, and the female lady.
16:46Hey, you're her?
16:47Yes.
16:49Yeah, you're her.
16:49Yeah, yeah.
16:50Chef, I have promised everything I know.
16:53I mean, everything I know,
16:55that I told Ksenija,
16:57that I have promised everything I have promised you.
16:59Is that right?
17:00Yes, that he wants to take care of me.
17:02I really don't know anything about that.
17:03Do you think I am a big asshole
17:06or you just try to do it a little bit?
17:11Do you do it a little?
17:13Chef, if I have done that,
17:15I ask you to tell you,
17:17I will do it momentarily.
17:18So, first of all,
17:19you didn't tell me the most important thing.
17:21And that is?
17:22That is that Ksenija is in relation to Rely.
17:25And that is what changed.
17:28If you don't understand
17:29that we are all because of this danger.
18:16Hello.
18:18But I didn't want to do it.
18:19I wanted to engage someone who can finish this job.
18:22It's you.
18:22I think you really understand the importance of what you need.
18:26Besides, we are not really good to speak.
18:30As for example.
18:42Chef, I don't have a plan to play any games.
18:47I really don't have a plan.
18:48So, I came here to work my job
18:50and I think that I am very good doing it.
18:53Okay.
18:53If you want to work your job very good,
18:57then you have to know
18:58how many people come to you.
19:02For you to stay real.
19:04I am a cosmetic plastic woman.
19:04I am not...
19:05...I would just be wanting to get here
19:08but nothing more.
19:09We will not, my boy.
19:11You will look at me
19:11my heart for me.
19:12Please don't do that.
19:16It didn't have to make such a big problem.
19:19It's not a problem, Mimona.
19:22It's a dubious.
19:23But let's believe that you're...
19:25that you're asleep, stupid.
19:28Listen to me.
19:28From now, I'll return to you.
19:31I don't want to change this.
19:33Is that clear?
19:35No, I promise you.
19:38Okay.
19:39And try to do your own work.
19:44Let's see.
19:46Let's go.
19:53Bye.
20:11You said you have to ask a house.
20:14Plac.
20:15Plac is there.
20:16There can be a whole building on it.
20:18It's a very beautiful part.
20:19And right?
20:21How is the house?
20:22One by one.
20:24There's no hospital.
20:26It's a disaster.
20:27It's clean.
20:27Everything is clean.
20:28It's clean.
20:29If you want to visit your address,
20:31you can check everything out.
20:32Okay.
20:33Then call me.
20:33Because, you know,
20:34the house is not all clean.
20:37Then there's a girl from Australia
20:40and says that she's ideal.
20:43Everything is clean.
20:44Everything is clear.
20:45Now, you have to agree with yourself
20:47and finish the job we've all agreed.
20:58No.
20:59Yes.
20:59Yes.
21:02No.
21:19No.
21:26So, Grkene, do we have any information about the Phantom of Lenkin?
21:33Yes, I'm going to take care of that.
21:36She has the gift to collect these types of people.
21:41What types of people?
21:43Well, that's what appears to be on a doubtful photographic,
21:48on a doubtful place and so on.
21:51So, there's nothing to do?
21:54Nothing.
21:57Lenka didn't mention anything for her?
22:01No.
22:03You didn't ask her?
22:05If I ask her, she will know that I know.
22:09And I don't want her to know how many people are.
22:15Listen to it and watch it.
22:17You know what it's said in this film?
22:21Don't love the woman who loves you.
22:37I've heard her now.
22:39She said that Relja will be left until the end of the day.
22:42Yeah!
22:43Yeah, Relja!
22:46Kraljice, carice!
22:47Thank you, Tate.
22:48Please, I love you.
22:49I love you, my name is my name.
22:50Nothing.
22:51She said that the plaintiff was funny and that everything will be okay.
22:54I really care about it, Relja.
22:56You know?
22:56She always makes the problem.
22:58And you know what I mean?
22:59You know what I mean?
23:00What I mean?
23:00I think that all of us are waiting for something.
23:03And that we have to ask something.
23:04That's what I said.
23:05That they found something that they have to be allowed to do in the hotel.
23:08And that they have to be competent.
23:12But that's how we do this.
23:14Don't do this.
23:15Don't we talk here about this.
23:16Because Vanja can be a son.
23:19They hear us.
23:20Really?
23:21But you always find Lexanju.
23:23Yes.
23:23Did you see how she changes the plot when she heard of the novinar teacher?
23:28She changes it immediately.
23:31Do you know what?
23:32She comes back to Vanja Veštica, and she says,
23:35and she says, novinar teacher, and she leaves.
23:38I can't even imagine her and her.
23:41Imagine the whole sadomaso story.
23:44She and the novinar teacher.
23:47Imagine who knows what they do together.
23:50I don't want to imagine.
23:52I don't want to imagine.
24:07That's from the film, right?
24:09And what does that mean?
24:12You know, you, Uroš.
24:14Many people know her name.
24:15She came to the head of the woman.
24:18Okay, friend, stop playing.
24:19I just want to play.
24:20What time?
24:21What time?
24:22You get up on the one.
24:23When there is another person, another person, another person.
24:27Five, five, five.
24:27Okay, let's play with the citations from the film.
24:31What does Vito Corleone say?
24:33You can't be a woman if he doesn't have time to spend the time with his family.
24:39It would be like Leona from you.
24:43And Velibor?
24:47I don't think that it was just that simple and easy there.
24:52It's not here.
24:54But he has a good counselor for me.
24:58I have, and I.
25:00Do you have?
25:02I don't know how to do this.
25:03So that you will replace me with Klincan,
25:04who is from Legia Stranaca
25:06and who doesn't know the two streets in Beograd.
25:09Is that right?
25:10No, no, no, no, you're going to lose your head around that.
25:12It's not time for that.
25:14You start losing your head around that
25:16who was in Lenke Usta.
25:30What are you talking about?
25:32Who is that foreign novinar?
25:34Good morning.
25:36You are?
25:37Police.
25:40Police?
25:40Who is calling the police?
25:41What's happening?
25:42No.
25:42I didn't call it.
25:44I am the police inspector and foreign children.
25:47Oh, foreign children.
25:50That's really nice.
25:51Amazing.
25:53Who is that foreign novinar?
25:55Novinar.
25:56It's not our public novinar.
25:59I guess people are in a company.
26:00They are there to write good, thank you,
26:06like, and thank you.
26:07And that's what the rating is.
26:09I don't sound like that you talk to a lot later.
26:12Do you know that my job is to tell me the lie.
26:16Yeah.
26:18No.
26:19Where are you?
26:22I'm here, I'm here to visit you, and I'll give you a gift.
26:26I see that it's pretty alive here with you.
26:29And it reminds me of your new journalist.
26:34Let's go to the councilor, I'll explain to you all together.
26:40Let's go.
26:55I'm here.
26:56I'm here.
26:56What's that?
26:57What's that?
26:59Tell me all the time.
27:01I'm here to tell you everything.
27:02I'm here to tell you everything.
27:02I don't know why I'm here to give you a gift.
27:07No, no, no.
27:10I'm here to press and press and press.
27:13You know who I am?
27:15I'm here to tell you everything.
27:18What happened and what happened.
27:21I'm here to tell you everything.
27:23I'm here to tell you everything.
27:24I don't have it.
27:26Yes, I know, Panchi.
27:28I mean, everything around the house,
27:31it's maybe the most fun.
27:34Yes, yes.
27:36I mean, it's a huge house.
27:38It's a huge house?
27:40It's not like a house in Kanachki in Žegović?
27:44It's not, but we're kind of used to it.
27:47I mean, it's a huge house.
27:50I mean, it's a huge house, it's a huge house.
27:55It's a huge house, it's a huge house.
27:59I think we're a little bit more than it.
28:01Who?
28:02Who?
28:03I don't know.
28:05I can't.
28:06I don't know.
28:07You're a friend, you're a friend, you're a friend.
28:09You're a friend, you're a friend.
28:11We're a friend.
28:13We're a friend.
28:13We're a friend.
28:14But I think that, in a way, we're a space.
28:17We're a distance.
28:20Yes.
28:21I don't understand.
28:22Look at this.
28:23This is a house.
28:24We're here like a Chinese person.
28:26We'd have to put them in five minutes.
28:28I know.
28:28I know.
28:29Everything is in their way.
28:31Yes.
28:32I know.
28:33I know.
28:34I don't know what to say.
28:37Maybe it's all a habit, but it's been a struggle.
28:41It's been a struggle for me.
28:42It's been a struggle for me.
28:44It's been a struggle for me.
28:45It's been a struggle for me.
28:46Why do they serve my mother?
28:47It's been a struggle for me.
28:49It's been a struggle for me.
28:50I'm sorry, but I've come here because I have a word for you.
28:57I'm waiting for you here.
28:59I'm sorry.
29:00Why would you laugh at me?
29:02Father?
29:03I have a love.
29:06It's been a struggle for me.
29:23Thank you, Petrovic.
29:34You know what I've been trying to get here?
29:39You've got to get hurt, brother. You've got to get hurt.
29:41You've got to get hurt for a while.
29:46You're crazy. You've been thinking about it for a long time.
29:49You've got to get hurt.
29:50How do you do it?
29:54What do you play?
29:55Shaka, mice, trule, kobile,
29:57zuce.
29:59Great.
30:00It's like a fight.
30:02I'm not sure if you're sleeping for a long time.
30:06Really? No, my dear.
30:08I'm not sure.
30:11100% of you.
30:13You're just a man.
30:17Do you ask me or do you want me to ask me something else?
30:20No, no.
30:23I think I'd be able to
30:26get hurt in the conditions
30:27where you feel like you're in Maldives.
30:32Do you understand?
30:33You know what I needed to go there?
30:36And?
30:37I don't know.
30:39I don't know.
30:40You know what I mean?
30:44You know what I mean?
30:44I said you've seen nothing.
30:47I don't know anyone.
30:48I've never been there.
30:52I've never seen anything.
30:53I've never seen anything.
30:55You know what I mean.
30:57I don't know what I mean.
30:58I mean, I tell you, but it's a bad thing.
31:00It's a bad thing when you're...
31:02You're just a stupid, dumb, dumb, dumb.
31:06Is that right?
31:07Well, well...
31:08I wanted to tell you that you're just a dumb dumb,
31:12but if you say that you're a dumb dumb, then...
31:14No, I've only learned the text.
31:15You know?
31:16From the last time.
31:17I thought about that.
31:19So, if...
31:22I wanted to ask you something before you're out of your...
31:29...how do you say it?
31:32...the vocabulary, or so?
31:34And that bad thing that you're thinking about.
31:38I'm not sure.
31:40I'm not sure.
31:47I'm not sure.
31:48I'm not sure.
31:49I'm not sure.
31:49I'm not sure.
31:51I'm not sure.
31:51I'm not sure.
31:52I'm not sure.
32:11I'm not sure.
32:11Let's talk.
32:13Let's talk.
32:15Let's talk.
32:15Let's talk.
32:17I'm convinced that you're not only until you're out of that space.
32:20I know that you're a lot of influence on everything that's been done.
32:25Yes.
32:26Yes.
32:28I'm telling you something about that a robot would be on her.
32:31Not so much like that we're on our own.
32:34Yes.
32:34Yes.
32:35Yes.
32:37But you know how it works.
32:40Everything that happened during that happen,
32:43and after that,
32:45she started to spend time with Vukasino.
32:49Yes.
32:50Yes.
32:56Yes.
32:56I believe that.
32:58Yes.
32:58Yes.
32:59That's a good idea.
33:00And he knows how he has a good heart.
33:05I mean, Masija has a good heart?
33:07But he knows that he has a good heart.
33:10And he knows that he has a good heart.
33:11Okay.
33:13What do you want from her?
33:15It's not her.
33:16She has a good girl.
33:18I don't understand what is the problem now.
33:22What is the problem now?
33:23The problem is that she put herself in the head that she needs to be an inspector.
33:27No, a policeman.
33:28She is a policeman in the office.
33:31Who?
33:32Asija?
33:33Yeah.
33:34That's how I reacted.
33:36She can't do that.
33:39She's so nice.
33:41She's not for that.
33:44I know.
33:44I'm the same things.
33:46They're identical.
33:47No.
33:48What?
33:49She doesn't do that.
33:50She's a vegetarian.
33:52She doesn't eat a girl with meat.
33:54She can't do it.
33:56She doesn't eat a girl with the criminals.
33:57I know.
33:58I know.
33:59I thought that she could call her as well.
34:03And when she starts talking about all of you,
34:06I pray for her,
34:07she will just return her to her.
34:11I'll just say that it's done.
34:13I'm going to finish my situation with a lot of pain.
34:29Let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go.
34:38Sedi, sedi, tu.
34:47Dovanje, šta je ovo?
34:49Šta?
34:50Czemo ovo je tajnovitos.
34:52Ne znam, kakva je tajnovitos šta pričam?
34:54Na, razom problems wi…
34:55Ne mislim šta je ovo! Trzanje, cimanje, uğuravanje, ubacivanje u kancelariju.
35:00Ne znam, nije nikakvo trzanje, cimanje,
35:02I just wanted to leave you to the councilor's house, nothing else.
35:07Where did I go to the job?
35:11Tell me, I wanted to leave you.
35:14I didn't have a candle.
35:15Okay, but you don't give me a candle.
35:20I wanted to come here to make some nice guests
35:26and show you how much I've been.
35:28I wanted to do something unusual, romantic.
35:34But if it's stupid, you know what?
35:35No, no, no, it's not stupid.
35:37I'm really upset, but I'm just surprised.
35:41You're surprised?
35:41Yes.
35:42And then suddenly, some newcomers came to mind.
35:47I wanted to ask you,
35:50will you bring me a candle,
35:52while I try to be a gentleman?
35:57First of all, you have to be free of food, you understand?
36:01You have to be free of love like that.
36:03Why do you bless him?
36:04You can see that he's not only his own.
36:06Mariana, my happiness, my love, my destiny,
36:11move on to me.
36:12No, no, no, no, no, no.
36:24I have to go for a while.
36:32No, no, I don't want to go for it.
36:38Pastor, even your parents are left behind me.
36:53Who would not kill you? Why would you ask me that?
36:56In other words, how do you face it to me?
36:59Well, yes, the counter-attack.
37:01The counter-attack is the best defense.
37:03I want to tell you what it is.
37:18I didn't expect you.
37:33Sorry, Lukáš.
37:35Hello?
37:37Don't listen to me.
37:38You have to be quick to get to the counter-attack.
37:42What is it?
37:43What is it?
37:44I don't know.
37:45I don't know.
37:47Okay, come on.
37:50I have to go because of the job.
38:03I got the power!
38:04I feel like you bring some help!
38:05Your imagination!
38:07Not that action!
38:08I didn't let this happen.
38:09It is much worse to...
38:11Ariana!
38:11Jana?
38:12What did you do?
38:14My happiness is still here.
38:20It's time for me to tell the truth of my life.
38:36What did you do now is so unfair that I don't have a word.
38:42You ruined it, you ruined it at all.
38:46Look at this.
38:48I do something different.
38:50I didn't happen to me in my career that two young colleagues do this like the lari's intrigue.
39:07You understand that these people are the usual tools that can be used every time.
39:12Do you understand that I put my whole life into this job?
39:19I'm going to break the metal and what?
39:22I've earned it.
39:23I've earned it.
39:24I've earned it.
39:24I've earned it.
39:25I've earned it.
39:25I've earned it.
39:26Don't worry.
39:26How to lend itad?
39:27No.
39:47You're too weak.
39:48I should know if I'm out.
39:52But you've earned it!
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