India’s Best Dancer 5 20th June 2026 Full EP 5

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Transcript

00:01:00Please welcome iconic, legendary, multiple-a-watcher, Sammanet, the one and only, Lord Ramo.

00:01:22Lord Ramo, finally.

00:01:25Lord Ramo, finally.

00:01:25Oh, my God.

00:01:27I have been here, Lord.

00:01:28You know how much I am.

00:01:30I love them so much.

00:01:32I have been here with my dad and my father.

00:01:37Lord Ramo never gave me this freedom.

00:01:39Thank you so much for coming.

00:01:41Thank you so much.

00:01:44Very intricacy.

00:01:45Jabbat 10.

00:01:46Jabbat 10.

00:02:08Jabbat 10.

00:02:14Jabbat 10.

00:02:36Jabbat 10.

00:02:50Welcome to India's Best Dancer Season 5, co-presented by Vimal Elaychi.

00:02:58In the last week, Deepali has won the trophy of India's Best Dancer.

00:03:02And this trophy can go to anyone this week.

00:03:03Also, in this week, no dancer can go to home from home.

00:03:13Because this week is the first elimination of India's Best Dancer Season 5.

00:03:17The first elimination of the choreographers will call our first contestant.

00:03:25Presenting the guru who has become a hero himself.

00:03:28And the first elimination of the choreographer, Tushar Shetty.

00:03:37Which songs are you going to perform today?

00:03:40Khaliwali song.

00:03:42Khaliwali?

00:03:43Ganesh Aacharya's choreographer, sir.

00:03:45But it's a very powerful talent.

00:03:47The legendary Ganesh Aacharya.

00:03:49What a matter of fact.

00:03:50I mean, hook step.

00:03:53I don't think anyone's hook step.

00:03:55And when we get to meet, we say,

00:03:57How will this come?

00:03:58How will this come?

00:03:59How will this come?

00:04:01Lord, you know, the original back dancers of this film,

00:04:05who danced with Ranveer Singh.

00:04:07They are going to perform with them.

00:04:10Oh!

00:04:11And I think this is a very special thing.

00:04:13Let's call the dancers who performed in the original Khaliwali.

00:04:17Zordar Taniya!

00:04:18Khaliwali!

00:04:33How are you?

00:04:35First class.

00:04:36Thank you for that.

00:04:37We are excited for our individual.

00:04:40We are so excited.

00:04:42How many did this film shoot?

00:04:43Around 200.

00:04:45How will this shoot shoot?

00:04:46Six days.

00:04:47Six days?

00:04:48There was a story that I always live in Ranveer.

00:04:51It's called Khalibali and Mallari.

00:04:53There was a story that I did.

00:04:56There was a story that was a very short shot.

00:04:58We saw a ton.

00:04:59When we saw their shoes, we were barefoot.

00:05:04Their shoes were very great.

00:05:06When I saw my wear,

00:05:08he said, don't leave me short.

00:05:11Yes sir, don't leave me.

00:05:13They knew that my pair went.

00:05:15When I went to the bank,

00:05:18I went to the bank.

00:05:20Yes sir, yes sir.

00:05:22Then I went.

00:05:23After that, it was a short cut.

00:05:24He took me and sent me.

00:05:27Then I went to the transistor.

00:05:29I took the ice and sent me.

00:05:31This is the story.

00:05:33Bravo!

00:05:36I want to thank all the dancers.

00:05:39Thank you, ma'am.

00:05:41We are all choreographers and dancers.

00:05:43Thank you, everyone.

00:05:45We have a chance to speak today.

00:05:47Because background dancers

00:05:48never have a chance to speak.

00:05:50This is the first one.

00:05:51I think.

00:05:52Where background dancers

00:05:53share their feelings

00:05:54in front of everyone.

00:05:56Thank you so much.

00:05:57Great job.

00:06:00One more time.

00:06:01I'm proud of y'all guys.

00:06:42I'm proud of y'all.

00:07:13I'm proud of y'all.

00:07:37I'm proud of y'all.

00:08:03I'm proud of y'all.

00:08:11I'm proud of y'all.

00:08:47I'm proud of y'all.

00:08:57I'm proud of y'all.

00:08:59I'm proud of y'all.

00:09:10I'm proud of y'all.

00:09:12I'm proud of y'all.

00:09:42Well done.

00:09:42I'm proud of y'all.

00:10:09I'm proud of y'all.

00:10:24I'm proud of y'all.

00:11:15I'm proud of y'all.

00:11:45I'm proud of y'all.

00:11:48Thank you so much.

00:12:40I'm proud of y'all.

00:12:47I'm proud of y'all.

00:12:58I'm proud of y'all.

00:13:01I'm proud of y'all.

00:13:27I'm proud of y'all.

00:13:57I'm proud of y'all.

00:13:59I'm proud of y'all.

00:14:41I'm proud of y'all.

00:15:00So, we are going to perform

00:15:03This is my heart's love

00:15:07Wow!

00:15:09P.L. Raj said, okay, I have a lot of money

00:15:11Because there was a hotel in Bandra, Sea Rock

00:15:15So, they would come here

00:15:16This is the main part of this song

00:15:18Because at that time, I was around

00:15:20But there was a story in Sea Rock

00:15:22So, there was a little bit of anxiety

00:15:25Because Helen Ji, I think she was around 40-40

00:15:30And P.L. Raj, I think, said that he should have a bottle

00:15:33And the director, Chandra Bairot, said that he should have a gun

00:15:39Because with the gun, with the children

00:15:42So, that was enough

00:15:44So, they both took it

00:15:45One gun and one bottle

00:15:47Finally, the bottle was put in the final

00:15:50But P.L. Raj said, okay

00:15:52He said, you know

00:15:52I must do this

00:15:54But he was like this

00:15:55He said that he was like this

00:15:56You heard it

00:15:57P.L. Raj, actually, was Peter Lewis Raj

00:16:00Oh!

00:16:01And he was from a Christian family background

00:16:03So, in the temple

00:16:05The classical dancing

00:16:07So, he was built in the temple

00:16:10He was built in the temple

00:16:12And we went to the temple

00:16:13And they went to the temple

00:16:13And he went to learn how many years ago

00:16:15These were actual gurus

00:16:17They were masters

00:16:29Yes

00:16:48for you

00:16:51I

00:17:04gotta

00:17:09be

00:17:29Oh

00:17:30Oh

00:19:37There was a shoot in a camera, Helen G, who held that song with her performance.

00:19:43And Dipali, today you held this act with your performance.

00:19:46It's amazing.

00:19:51Do you know where to stop?

00:19:53Do you want to see?

00:19:54What is the angle of the body?

00:19:57I don't know if you understand this in this age.

00:20:00This man is a villain.

00:20:03And then you have to sit and talk.

00:20:05Outstanding.

00:20:12You have my heart, Dipali. I love you.

00:20:15And Pratiksha, so proud.

00:20:18What presentation.

00:20:19I'm so impressed.

00:20:21So impressed.

00:20:22Well done.

00:20:27Dipali, you are a star.

00:20:30Honestly.

00:21:33It was really good.

00:21:34I didn't have any complaints from Dipali.

00:21:38I just have a creative opinion

00:21:40that the fabric behind, I wish it was not gold.

00:21:44Because what was happening?

00:21:45Gold and gold costume was merging.

00:21:48I wasn't able to clearly see the choreography

00:21:51and I wasn't able to get up.

00:21:53I was watching, but the contrast was missing.

00:21:56Thank you so much, sir. Thank you.

00:21:58Dipali and Pradeeksha.

00:22:00First of all, I love the golden gold.

00:22:08The way the cloth has been used,

00:22:11I always say that it should be smart.

00:22:15And that I saw on the side.

00:22:20And you have done a lot of things with the cloth.

00:22:28I think this was, by far,

00:22:31for me,

00:22:32the best performance.

00:22:34Wow.

00:22:34Thank you so much, sir.

00:22:38You as a performer.

00:22:41Oh!

00:22:43Thank you so much, sir.

00:22:46Thank you, sir.

00:22:49Thank you, sir.

00:22:51Thank you, sir.

00:22:52Thank you, sir.

00:22:53Thank you, sir.

00:22:54Thank you, sir.

00:22:55Thank you, sir.

00:22:56Thank you, sir.

00:22:57Thank you, sir.

00:22:58Thank you, sir.

00:23:00Thank you, sir.

00:23:01Thank you, sir.

00:23:02Thank you, sir.

00:23:03Thank you, sir.

00:23:04Thank you, sir.

00:23:05Thank you, sir.

00:23:07Thank you, sir.

00:23:12Thank you, sir.

00:23:13Thank you, sir.

00:23:14Do it?

00:23:15Yes, do it.

00:23:16Which scene do you want to do?

00:23:17Tell me about it.

00:23:17In Bajira and Mastani movie, the role of Kashi-Bai,

00:23:21we can do that.

00:23:24They have been here.

00:23:30They have directed a lot of actors.

00:23:33Now, let's do it.

00:23:34Let's do it good.

00:23:35Best of luck.

00:23:36Okay?

00:23:37You can do it in the next film.

00:23:40Okay?

00:23:45Okay.

00:23:46Stand by.

00:23:49Camera.

00:23:51And action.

00:23:53Hmm.

00:23:56We can't do it with her and our love.

00:24:01We will not be able to do it with you.

00:24:06But what do you have to do with people?

00:24:07What do you have to do with people?

00:24:13The food is too much of our own.

00:24:21The only thing is, Shri Manth.

00:24:24You have to ask us our lives.

00:24:27We have to give you a happy.

00:24:55We have to give you a happy

00:24:58Thank you sir.

00:25:00Outstanding.

00:25:03All the best.

00:25:04Thank you sir.

00:25:05What a great deal, Dipali!

00:25:10What a great deal, friends!

00:25:11Let's call it in India.

00:25:13Yes sir.

00:25:14Today, there is a tribute to choreographers.

00:25:18I have also called a very special guest.

00:25:21I will call them there.

00:25:23Please, sir.

00:25:24Thank you sir.

00:25:27Thank you sir.

00:25:31So, now I am going to call a choreographer

00:25:33whose names of every dancer in the corner

00:25:37gets thrown into the corner.

00:25:38These were my dancers.

00:25:41They are those who have

00:25:42Bollywood, Gujarati, Marathi, Bhojpuri

00:25:45choreographed every regional cinema.

00:25:48And because of that,

00:25:49many actors became stars.

00:25:54They are the legendary pundit Virju Maharaj's cousin.

00:26:00And they have Machis,

00:26:02Jojita Vahi Sikandar,

00:26:04Hum Hai Rahi Piyar,

00:26:06Sanam Bevafa,

00:26:07Tiranga,

00:26:08Kran Tivi,

00:26:09Pathwaking films of the film

00:26:11choreographed.

00:26:12Please welcome,

00:26:13Dada Sahib Phalke Award,

00:26:15Maharashtra State Film Award,

00:26:16the iconic Madhav Kishan Ji.

00:26:32Good.

00:26:44I am Sikandar,

00:26:49I am a great friend of mine.

00:26:49With the Madhav Ji,

00:26:50my dad was a great friend of mine.

00:26:52We made a film named Suruma Bhopali.

00:26:56Our father was made.

00:26:57And Madhav Ji made a great song

00:26:59and introduced that song

00:27:00in the first time in the industry.

00:27:04He was singing in the first film industry.

00:27:04He was singing in the dance.

00:27:07And Madhav Ji made a song

00:27:09and made a set of songs

00:27:11during film city.

00:27:12There was a shooting here, and Gopi Kishanji was dancing in front of the camera.

00:27:17Maadav Ji has done a choreograph with it.

00:27:19I've also done a bit.

00:27:22Yes, yes, yes. You're very aware.

00:27:27But we've already understood.

00:27:29You've already understood how old the song is, how old the film is.

00:27:33Now, you understand that this is your age.

00:27:37If I tell you, tell me.

00:27:38It's been a 90-year-old, and in September, it's been a 90-year-old.

00:27:46We don't know if we can stay in the 90-year-old.

00:27:49I mean, you've been a 57-year-old.

00:27:53I've been working on it.

00:27:55I've been in the industry since 1969.

00:27:58Tell me, how many changes have come from today?

00:28:04What difference are you seeing?

00:28:05There's a lot of changes.

00:28:06What do you think of the first time?

00:28:08There were a long-term short shots.

00:28:11But today, what happens is that the westernsies are increasing.

00:28:15And the cutting is also increasing.

00:28:18By cutting, the dance starts very fast.

00:28:22And the first short short shots are increasing.

00:28:25The way in the photos are the same...

00:28:26The wedding was closed.

00:28:30It was so beautiful.

00:28:32One more time.

00:28:34Today, the choreographers get paid for good money.

00:28:38What do you think?

00:28:40We have worked for dance.

00:28:43We have worked for 10 rupees.

00:28:45We went to church gate, local train,

00:28:52and we went to the gateway of India.

00:28:54There was a hero of Mohamed Rafi Ji and Kanan Kaushal, who was made Santoshima and was a heroine.

00:29:04He was a song for the song. He was filled with 200 rupees.

00:29:09But I don't remember the name of the producer.

00:29:13He said, I will come to the house tomorrow.

00:29:16And he didn't come to the house tomorrow.

00:29:17He didn't come to the house tomorrow.

00:29:22This is a dance.

00:29:25I am very small and I am doing a big thing in front of you.

00:29:29I am understanding that you are 90.

00:29:31I know what you can do.

00:29:34You can do something for us.

00:29:36I will try.

00:29:41I will try.

00:29:43I will try.

00:29:43Look, this is built.

00:29:45Where are you?

00:29:4722 years old.

00:29:49And where are you?

00:29:5190 years old.

00:29:52That is the land of the island.

00:29:55That is the land of the island.

00:29:56That is the land of the island.

00:29:59Who is the song?

00:30:00The song from Mumbai.

00:30:01That is your song from Pune.

00:30:03Yes.

00:30:03You have choreographed it.

00:30:04Yes.

00:30:05Yes.

00:30:08Wow, wow, wow.

00:30:11This is the song that makes you sound amazing.

00:30:19Good job!

00:30:21Wow!

00:30:22Wow!

00:30:25Yes!

00:30:26Wow!

00:30:27Wow!

00:30:29Yeah!

00:30:48Oh

00:31:09Oh

00:31:11Oh

00:31:12Oh

00:31:14Oh

00:31:15Oh

00:31:17Oh

00:31:18Oh

00:31:30Oh

00:31:33Oh

00:31:35Oh

00:31:38Oh

00:31:39Oh

00:31:40Oh

00:31:48Oh

00:31:49Oh

00:31:54Hi, I am the name of your Kala, Master Ji.

00:32:02Master Ji, Namaste, my name is.

00:32:07Ladies

00:32:09I can't believe, I'm seeing you.

00:32:12Very

00:32:14Oh

00:32:15Oh

00:32:22Let's do it with you.

00:32:34Let's do it with you.

00:32:57Oh

00:33:29Be careful, this is open over here.

00:33:31These are all the things that are our children.

00:33:37Thank you very much, Masterjeev, thank you very much.

00:33:41Now, let's move on to the presenting of the other dancers' swaha,

00:33:48Keetanjali Marwa, with choreographer Shumranil Paul.

00:34:02In nature, in nature, in nature.

00:34:32I

00:34:33I

00:34:35I

00:34:36I

00:34:39I

00:34:41I

00:34:46I

00:34:47I

00:34:48I

00:34:53I

00:34:54I

00:34:58I

00:34:59I

00:35:00I

00:35:08I

00:35:09I

00:35:12I

00:35:14I

00:35:16I

00:35:17I

00:35:22I

00:35:25I

00:35:26I

00:35:27I

00:35:28I

00:35:28Yeah, yeah, yeah

00:35:58Hey, I uh

00:36:59Thank you so much.

00:37:06This is precious.

00:37:12This is classic.

00:37:39Thank you so much.

00:37:50There were so many emotions in this song. I just felt dancing was great. But it was an emotion that

00:38:02I needed to get my attention.

00:38:06So I felt that you were feeling like you were remembering, you had to do a lot of things.

00:38:14And that essence I felt that I felt missing. But other than that, I thought it was very well done.

00:38:22Well tried.

00:38:22Thank you, Mama.

00:38:24I felt very smooth, simple and beautiful.

00:38:51Thank you, Mama.

00:38:56If you watch the original song, this is a song expression. There is a dance. But why do you say

00:39:05a lot of things in this song?

00:39:05There is fear. There is fear. There is a shock. There is a shock. There is a shock. There is

00:39:11no smiling. And you were smiling.

00:39:14There is a shock. There is a shock. You are not supposed to enjoy. This is not a song of

00:39:18enjoyment. This is a song of fear. It is a song of hope.

00:39:23I hope that something will happen. Someone will save me. You know, and that is a very important element of

00:39:28the song.

00:39:29That is a song of love.

00:39:30That is a song of love.

00:39:33That is a song of love.

00:39:44Thank you, sir.

00:39:45Thank you judges up walk this course

00:39:47I

00:40:35Let's play the show, presenting Garima Chaudhary

00:40:41with choreographer Vipul Khambra.

00:40:48Anji, tell me which song you're going to perform today.

00:40:52Today we're going to perform Ramo Sir's song in Balam Pichkari.

00:40:56What a song!

00:40:59Before Balam Pichkari, I did a very big song of Holi.

00:41:03Do me a favor, let's play Holi.

00:41:06I've already done the song.

00:41:07It was the remake.

00:41:10I didn't do the video.

00:41:11I didn't do that.

00:41:12When I did Holi, Ayaan said,

00:41:16I want to make this song as

00:41:19that this song should be played in Holi.

00:41:23Then we said, if you're planning on planning, we won't do anything.

00:41:29We should shoot the song as if it's a Holi.

00:41:32Then we shoot it and then if you see the song also, you'll feel that it's actually Holi.

00:41:38Correct.

00:41:40I wanted people to be in with the song.

00:41:44So you've played Holi for three days.

00:41:46Yes, we've played Holi for three days.

00:41:47And we played with Chum.

00:41:49We played with the cameraman.

00:41:52You've got so many faces.

00:41:54I think it was a shooting for three days.

00:41:56But it was six days after going to the party.

00:41:58What a song!

00:42:01This is a very great song.

00:42:03Are you ready?

00:42:04Yes, yes.

00:42:04It's a very great song.

00:42:06Garima and the pool.

00:42:14Remo, how much will you sleep?

00:42:16It's 12 o'clock.

00:42:17Get up now.

00:42:19What, man?

00:42:20You're also in the morning.

00:42:22But where are the kids?

00:42:24The kids are gone, right?

00:42:25Holi.

00:42:26What?

00:42:27Both kids are out.

00:42:28And we both are inside.

00:42:31They're alone.

00:42:32What?

00:42:36They're alone.

00:42:38They're alone.

00:42:49Guys, the children will now teach when you see me.

00:42:52All my kids are alone.

00:42:55By the time.

00:42:57Hey.

00:42:58But what are you doing?

00:43:10Oh

00:43:40Oh

00:43:46Satya nash is time kone a gya

00:43:53Happy holisar mera bhaagwan mujhe mil gai

00:43:56Aray nahi nahi nahi dharmesh abhi nahi yaad leh tera ashir vat or please jayaan se

00:44:02Lizzle, Lizzle baby, kaha ho?

00:44:05Jau, mujhe tumke baat hi nahi kare

00:44:09Yau, mujhe tumke baat hi

00:44:23Thank you very much.

00:44:57And now...

00:44:58Oh man, this is supposed to be a good time.

00:45:01Remo!

00:45:02Yes, Lizzy.

00:45:02Come here.

00:45:04This is happening.

00:45:35Oh man, who is now?

00:45:38I'll tell you now.

00:45:42Terence, Gita.

00:45:43Hi Remo, how's you?

00:45:45Happy Holy Remo.

00:45:47You both have a lot of years.

00:45:50I've been listening to the show.

00:45:52We're going there.

00:45:53Tell me what's going on today.

00:45:55All good?

00:45:56All good.

00:45:57Remo, I'm ready.

00:46:00Sorry, you've already left us.

00:46:02Remo, superb.

00:46:04Nice, nice. Good job.

00:46:07The person you're trying to reach

00:46:09is busy shooting for IBD.

00:46:12Please don't miss this.

00:46:14I can't do that.

00:46:15Now, do one thing.

00:46:17Don't come home.

00:46:26Stay with them.

00:46:27Standing ovation!

00:46:32If my brother says something like this,

00:46:33then you can stay with me.

00:46:35No problem.

00:46:37This is casting.

00:46:39You don't have to do it.

00:46:42You don't have to do it.

00:46:44You don't have to do it.

00:46:46Terrence!

00:46:47Terrence, how come did you know?

00:46:51Terrence.

00:46:52Terrence, sir, sir!

00:46:52It's a good job.

00:46:53Your way it's been shot, thank you, sir.

00:46:55No, this was like, actually film level of goods, really.

00:47:00I'm saying that in one movement, you've got enough energy.

00:47:04I've done a song, man.

00:47:06And there were so many sets, so many actors, all those things.

00:47:10And rehearsals.

00:47:11And rehearsals.

00:47:12Camera moves, cut from here, cut from there, colors.

00:47:16But without color, without camera, without so many actors, without background dancers,

00:47:22you've achieved this.

00:47:25Hats off to you guys.

00:47:27I think.

00:47:29And now let's get to your performance.

00:47:32Vipul and Garima.

00:47:33Garima, outstanding.

00:47:36Thank you so much, sir.

00:47:37Amazing dance.

00:47:38You do a lot of dance, but you do a lot of expression.

00:47:41And Vipul has done a lot of work.

00:47:43And the way it's done with the camera, I'm a fan of this act.

00:47:48That's what I call a performance.

00:47:56It was a very candid performance.

00:48:00It was a very candid performance.

00:48:03It was a very candid performance.

00:48:03And I thought I'm not going again today.

00:48:07But Garima and Vipul, outstanding.

00:48:11You all were easy, smooth and amazing.

00:48:14too good. Sorry Terrence.

00:48:17How are you prepared?

00:48:38When I talked about casting,

00:48:40what I love is,

00:48:43that neither did you try to become Remosur,

00:48:47neither did the other characters.

00:48:49But the way you played it,

00:48:53everybody got established.

00:48:55And that was good.

00:48:56The whole section of the cupboard was so good

00:49:01when you went and the camera moved around,

00:49:04saw her, the whole antra.

00:49:06And then the slide came directly into your arm

00:49:10by the time the camera came on this side.

00:49:13Technically also well shot.

00:49:16The story was good.

00:49:17And our performance was the best.

00:49:25It was good.

00:49:26Concept, 10 on 10.

00:49:28Coreography, 10 on 10.

00:49:30Creativity, 10 on 10.

00:49:31Camera work, 10 on 10.

00:49:33When you get all this,

00:49:35it is obviously one of the

00:49:38Chumeshwari performances of this.

00:49:41What a matter.

00:49:43Thank you, ma'am.

00:49:45Your total is 49.

00:49:49What a matter.

00:49:50It will get a lot of effort.

00:49:52Thank you so much, Garipayen.

00:49:54Thank you so much.

00:49:56George, have you ever had a party like this?

00:49:59I had a crazy party.

00:50:00I had a crazy party.

00:50:01Yes.

00:50:02When I came to Naina to Mumbai,

00:50:04someone threw me off.

00:50:06I was wearing shorts.

00:50:08I was wearing shorts.

00:50:08Shorts means

00:50:09we wear tights, right?

00:50:11Yes.

00:50:12I was wearing tights,

00:50:14bare body.

00:50:15I was flying in church gate.

00:50:16I was flying in church gate.

00:50:20I don't know,

00:50:21my brothers,

00:50:22my cousins,

00:50:22who were here,

00:50:23I lived here.

00:50:24They saw me

00:50:25and took me to the house.

00:50:27And that day,

00:50:28I had to eat food for the night

00:50:30six times.

00:50:32They say,

00:50:33if you do something,

00:50:34you go to the house.

00:50:35Yes, yes, yes.

00:50:36So my holy party,

00:50:38I will never forget

00:50:39it was a very embarrassing situation

00:50:41when I was flying in church gate.

00:50:44After that,

00:50:45after that,

00:50:46my family,

00:50:46I have a lot of fun.

00:50:48I will eat food.

00:50:53So, friends,

00:50:54with a iconic song

00:50:57presenting India's best dancer,

00:51:00Prince Pandey

00:51:01with choreographer,

00:51:02Ram Shah Singh.

00:51:09Prince,

00:51:10today,

00:51:11we are celebrating

00:51:11the legendary choreographers

00:51:12who are celebrating

00:51:13and celebrating

00:51:16the legendary

00:51:17iconic song

00:51:17of Chinni Prakash Ji.

00:51:21How are you feeling?

00:51:23How are you feeling?

00:51:24It is very exciting

00:51:24and very nervous

00:51:26because the song is so big

00:51:28and I hope I do justice

00:51:30to the song.

00:51:32The song was a hook step.

00:51:34He did a lot of rehearsal

00:51:35and until the end

00:51:36Bachchan sahab,

00:51:37he was not sure.

00:51:38He said,

00:51:38I will not feel good,

00:51:39there will be some movement.

00:51:41You know,

00:51:42Chinni sir said,

00:51:43sir, you try it.

00:51:44If you think,

00:51:45otherwise,

00:51:46we will change it.

00:51:47Bachchan sahab was gracious

00:51:48and said,

00:51:49let's do it.

00:51:50But,

00:51:50when he saw the song

00:51:52trial,

00:51:53Jayaji was the first person.

00:51:55Jayaji was the first person.

00:51:55this is looking very good.

00:51:57So,

00:51:57that's when

00:51:58the confidence came.

00:52:00It was so big

00:52:01for Chinni sir.

00:52:03There was a whole world tour

00:52:04called

00:52:04Chumma Chumma Tour

00:52:05with Bachchan sahab.

00:52:06Yes.

00:52:07And,

00:52:07I also made a tea ad

00:52:10in which

00:52:11Annu Agarwal,

00:52:12which was Kimi Kural,

00:52:13and I became a kid.

00:52:14And the tea ad was

00:52:17Annu Taz ki Dede,

00:52:19he did it.

00:52:19He did it.

00:52:20I was probably

00:52:2125-30 years old.

00:52:23So,

00:52:24I have a lot of memories

00:52:25from this song.

00:52:27After listening to legendary songs,

00:52:29it's really fun to listen to these songs.

00:52:32And now,

00:52:33all the fans are in your hands.

00:52:34Are you ready?

00:52:35Yes, yes.

00:52:35Let's go to Vince Pondegar.

00:52:49Let's go to Vince Pondegar.

00:52:51All right.

00:53:05Gummah, Gummah, Gummah,

00:53:07Thay!

00:53:10All right.

00:53:11Balloon sal ropes.

00:53:15Attic

00:53:27Malayir stable

00:53:29Jumma Jumma Jumma Jumma

00:54:11Jumma Jumma Jumma

00:54:32Jumma Jumma Jumma Jumma

00:55:01What do you mean?

00:55:02Jumma, Jumma!

00:55:04Baby, baby!

00:55:06No!

00:55:08Jumma!

00:55:08Baby, baby!

00:55:11Jumma, Jumma!

00:55:13Jumma, Jumma!

00:55:13No!

00:55:14Jumma, Jumma!

00:55:19No!

00:55:19Oh, my God!

00:55:23Jumma, Jumma!

00:55:24Jumma, Jumma, Jumma!

00:55:35Wow, wow, what do you want to say, Lord Remo?

00:55:39This is the dance of India, which we are watching purely dance.

00:55:44And that's what you showed me.

00:55:45I felt very good, yes, I felt very good in coordination, from here to there, I think

00:55:53at the end, I felt a little bit of coordination.

00:55:57But I felt very good, I don't want to say that it was a great performance, a good performance.

00:56:03So, good luck.

00:56:05Yes, sir.

00:56:06Your entry was a great one.

00:56:10He showed his hand and his hand.

00:56:12In the songs, what's very important is a superstar with a vibe.

00:56:17And he was there.

00:56:18You perform with a lot of energy.

00:56:21And last time, I was told that you are not showing Romsha, but you are not a contestant.

00:56:24This time, I just showed Prince.

00:56:28That's a good change.

00:56:29Thank you so much.

00:56:30But Terrence, that's okay.

00:56:32What do you say?

00:56:32What do you say to Tota?

00:56:35Today, Baba Shivani, one minute.

00:56:36You're saying something in your face.

00:56:39Prince, Tota is saying,

00:56:42You're saying that you were 0 at the last time.

00:56:44Today, you're performing with a hero.

00:56:46Thank you so much.

00:56:47Thank you so much.

00:56:49Let's go, Jajiz.

00:56:50Now, the time is the score.

00:56:54Your total is 40.

00:57:00Karishma, ma'am, we should know you.

00:57:02You've also worked with Chinni Praka sir.

00:57:03How did you work with Chinni Praka sir?

00:57:04How did you work with Chinni Praka sir?

00:57:05It was very big.

00:57:06I've done a lot of songs with Chinni and Ekha.

00:57:11And I think their speciality was to do great singing.

00:57:17200 dancers.

00:57:19And dancers on a mountain and on a other.

00:57:24And at that time, there was no monitor at that time.

00:57:27But every single dancer and the artist sing.

00:57:33So actually, how did they do it?

00:57:35I don't know how it would happen.

00:57:36Wow.

00:57:37But yeah.

00:57:38And I think, I would say,

00:57:40my memorable song has been Jhaanjariya.

00:57:44Male and female version was done by Chinni ji and Rekha ji.

00:57:50Sir, I was 10 years back.

00:57:53I casted on your movie, Flying Jet.

00:58:00Oh, yeah, yeah, yeah.

00:58:01So, yes.

00:58:03That girl was who the girl was who was, sir.

00:58:05No, sir.

00:58:07Yes, sir.

00:58:0810 years later.

00:58:09Today, I got the opportunity to see you again.

00:58:13Today, Jais gave me the opportunity to go back and to perform more after you.

00:58:19Absolutely.

00:58:20Absolutely.

00:58:21Sir, when you gave a song to the movie, you were still in front of me.

00:58:26But I didn't know how to reach you, sir.

00:58:33Today I got to reach you.

00:58:35Sir, I want to do something at home, sir.

00:58:37Just one dance with you.

00:58:39Just for my memories, sir.

00:58:41What a great deal.

00:58:43Wow.

00:58:57I've seen three faces.

00:58:58I'm going to go.

00:59:00I'm going to go.

00:59:08I'm going to go.

00:59:20Oh, you sure.

00:59:28Oh, you sure.

00:59:41Oh.

00:59:42Oh, no.

01:02:04What is your style number?

01:02:07What is your style number?

01:02:22What is your style number?

01:02:26What style number?

01:02:33Very nice.

01:02:59Thank you, Remo.

01:03:01Lovely moment.

01:03:02Thank you, everyone.

01:05:14Oh

01:05:16Oh

01:05:57Oh

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01:07:07Oh

01:07:09Oh

01:07:10Oh

01:07:12Oh

01:07:14Oh

01:07:15Oh

01:07:15Whether he and Akash

01:07:17Yeah

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