- hace 5 meses
Raúl cree que ha descubierto la fórmula perfecta para ligar. Durante las vacaciones, su madre se empeñó en que leyera un libro y él eligió “Don Juan Tenorio” de Zorrilla porque era el más corto. A partir de este momento, considera que esta obra va a ser su Biblia ya que en ella se puede encontrar todo lo que se necesita para seducir a las chicas. Marcos le reta a Raúl a que se ligue a África con sus nuevos conocimientos. Su amigo cree que África es un objetivo difícil porque está enamorada de su entrenador. La familia Serrano regresa feliz de las vacaciones de Semana Santa. Este año han cambiado de destino y en lugar del pueblo han elegido la nieve. Cuando llegan a casa y encienden la tele les sorprende la noticia de un accidente que ha sucedido en el barrio. Durante una procesión, la cornisa de una fachada se ha desplomado y ha atrapado a un costalero. Las imágenes muestran a los bomberos sacando al accidentado de entre los escombros. Diego y Curro no dan crédito cuando descubren que el herido es Santiago. Guille y sus amigos han encontrado una forma de obtener dinero rápido y sin esfuerzo. El sistema se basa en aprovecharse de la generosidad de la gente. Guille y Boliche consiguen la foto de un niño con una cabeza muy desproporcionada y con aspecto enfermizo. Salen a la calle con las estampas y con una hucha y le cuentan a la gente que están colaborando con la parroquia. Explican a los vecinos del barrio que el dinero que consigan será para comprar una burbuja donde vivirá el enfermo.
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00:00:00Holy Week
00:00:30Holy Week
00:01:00Holy Week
00:01:02Holy Week
00:01:04Holy Week
00:01:06Holy Week
00:01:08Holy Week
00:01:10Holy Week
00:01:12Holy Week
00:01:14Holy Week
00:01:16the support beam of the facade on Queen Street
00:01:18Oh my God, I can't watch this
00:01:19Me, me, me, work, turn off the TV
00:01:22And help us, come
00:01:22I've seen his whole hand
00:01:24under 600 kilos of brick
00:01:26minutes later, indeed
00:01:28Uncle Santiago!
00:01:29has managed to heal the porter
00:01:32Uncle Santiago is the porter!
00:01:34Which porter? Which porter?
00:01:36Yes, I saw him, it was Uncle Santiago.
00:01:37Okay, son, let me explain it to you, I mean, Uncle Santiago isn't a costalero
00:01:40He's a ham seller, understand, a ham seller is not the same as a costalero (a person who carries a religious float in processions).
00:01:43Turn off the TV and help us, please.
00:01:45The porter is currently being treated
00:01:49who was injured in the collapse
00:01:51It appears that the SAMUR personnel
00:01:53They are helping him now.
00:01:55They're taking him away in the ambulance right now.
00:01:57This has been a consequence of the collapse
00:02:00from a part of the...
00:02:02As always, nobody believed me.
00:02:03For once my uncle Santiago was on TV
00:02:06But my father had to agree with me.
00:02:08when my uncle told him
00:02:09that leaving the porter's position changed his life
00:02:12what no one could have imagined
00:02:13That life change almost led him to the same guru.
00:02:18Christ to Saint Justa
00:02:20a station platform under the blazing sun
00:02:24You were talking about a skyscraper in the sky of New York
00:02:27Come soon to see the sea and send a postcard
00:02:30I already knew that day was the end
00:02:34now I have much more
00:02:38red black stopped in pairs
00:02:40Finally, luck brings an ace and a crystal to look through.
00:02:44and a wall to hang it on
00:02:46seven smiling faces in a passport photo
00:02:49My stories weren't about tales made by chance.
00:02:54Nobody told me that destiny
00:02:59Nobody told me that fate would give me this opportunity
00:03:01one plus one equals seven
00:03:05Who would have thought it?
00:03:09It was so easy to be happy
00:03:14No, no, with a little more rhythm, right?
00:03:33eh, no way, no way, no way, that's going
00:03:41that march
00:03:42Hey, dude, what's this?
00:03:43Wait, wait
00:03:44Donate your will for the Quintin bubble
00:03:46Who is Quintín?
00:03:48Quintin the boy, elephant
00:03:49That guy's got quite a big melon, huh?
00:03:52Well, I don't see the point.
00:03:54Quintín is a very sick child.
00:03:56and needs a bubble to live in
00:03:57And we're going to help him raise the money
00:04:00For the bubble?
00:04:01So, by buying us a video game console, you sucker.
00:04:04That's a lie, man.
00:04:05lie?
00:04:07Yes, but
00:04:07You little shit, you always screw up.
00:04:10Look, actually Quintín is my cousin from my town
00:04:14I've made his head a little bigger
00:04:16I've put bags under her eyes.
00:04:18And that's it, the bubble boy
00:04:20Quintin will give us money quickly
00:04:22Look, we'll collect the small donations ourselves.
00:04:26And for the larger ones, I've put your account number.
00:04:28But Guille, do you really think people are going to buy it?
00:04:33hi guys
00:04:34And well, that's it, now they're in the hospital
00:04:36But come on, his days are numbered.
00:04:38Who are you talking about, son?
00:04:41no, nothing
00:04:41from Quintin
00:04:43We are collaborating in the parish
00:04:45because a child needs a bubble to live in
00:04:47nothing
00:04:48if you want to contribute
00:04:50Oh, poor thing
00:04:52What a head
00:04:54No?
00:04:56how much pain there is in the world
00:04:58poor creature
00:04:59Oh, what a shame
00:05:00Take that, no, son
00:05:01Let's see, what am I wearing?
00:05:03take
00:05:05And the poor man also...
00:05:06Yeah
00:05:07you're right
00:05:11poor creature
00:05:12how much pain
00:05:13Here, son
00:05:16some more
00:05:18I'm sure they are
00:05:18It was already morning
00:05:20Well
00:05:21Well, like my grandmother, everyone
00:05:22Well
00:05:24It's getting late, isn't it?
00:05:26Come on, let's go now
00:05:27Yes, no, it's going to be yes
00:05:28Yeah
00:05:28Hey, bowling alley, wait a moment
00:05:29that
00:05:30that
00:05:31uncle
00:05:31What do you give me with the pig?
00:05:33what are you doing?
00:05:34No, he knows what I'm wearing.
00:05:35uncle
00:05:36What are those damned people shouting?
00:05:39but may lightning strike me.
00:05:39without concluding the letter
00:05:41They don't pay dearly for their screams
00:05:43good morning
00:05:44how are you?
00:05:44What happened to your mouth?
00:05:45Not your mouth, Marcos
00:05:46In my heart, man, this book has touched me, it has touched me deeply.
00:05:49What did you receive? By mail
00:05:51No way, mate, it was my mom who insisted I read something during the holidays
00:05:54And this, well, as a finite thing, you know?
00:05:56Dude, this is the first time I've ever read a book in one sitting, you know?
00:05:59And in the cane, cane
00:06:01Oh, it's a kiss, how awful!
00:06:05No way, man, this is the greatest thing ever, Marcos, this is the greatest thing ever, man
00:06:08From now on, Don Juan Tenorio is my Bible, man.
00:06:11Seduction is an art, man.
00:06:13It's an art, and I just have to cram it.
00:06:15And off you go, out there to seduce and flirt.
00:06:18And bang, bang, to flirt, and flirt badly, I'm going to get rich, man
00:06:22Well, you're flirting, why don't you continue with the brother-in-law thing?
00:06:25No, no, this is better
00:06:26Brother-in-law, that one's better, huh?
00:06:28Yes, good morning
00:06:28Good morning
00:06:29How are you?
00:06:30Good morning
00:06:31Hey, we're talking about yesterday's accident at the procession.
00:06:34They've said something about Santiago Serrano
00:06:35Yes, I already said it
00:06:37That Santiago was the porter
00:06:39Yes, yes, yes, it's already happening, it's going up, going up a little bit
00:06:41This is Santiago Serrano
00:06:45But we can refer to him as Santa Justa's protégé.
00:06:48Because that's what the residents of this neighborhood already call it.
00:06:50Santiago Serrano escaped unharmed
00:06:52A miracle
00:06:53Well, it's like they've even said it on Campos's show.
00:06:56Yeah
00:06:56By the way, how are you, Santiago?
00:06:58Again, again, meat, again
00:06:59Don't worry
00:07:00The protégé of Santa Justa is doing very well, huh?
00:07:01He's not here, but he's doing very well.
00:07:03Come on, come on
00:07:03Please, it won't be
00:07:04It's not fair to see anything
00:07:05Yes, but it's not here
00:07:06Please, you are going to clear the area
00:07:07I've said it many times.
00:07:08What happened, what, what happened?
00:07:09Yes, yes, yes
00:07:10And Santi? Did we stay at this hotel?
00:07:12Santi?
00:07:13Let's go, let's go, let's go, okay?
00:07:14Let's go
00:07:15What are you doing, Santi?
00:07:18But what happened?
00:07:18What does it mean that he was almost buried?
00:07:21But what is that?
00:07:22I was dead, Diego, I was dead
00:07:23600 kilos of bricks came crashing down on me
00:07:26What do you say, damn it, man?
00:07:27Santi, damn it!
00:07:28That?
00:07:29Tell me
00:07:29I've done it again
00:07:30And now I am a new man.
00:07:31Already
00:07:32I just don't understand anything
00:07:34Let's see
00:07:34What did you do as a costalero?
00:07:36Because you and I haven't been to any procession.
00:07:37Do you want me to tell you?
00:07:39I got what was coming to me for being stingy and exploitative.
00:07:41And for having Paquillo without a contract
00:07:43One day your hair will grow even longer
00:07:45No, be quiet, what do you know?
00:07:46It was just the two of us.
00:07:47You had left
00:07:47A batch of young boys had to be downloaded
00:07:50And I was without strength.
00:07:51And I ruined it all by myself.
00:07:53And I messed up my whole neck properly
00:07:55Let's see
00:07:55Two days before the procession
00:07:57I've been a costalero for ten years.
00:07:58Taking out the Christ of Santa Justa
00:08:00And look, the sky came crashing down on me
00:08:02Thank goodness the boss
00:08:03There were two options
00:08:05Or compensate him
00:08:06Or to be a costalero (a person carrying a religious float).
00:08:07So that same afternoon
00:08:11I put on my espadrilles
00:08:13I decided to take the plunge.
00:08:14And what are you doing here, buddy?
00:08:30What happened to Paquillo?
00:08:30No, he couldn't come.
00:08:32I'm going to ask you a favor
00:08:33No
00:08:33You have no idea how lucky you are.
00:08:35Because we are all privileged.
00:08:37To be able to carry Christ
00:08:38To the miraculous one, huh?
00:08:41Yes, yes
00:08:42Kid, but he's already drunk, man.
00:08:44Look, I'm going to tell you something
00:08:46I had given up on my wife.
00:08:48That she had even bought the crown
00:08:49There and everything
00:08:50Well, suddenly in two days
00:08:52I have it at home, it's like new.
00:08:53Do you know why?
00:08:54I don't know, whether it was going to be public or private
00:08:56No, no, man, no
00:08:57Through the intersection of the Christ of Santa Justa
00:09:00I prayed to her until she healed me.
00:09:01Yeah, yeah
00:09:02Until three months ago, I was in a wheelchair.
00:09:06I was saying to Christ
00:09:08And today I am here
00:09:09What a big deal
00:09:11That's valid, buddy
00:09:17Christ, blessed glory
00:09:19Long live the Christ of Santa Justa!
00:09:21Bye bye!
00:09:25What happened?
00:09:27Where is the brachio?
00:09:28I don't know, this guy has come
00:09:29Blessed glory, blessed glory
00:09:31You can't even breathe here
00:09:32Calm down, man
00:09:33Who doesn't get used to it quickly?
00:09:35You stay there
00:09:35Well, I don't know, just the idea, huh?
00:09:37I have a lot of fatphobia.
00:09:38Imagine you are carrying Christ on your shoulders.
00:09:41And that is the greatest privilege one can have
00:09:44What privilege, what privilege?
00:09:45There's no stopping us here
00:09:46Don't run into the air
00:09:48There's no window or anything
00:09:49Furthermore, let me tell you something.
00:09:51The Christ of Santa Justa will thank you for it.
00:09:53Do you know how my son was saved from becoming stupid?
00:09:57There, Christ, Christ
00:09:58But!
00:10:00Go ahead and take the smoke to your balls, man!
00:10:02That?
00:10:02Show some respect, man.
00:10:03I am under Christ
00:10:04Christ?
00:10:06Santiago?
00:10:07Santiago!
00:10:11Santiago!
00:10:11Do we have to go to church?
00:10:13Yes, yes, yes
00:10:14Sorry, sorry
00:10:15And now you're going to church at nine thirty?
00:10:18Which I think is fine, right?
00:10:19In other words, any time is a good time to go to church
00:10:21But no, it's the same.
00:10:21You can tell me later, okay?
00:10:22What you had asked me for
00:10:24Oh, thank you so much!
00:10:25Bye
00:10:30I was waiting for me to say something
00:10:34God forbid
00:10:37Marcos, Marcos, wait for me
00:10:39Listen to me, listen to yourself
00:10:40Here is Don Juan Tenorio
00:10:43And there is no man for him
00:10:44From the haughty princess
00:10:46To the one who fishes in a dilapidated boat
00:10:48There is no woman I wouldn't endorse
00:10:50Oh my goodness, how beautiful!
00:10:51There is no woman I wouldn't endorse
00:10:53Uncle, uncle
00:10:55This turkey
00:10:56That guy was getting all the girls, man.
00:10:58And do you know why he took them all?
00:11:00Because he seduced them
00:11:01That's the key
00:11:03Seduce
00:11:04Flirting is fine
00:11:04That's fine, but the key is to seduce.
00:11:06And how do you seduce?
00:11:07With strategy
00:11:08Hey?
00:11:09You have to eat it in the ear.
00:11:10But okay
00:11:11And they fall, man.
00:11:11They're sure to fall.
00:11:12Like flies
00:11:12Yeah, man, sure.
00:11:13So, this
00:11:14This is strategy
00:11:15Okay?
00:11:16And the strategy works.
00:11:17And I'm going to prove it to you.
00:11:19I'll prove it to you.
00:11:19I will seduce whoever you tell me.
00:11:21The most difficult one you can think of.
00:11:22Raul, you're sick
00:11:23Raúl
00:11:24Come on, man
00:11:25Look, one with a boyfriend
00:11:27Okay?
00:11:28Like the marriageable woman in the book
00:11:29Doña Ana de Pantoja
00:11:31They're talking to me about Isabel.
00:11:33My soul falls in love
00:11:35He falls in love with me
00:11:36And so
00:11:36Just tell me who.
00:11:38My honor is at stake.
00:11:40And while we're at it
00:11:41If that's the case, we'll bet a hundred euros.
00:11:42We give it excitement
00:11:43One hundred euros?
00:11:45Yeah
00:11:45To one with a boyfriend?
00:11:49Damn, Africa's really gone after the coach, man.
00:11:53That's love, and everything else is nonsense.
00:11:55Well, if one has a boyfriend, a new one
00:11:57Seduce Africa
00:11:58Look
00:11:59As?
00:12:00Africa
00:12:01One hundred euros
00:12:03A week
00:12:04Two days
00:12:05With a couple of
00:12:06The Don Juan of Santa Justa is not afraid of anything.
00:12:10Cioti
00:12:12I mean, Chucli
00:12:13You will be my noble helper
00:12:15Ah, then, I am your noble helper.
00:12:17We're at 50%.
00:12:18A 50-50
00:12:19Hey?
00:12:20I get 50 euros
00:12:21Damn, my man is bleeding
00:12:23I'm bleeding
00:12:24Let it be known that this pays me.
00:12:26Well, Quintin will thank you for it.
00:12:28And what is the bubble worth?
00:12:31Uh, one million euros
00:12:32But Quintín will live inside, won't he?
00:12:35Of course
00:12:35And how big will it be?
00:12:37Oh, well, it will be enormous.
00:12:38You don't see the size of super gold
00:12:40Come on, you put in the 10 euros
00:12:41Come on, there
00:12:42Already
00:12:42Already
00:12:43Already
00:12:44Already
00:12:44Already
00:12:44Already
00:12:44Already
00:12:45Already
00:12:45Already
00:12:46It's turning out better than I thought.
00:12:47Well, even my sister came in.
00:12:49Shh
00:12:50Quintín, what for?
00:12:51We've raised about 200 euros
00:12:52More or less, is that enough?
00:12:54That's very good, Maritela.
00:12:55Well, Quintín is going to have a bubble
00:12:56I've come across Michael Jackson
00:12:58Can anyone tell me...?
00:13:01Who is Quintín?
00:13:02Quintín is a boy from the neighborhood
00:13:03He is sick
00:13:04And he needs a bubble to live in.
00:13:05And we're raising money
00:13:06To buy it
00:13:07What do I know, Quintin?
00:13:09Yes, well
00:13:10We've been asked to do it at the parish.
00:13:11Quintín, did you leave it in the folder?
00:13:14Wait, Curro
00:13:14I almost gave it to her myself.
00:13:15No
00:13:15Curro, give it to me
00:13:16Curro
00:13:16Curro, go to class, go on.
00:13:24But go
00:13:26It seems that Quintín has had several different head sizes.
00:13:29Yes, well
00:13:30That's what the disease is about.
00:13:32Guillermo Serrano, give me the pig
00:13:35Come on, sweetheart, I have to stay on my arm
00:13:36Give me the bottle
00:13:37Seriously, Guille
00:13:41I knew you were a hooligan
00:13:42But I could never imagine
00:13:44That it could become so cruel
00:13:45Okay guys
00:13:48Just so you know, Guillermo Serrano and his friends
00:13:50They have taken advantage of your good will
00:13:52To take your money
00:13:53So now you know
00:13:54What kind of friends do you have?
00:13:55But that's true.
00:13:56Hey, wait a minute, wait a minute
00:13:57But then that child isn't real
00:14:00Of course it's real
00:14:02He's my cousin Javi
00:14:02Only with a little more melon, look
00:14:04Do you think you know everything at your age?
00:14:06Well, I'm three times your age.
00:14:08So when you go, I come
00:14:09She walks like Chenoa
00:14:10She walks like Chenoa
00:14:11Hi, I'm Guille
00:14:13I'm a clown
00:14:14The TV clown
00:14:15I mean
00:14:19You're trying to make money
00:14:21Taking advantage of people's compassion
00:14:22And on top of that, you laugh
00:14:24Well, I don't find it funny at all.
00:14:26What do you want me to say?
00:14:27And I think you've gone too far this time
00:14:28So you're already returning all the money
00:14:30And then you
00:14:31And your band
00:14:32Clean up all the chewing gum in the school
00:14:34And let me make one thing clear.
00:14:35You'll never give it to me.
00:14:38Never
00:14:39We'll see about that.
00:14:43So, what else?
00:14:45For Barbecue
00:14:46Half a suckling pig chop
00:14:48Half a chorizo
00:14:49Half a blood sausage
00:14:49For Barbecue
00:14:51Diego
00:14:52No, what he left in the way
00:14:53But we were making good progress
00:14:54Until
00:14:55Again?
00:14:56From Santa Justa
00:14:57Go up, go up
00:14:57Let's see, what does it say?
00:14:59And a mirage
00:14:59They got me out without a scratch
00:15:01Without a scratch
00:15:02I wish I hadn't told anyone.
00:15:04600 kilos of bricks
00:15:06They fell on top of me
00:15:07So, according to you
00:15:08Could we be talking about a miracle?
00:15:10No, we might not.
00:15:11We are
00:15:12We're talking about a miracle
00:15:13A miracle?
00:15:14Christ has done
00:15:15A miracle
00:15:15For me, very big
00:15:17Now I'm just thinking
00:15:18How to get back
00:15:19How to get back?
00:15:20The brother's gone off the rails, man.
00:15:22What will he want to do?
00:15:23He through Christ
00:15:24What will he want to do?
00:15:25Well, let him buy her a little something.
00:15:26So, with the loincloth and all
00:15:28For winter
00:15:28You're laughing at me
00:15:30Oh!
00:15:30No way, no way
00:15:31God forbid, Santi
00:15:32God forbid, Saint
00:15:32Saints
00:15:33Urbi etorbe
00:15:34Okay, Fite
00:15:35Enough with the teasing
00:15:36But adventurous
00:15:38Those who are persecuted
00:15:39And insulted because of me
00:15:41Rejoice and be glad
00:15:43Because your reward
00:15:45It will be great in heaven
00:15:46Very good
00:15:47Ole!
00:15:48Ole!
00:15:49That there
00:15:49Yacht
00:15:50Oh well
00:15:50You haven't lived what I've lived.
00:15:53Haven't you experienced what my brother has experienced?
00:15:55That has lived
00:15:55Well, I don't really know what he's been through either.
00:15:58Because the story hasn't been fully told
00:15:59Because it's not interesting
00:16:01Yes, yes, yes
00:16:01Yes, yes
00:16:02I'm not interested
00:16:03What interests you interests me
00:16:05Because you are my brother
00:16:06In other words, what interests you
00:16:07Well, we're interested.
00:16:08Oh, really?
00:16:08Yeah
00:16:08Well, I was there
00:16:11Under the step
00:16:12When suddenly
00:16:15The catalog was produced
00:16:17Come on, brave ones!
00:16:19To heaven with him!
00:16:26Let's see what happens!
00:16:27What's happening?
00:16:27The bee won't fall here!
00:16:29Long live the red wine of Santa Justa!
00:16:31Viva!
00:16:32I can't stand it!
00:16:33I can't stand it!
00:16:34I can't stand it!
00:16:35I can't stand it!
00:16:36I can't stand it!
00:16:37I can't stand it!
00:16:38I can't stand it!
00:16:38I can't stand it!
00:16:39I can't stand it!
00:16:40I can't stand it!
00:16:40I can't stand it!
00:16:41I can't stand it!
00:16:42I can't stand it!
00:16:43I can't stand it!
00:16:43I can't stand it!
00:16:44I can't stand it!
00:16:44I can't stand it!
00:16:45I can't stand it!
00:16:46I can't stand it!
00:16:47I can't stand it!
00:16:48I can't stand it!
00:16:49I can't stand it!
00:16:50I can't stand it!
00:16:51I can't stand it!
00:16:52I can't stand it!
00:16:53I can't stand it!
00:16:54Do you see the light?
00:17:24Follow the light!
00:17:45And there I was, face to face with the Christ of Santa Augusta.
00:17:49And from that moment, today, following its light.
00:17:52Yes, following the light of the fireman's flashlight.
00:17:55Damn, he said so himself, there was a fireman and a flashlight.
00:17:57Okay, okay, Fiti, don't talk nonsense because what happened to my brother is very big and very beautiful.
00:18:01I mean, something really big and really beautiful has happened to him, yes, Santi, yes, yes, yes.
00:18:04But that's just a matter of luck, damn it.
00:18:07That's like earthquakes, if you get caught in the air pocket, you're saved.
00:18:09If the crack catches you, well, you just clap your hands and that's it, it's over.
00:18:11Fiti, Fiti, no, no, no, Fiti, don't bother me.
00:18:13Don't bother me about that because you're wrong about this story.
00:18:15The important thing is that my brother is okay.
00:18:16That's what's important.
00:18:17Okay, brother, that's fine, okay?
00:18:19It doesn't happen to me, as usual, I'm going to play devil's advocate.
00:18:24Under this neon light I'd eat your whole melon.
00:18:29Under this neon light I'd eat the whole mussel.
00:18:34You've given him the mussel there, that's where it's black or opaque.
00:18:36Well, there's the idea, there's the idea.
00:18:37Now, let's get a little more precise, okay?
00:18:39Under this neon light, I would open my heart to you.
00:18:47Hey.
00:18:49Dude, I'm an artist, it's awesome.
00:18:51Zorrilla, if he's making a fortune.
00:18:53Okay, let's see.
00:18:55Where is?
00:18:56There they are.
00:18:57The time has come, Ciutti.
00:18:58I mean, Chucky, you get the other one out of the way, okay?
00:19:01Come on, champ.
00:19:02Come on.
00:19:04Eva, you see, I have a question.
00:19:06The integrals, damn it, I didn't understand them.
00:19:10Your breasts captivate me.
00:19:11There are peaches in syrup.
00:19:14And hunger takes hold of my mind.
00:19:16Or, who is the tooth in the face?
00:19:20Wow, it's big, it's heavy.
00:19:27Calm down, my Africa.
00:19:28Rest here for a moment.
00:19:30Feel my contented chest and share in my joy.
00:19:33But what great breasts and what joy, Raúl, leave me alone.
00:19:39Chucky, dude.
00:19:40My drawer.
00:19:42What, how many wheels are there?
00:19:43I don't know, I don't know, I don't know, man, I don't know.
00:19:44Something's not right, Chucky, something's not good, you know?
00:19:46So, we're in the final stretch, there are two days left and we're going to lose 100 euros.
00:19:49Well, you're going to die, die.
00:19:50What do you mean, I'm going to die?
00:19:51You'll be the one to die.
00:19:51No, no, no, we're dead, we're dead, Chucky, we're dead.
00:19:53But how annoying, right?
00:19:56I'm sure she likes you, dude.
00:19:58Well, since it gets stuck in his head, he won't leave you alone, huh?
00:20:01Yes, well, if she comes back to me with those rhymes again,
00:20:03I'll do the Jackie Chan thing.
00:20:04A kick in the balls.
00:20:06But is it pork?
00:20:15No.
00:20:18Wanna.
00:20:23Holy shit, that's a miracle, dude.
00:20:31At your house or in the mine?
00:20:33Right here, isn't it?
00:20:35That?
00:20:35Oh, no, wait, I mean, wherever you want, Chucky, wherever you want.
00:20:42Okay, see you later.
00:20:46Now you're screwed for being so clever.
00:20:49This is going to be a disaster, huh?
00:20:51This time we're returning the favor.
00:20:54Let that be perfectly clear, and also, you should never give me anything.
00:20:57You're going to shit yourself, man.
00:21:01You'll be picking bonitos until you get one, hunchback.
00:21:05What are you doing?
00:21:07Hey, nothing, Largo, get lost.
00:21:08Do you want me to help you?
00:21:09No, I don't want to get caught.
00:21:11Come on, get out.
00:21:11Well, that's fair, you never let me help you.
00:21:22I promise I won't screw up this time.
00:21:25Cruto, what's happening?
00:21:26Are you talking to yourself?
00:21:27No.
00:21:28No.
00:21:29So who are you talking to?
00:21:34With...
00:21:34With...
00:21:35What are you doing?
00:21:45Hey?
00:21:46Nothing, nothing.
00:21:48Is something wrong?
00:21:49No, not me.
00:21:51But Currito might.
00:21:54Currito?
00:21:54What's wrong with Currito?
00:21:56Well...
00:21:57Did I catch him talking to himself?
00:21:58Talking to yourself?
00:21:59Yeah.
00:22:00Yeah, but that's not a bad thing either, is it?
00:22:01Because, well, I often talk to myself.
00:22:03Well, and your mother doesn't want to tell you what she's talking about, come on.
00:22:05I don't know anymore.
00:22:05Come on, talking to yourself isn't so bad after all.
00:22:07No, Diego, it worries me.
00:22:08Maybe he feels lonely.
00:22:09And what he's done is invent an imaginary friend.
00:22:12A what?
00:22:13An invisible friend.
00:22:14Ah.
00:22:15And that's bad about the friend...
00:22:16No.
00:22:17The thing is, with Curro's age, well...
00:22:19It's strange.
00:22:20Let me fix it.
00:22:21I'm talking to Fermín, who's a real expert at this.
00:22:23Fermín, understand these things...
00:22:24I almost spoke to Fernando.
00:22:25I mean, Fernando.
00:22:26Take care, hurry up, we have to prepare the barbecue.
00:22:28Yeah.
00:22:32An imaginary friend, huh?
00:22:35You're going to shit yourself.
00:22:36Okay, barbecue!
00:22:37It already smells!
00:22:38What a burden!
00:22:39How are we?
00:22:42Fiti, and Raúl, aren't you coming?
00:22:44No, I don't know.
00:22:45Wait, this is Marita.
00:22:47Wait a minute.
00:22:48How is this?
00:22:48He's not coming because he's with Africa.
00:22:52Is he with Africa?
00:22:53In other words, they hooked up.
00:22:54But, let's see, Africa wasn't with the coach, what is this, huh?
00:23:00She caught him hooking up with another woman.
00:23:02And Africa grabbed Raul and kissed him passionately in front of him.
00:23:05Very strong.
00:23:07Look, but when Raúl and África got together, I mean, África had already broken up with the coach, right?
00:23:12Of course, man.
00:23:13Oh, well, I mean, no.
00:23:15No, no, no, no, no, no, no, no, no, no.
00:23:16Ugh, no, no, no.
00:23:17And the lucky fabric that fits isn't coming.
00:23:20Ugh, this is the 8 o'clock mass with Lurditas, who has become completely pious.
00:23:24Already.
00:23:24Fiti, less of a puppy, huh?
00:23:26That's what I say.
00:23:27Faith is a very personal matter, it's not something to laugh about, you know?
00:23:30But hey, I'm not laughing at faith, I'm laughing at faith.
00:23:32I laugh at Santi, who's like Machi's maraca, when he's not into yoga, he's into judo.
00:23:36Hey, you're not explaining yourself, it's worse, Fiti, okay.
00:23:38But that's not it, damn it, it's Santi, for crying out loud, he's a real country bumpkin, when he gets hold of something he doesn't let go.
00:23:45And this is very dangerous, we must be careful, because religion is the opium of the people.
00:23:48And it seems to me that he's smoking everything and losing his mind.
00:23:51No, Fiti, it's not going away, it's not going away.
00:23:54No, I'm telling you that my brother is very normal and he's not overdoing it, he's very normal and he's telling us to eat and to be quiet, come on.
00:24:00Hey, Santi?
00:24:01Hello hello.
00:24:02Hello, hello, hello, hello.
00:24:32And I will fulfill the commandments of God's law.
00:24:34Ah, very good.
00:24:35And I will keep holy the holy days of obligation.
00:24:37By the way, Diego, we have to close the tavern on Sundays.
00:24:42That's it, that's it, sir.
00:24:43I saw you there, loose.
00:24:44Yes, Diego, damn, closing a tapas bar on Sundays is an awesome idea.
00:24:48Hey, Santi?
00:24:48After that, what are you going to do?
00:24:51Laugh all you want, but they're going to confirm it for me tomorrow.
00:24:55Did he say confirm?
00:24:57Confirm, confirm, he said confirm, yes.
00:24:59How lovely, wasn't that 16?
00:25:02Ma'am, that's when you feel it.
00:25:05I have felt it now and I hope that you will feel it someday and be as happy as I am now.
00:25:11Don't get too cocky, Santiago, okay?
00:25:13That I am an old Christian.
00:25:14That's why I'm talking to you about what I'm talking about.
00:25:16Clear.
00:25:17And I hope you will all join me tomorrow on this very happy day.
00:25:23We will accompany you, Santi, we will accompany you.
00:25:26Okay, guys.
00:25:29Today Lucia has belittled us, humiliated us and what is worse, challenged us.
00:25:36But we're going to get this back, okay?
00:25:38As?
00:25:39Lucía, my stepmother, thinks my little brother has an imaginary friend.
00:25:44What she doesn't know is that this friend really exists.
00:25:47Huh? And who is it?
00:25:48That's what we have to think, Zenú, man.
00:25:51Let's see.
00:25:52We have to make Lucia believe that my brother has an imaginary friend.
00:25:56A terrifying friend.
00:26:00We need to create a monster.
00:26:02You know a monster, dude?
00:26:03Well, we'll put scars on his face.
00:26:05Yeah.
00:26:06Let him foam at the mouth.
00:26:07And that he has bloodshot eyes.
00:26:10That's really good, huh?
00:26:11The thing is, the monster has to be invisible, it can't be seen.
00:26:16Let's see, we have to think of things that disgust Lucia, for example.
00:26:19I don't know, let them disgust Lucia.
00:26:22Well, let him fart in a chain.
00:26:25Farts are invisible, right?
00:26:28Okay, guys.
00:26:30We need to use a little imagination, okay?
00:26:33What we need to do is make Lucía terrified.
00:26:37Come, Currito, come.
00:26:44Let's see.
00:26:46Come here.
00:26:47Hey, no, relax, come here, I'm not going to do anything to you.
00:26:49Come.
00:26:51You wanted to be one of us, didn't you?
00:26:54Well, and to play pranks like we do, right?
00:26:56Yeah.
00:26:57Very good.
00:26:58Well, we're preparing one now, you know?
00:26:59But you have to do it right.
00:27:02So pay close attention to me.
00:27:07But why do you want me to pick up the razor blade?
00:27:10Grab it, knife, grab it.
00:27:14Besides, it's dangerous, and no, I don't like blood either.
00:27:19No, take the knife.
00:27:21But why do you want me to do that?
00:27:23No, not that.
00:27:24No, my parents might get angry.
00:27:27But why do you want me to put crystals in the food?
00:27:31No, I'm not going to fire him.
00:27:34And what about the pills?
00:27:37Why do you want me to put pills in the stew?
00:27:39No, they're for sleeping.
00:27:41No, here.
00:27:44Scissors?
00:27:47No, absolutely not.
00:27:49I don't want to cut anyone off.
00:27:52No, here.
00:27:53Leave me alone, leave me alone, leave me alone.
00:27:54Well, there you have it.
00:27:55What are you doing, son?
00:27:56Nothing, nothing.
00:27:59And what about these blades, pills, and scissors?
00:28:02How many times have I told you that this is off-limits?
00:28:04I know he was playing around.
00:28:06Were you talking to someone?
00:28:08No.
00:28:10Yes, I work.
00:28:11Were you talking to someone?
00:28:13No.
00:28:14Really, Lucia, no.
00:28:24Curro, come here.
00:28:26Come here, come on, come.
00:28:27Let's see.
00:28:29Look, darling, I heard you.
00:28:32I heard you talking to someone.
00:28:33No.
00:28:34So you do have an imaginary friend?
00:28:37Hey?
00:28:38Let's see, work.
00:28:42No problem.
00:28:43Seriously.
00:28:45No problem.
00:28:45You just have to tell me.
00:28:47No, really, Lucia.
00:28:48I don't have any imaginary friends.
00:28:51Leave me alone, I'm about to poop.
00:28:52Okay.
00:28:54Okay.
00:28:54What, how did I do it?
00:29:21Awesome, little brother.
00:29:23You're a genius.
00:29:24Better than the mother, sister-in-law.
00:29:26This one's going to the Oscars.
00:29:27Safe.
00:29:27So can I come with us to play foosball?
00:29:29Yes, yes, yes.
00:29:30Yeah, dude, yeah.
00:29:32First you need to write down the text of the next performance, okay?
00:29:35Yeah.
00:29:35Sometimes I see a child that nobody else sees.
00:29:40What's happening?
00:29:41What's happening?
00:29:44I'm going to part with the hundred euros I've earned from you, mate.
00:29:46I am the king of strategy.
00:29:50What's happening?
00:29:51Ask me how it went, won't you?
00:29:52You're just jealous.
00:29:53As?
00:29:54How did it go?
00:29:55Well, I went there, I applied the strategy.
00:29:57Well, it's basically a few kisses from the master Zorrillas.
00:30:01I ate it well, the little ear, and then I finished eating the whole mouth.
00:30:04Hey, dude, dude, it wasn't good.
00:30:06The problem is that the money issue isn't going to work out.
00:30:10Oh, you don't believe me, do you?
00:30:11You don't believe me.
00:30:11Well, it's okay, it doesn't matter.
00:30:12I'm already prepared for that, okay?
00:30:14Touchum!
00:30:15Ha!
00:30:17And so?
00:30:18The proof of the crime!
00:30:19The proof of the crime!
00:30:21Come on, did you know it was so badly fastened?
00:30:22Yes sir.
00:30:24I'm the fucking boss, dude.
00:30:25The fucking boss.
00:30:26That fucking Don Juan from Santa Justa, dude.
00:30:28All at my feet.
00:30:29I want them all for myself.
00:30:30I'm going to hook up with all of them.
00:30:30I'm going to seduce the whole neighborhood.
00:30:31Yeah.
00:30:32Yeah!
00:30:32Yeah!
00:30:33Yeah!
00:30:33That's true, but you don't have to have any guts, huh?
00:30:35I mean, you're a genius, dude.
00:30:36Yes sir.
00:30:36Yes sir.
00:30:37Yes, yes.
00:30:37But stop sucking up to me and take it easy.
00:30:38Okay, 100 euros.
00:30:39No, I'm telling you, the money thing just isn't going to work out, Raúl.
00:30:41No, because the plan was to seduce Africa because she had a boyfriend.
00:30:45She had a boyfriend.
00:30:52Come on, come on, Marcos.
00:30:53You can feel it, you can feel it.
00:30:54No, no, no, we'll talk about this.
00:30:56Marcos, Marcos.
00:30:56Yes, yes, Santi.
00:30:58Santiago, if I say yes, it means yes.
00:31:01Listen to me, man, please, I'm telling you.
00:31:03Diego, I'll go to Mercamadrid for you, don't worry.
00:31:05Let's see, where?
00:31:06Yes, and where do you have to go?
00:31:09To catechesis.
00:31:12But no, no, I haven't said anything.
00:31:13Santi, I'm not saying anything, sorry, I haven't said anything.
00:31:16Yes, don't worry, I'll open the tavern, okay.
00:31:19And with your spirit, Santi, and with your spirit.
00:31:26Bye bye.
00:31:28Forgive me, with your spirit?
00:31:29Yes, it's going too far, isn't it?
00:31:32Well, I don't know, maybe a little.
00:31:34No, no, no, no, no, it's the hot bath, so...
00:31:36So I'm starting to get scared because...
00:31:38So religion is fine, you know, it gives you a lot of comfort and all that, but I don't know.
00:31:43If Santi is a hick, he's a hick.
00:31:45She's cult material, Lucia, she's cult material and things are getting out of hand.
00:31:48Hey, one thing, let's see if what we think is illumination is actually a head injury, I mean...
00:31:56No, no, no, because he hit himself very hard.
00:31:58I know, but they already did the tests at the hospital.
00:32:01That's true.
00:32:03So, they already did the tests at the hospital for the...
00:32:05Well, it's lighting.
00:32:07Lightning.
00:32:09That must be it.
00:32:09But they light up!
00:32:20And you step forward from the mirror...
00:32:22And sometimes his eyes almost popped out of their sockets, and what he said was...
00:32:25Dude, I'm still cracking up about Lucia's hideout.
00:32:28How do I swallow?
00:32:29Yes, well, it wasn't bad for a start.
00:32:31But we need to go further.
00:32:33We need to give the friend of the ass a shocking touch.
00:32:35What if we make it talk with its finger, just like the child, in the span?
00:32:38No, man, no.
00:32:39How do you get through?
00:32:40Sure, like the kickers, right?
00:32:42Come on, don't talk nonsense.
00:32:43Well, dude.
00:32:44A good log, isn't it?
00:32:45So, are you scared?
00:32:46Are you trembling with fear?
00:32:47No.
00:32:48And you, Musti?
00:32:49Well, we need to think of something scary.
00:32:52Come on, guys.
00:32:54I could speak in Latin.
00:32:56Clear.
00:32:57Or in Arabic you can already learn cabas with your father.
00:33:00The tree trunk that is only nine years old.
00:33:01Well, what do I know? It's like in horror movies, they have that thing about dead languages.
00:33:06His brain is indeed dead, Musti.
00:33:08Okay, guys, what's going on with you?
00:33:09You have fewer neurons than teretabis.
00:33:11Okay, we need to think of something that will make a splash, something with real energy.
00:33:15Hey, what happened to you, bro?
00:33:17Look, I was playing football and I dribbled past Rubén and look what he did to me.
00:33:22Let's see.
00:33:23No, no, no, it stings a lot.
00:33:25My brother is a genius.
00:33:26You wanted to know, being one of us, right?
00:33:31Very good.
00:33:33Well, now you're going to Lucia.
00:33:34And you're going to tell him that your sinister invisible friend did it to you.
00:33:38Capechi?
00:33:39Capechi what?
00:33:40Did you understand, shorty?
00:33:42Well, now go and tell Lucia.
00:33:44Come on, let's go.
00:33:45Hey, I think we're going a bit too far, don't you?
00:33:49Already.
00:33:50That's a shame.
00:33:52Because we had thought about going to play pool and foosball this afternoon.
00:33:55Well, we wanted you to come.
00:33:58Right, guys?
00:33:58Place.
00:33:59But hey, let's play foosball with you there.
00:34:01Okay, now, the majesty you like so much, the one who fights.
00:34:04Okay, I'll give it to him.
00:34:07I swear, since I've been with Raúl I don't even remember the coach anymore.
00:34:11You're a bit fickle, Afri.
00:34:12No, this guy is awesome.
00:34:15We're talking about the same Raúl, right?
00:34:17Okay, Eva.
00:34:18I admit that Raúl may seem a little simple at first.
00:34:22Very.
00:34:24Very simplistic.
00:34:24But then the intimacy is so tender, so romantic, and so horny at the same time.
00:34:29Yeah.
00:34:30I'm sure your brother-in-law recited Neruda to you.
00:34:32I like it when I've made you a brother-in-law.
00:34:35Oh, how does he know?
00:34:37Not at home.
00:34:38And then there's the fact that he looks great, because dressed like that he looks like a little rascal.
00:34:42But then she takes off her clothes and deep down she's just a fiber.
00:34:45Okay.
00:34:47You haven't made it to the end, have you?
00:34:50Not until the end, not until the end.
00:34:51But in my excitement I lost my bra.
00:34:53I won't say any more.
00:34:55Look, there's my boy.
00:34:56Look.
00:34:57Hello.
00:34:57Hello.
00:34:58I'm burning up, I'm burning up.
00:35:01There it goes, there it goes.
00:35:03Broken, it's broken.
00:35:06Eating out of my hand.
00:35:07Yes, yes, milk.
00:35:08One detail, it's not valid for the juxta.
00:35:10So...
00:35:11You have one day left, Raúl.
00:35:12One day.
00:35:13Marcos, you don't know me.
00:35:16Okay?
00:35:16You are speaking with Don Juan Raúl de Santa Justa.
00:35:19Okay?
00:35:19I give them the tiger's stare.
00:35:21I nibble their ear a little and they drop dead.
00:35:23We are?
00:35:24The tiger's gaze?
00:35:25Yes sir.
00:35:25The eye of the tiger.
00:35:26My father taught it to me.
00:35:27We are?
00:35:28Hello.
00:35:29Hello.
00:35:29How are you?
00:35:30How are we?
00:35:32But good, right?
00:35:33Piquenso is a miracle of nature.
00:35:35I mean, it fits me well.
00:35:36Pigeon.
00:35:37The crazy one.
00:35:38Chunga?
00:35:39Chunga.
00:35:40What's happening?
00:35:40Does it itch?
00:35:41No.
00:35:42They call it "la chunga" because "palicaga" is a bit dodgy, you know?
00:35:44No way...
00:35:45He's going to be a nun, Raúl.
00:35:47She's helping Lurditas with confirmations and stuff.
00:35:49Dude, dude.
00:35:50Just like in the book.
00:35:51Just like in the book.
00:35:52A novice.
00:35:53Like Doña Inés.
00:35:55How cool!
00:35:56That's going to be the next one.
00:35:57Kid, prepare the pasta.
00:35:58Are you going to make the pasta for me?
00:35:59Raul, Raul, this aunt is like a pelican.
00:36:00You understand me?
00:36:01It's a Numantia.
00:36:01It is a Numancia in itself.
00:36:03I don't know what...
00:36:04Okay, okay.
00:36:05I forgive you for the bet, man.
00:36:07Okay, fine?
00:36:08Come on, kid.
00:36:09Marcos, when Don Raúl de Santa Justa makes a bet, what he's betting is his honor, okay?
00:36:14So for him, for him, let him continue, let the plan continue without fear.
00:36:22You're wrong, aren't you?
00:36:25Well, whatever, if you've decided, then go ahead.
00:36:28But the 100, see if you can give it to me in 10-euro notes, I like that, you know?
00:36:33One good thing.
00:36:34You will border the dust.
00:36:36Sweet potato.
00:36:38Sweet potato, sweet potato, sweet potato.
00:36:40So what do we do now?
00:36:42Come on, Ciutti.
00:36:43There is a lot of work to do.
00:36:43Well, confirmation is the sacrament that gives the Holy Spirit
00:36:58to incorporate ourselves more firmly into Christ.
00:37:02Oh! Santiago!
00:37:04But...
00:37:05Oh my God, nothing's wrong, it's just that we have a place here.
00:37:09Okay, now I'd like you to tell me what motivated you to want to do the confirmation.
00:37:14Rooms.
00:37:16Uh, well, I mean, for hundreds of reasons.
00:37:23Okay, fine.
00:37:24And you, Raúl?
00:37:25Raul.
00:37:36Raul!
00:37:37Me, me for a dove.
00:37:40La, la, for dove, la, for what...
00:37:43The, the dove, the Holy Spirit.
00:37:45Very good, that's it, that's it.
00:37:48Hey, José Luis!
00:37:49We were waiting for you, what a joy.
00:37:51Happens?
00:37:51Hello.
00:37:52Hello, José Luis.
00:37:53Hello.
00:37:53Hi, what do you think?
00:37:55Well, José Luis is now going to tell us about his life as a Christian dedicated to charity.
00:38:00For many years he has been working in Africa as a missionary.
00:38:03The missionary.
00:38:05Among his most important works is the help he gave to the Jesuit fathers in building...
00:38:09With all the things you have to do for fifty euros, huh.
00:38:12Now, José Luis, we would like you to share that experience with us all.
00:38:16Have you always felt the call of charity?
00:38:19No, no, I didn't even know what that was before the miracle.
00:38:23Because I came to God through a miracle.
00:38:25I owned a bar and I worked myself to death.
00:38:28But he never spent a penny because he was obsessed with saving.
00:38:32But he was very lonely.
00:38:34And the more I hoarded, the more alone I became.
00:38:39Until one day I suddenly had a very serious accident in which I almost lost my life.
00:38:45And that day I saw the light.
00:38:49Because being Christian means committing to our disadvantaged brothers and sisters.
00:38:54Well, that's all.
00:38:55Thank you all so much for listening.
00:38:57Very good, José Luis. Thank you very much.
00:38:59Thank you.
00:38:59You'll accompany me.
00:39:00Bye bye.
00:39:01See you later.
00:39:04Agnes.
00:39:05Agnes.
00:39:06Agnes.
00:39:07Pigeon.
00:39:09Pigeon.
00:39:10Pigeon.
00:39:10That...
00:39:11Isn't all this beautiful?
00:39:15That...
00:39:15Well, it's my first day here today.
00:39:17But, mind you, I liked it so much that I was left wanting more.
00:39:21It left me wanting more, that's for sure.
00:39:22And, well, I was wondering if, I don't know, maybe you could, well, spare a few minutes, right?
00:39:27To clarify and...
00:39:29AND...
00:39:30Okay.
00:39:31Okay.
00:39:34Which woman?
00:39:38She's an angel.
00:39:40I think he likes me too.
00:39:42Did you see how he was looking at my lips?
00:39:44Well, even if I look at your uvula, buddy, that...
00:39:46Look, I've already spent my 50 euros, okay?
00:39:48Things are getting really cool, so let's go.
00:39:50And I tell him, no, not that, I don't like it.
00:39:53I don't want to play with blades, but do you really think this is normal for a child?
00:39:56Let him do that thing on his own, dude.
00:39:58Well, as long as I don't get it twisted around in my head or vomit green, I wouldn't worry, okay?
00:40:01But he forces him to play with blades, because he has an invisible friend and a knife-wielding man.
00:40:04That the secret Santa thing is normal, okay.
00:40:06But the child is three years old, not the age that Curro, Candela, is.
00:40:09Be born in me.
00:40:10I'm almost 40 and I have an invisible husband, daughter.
00:40:12I'm going to tell yours that I'll put an extra bed for him there in the tavern, because he never comes home...
00:40:16I don't know, maybe he feels lonely.
00:40:18Or is it not integrated?
00:40:19One of two?
00:40:19What guy?
00:40:22It's just another ham in the tavern, man.
00:40:24Oh no, work.
00:40:25Curro, dude.
00:40:26Go for it!
00:40:27Curro is really lively, you can't see the gang he has, you can see that he gets along with everyone.
00:40:29Well, maybe it's a psychological problem.
00:40:31No, that's just black people stuff.
00:40:32Work, work, work.
00:40:33Are you okay, honey?
00:40:39But seriously, who did that to you?
00:40:41I just didn't want to tell you.
00:40:45She is crying.
00:40:47Hey, what's up, Curro?
00:40:50Come on, tell me.
00:40:53I have been my own friend.
00:40:54Which friend?
00:40:56The thing is...
00:40:57Sometimes I see a child that nobody...
00:41:02And that boy, what's his name, Angelo?
00:41:06Lucy, her name is Lucy.
00:41:08Oh, so your imaginary friend is a girl.
00:41:10No, I call her Lucy, but her real name is Lucifer.
00:41:19Okay, Lucifer, right, Curro?
00:41:22And tell me one thing, is Lucifer among us right now?
00:41:26Yeah.
00:41:32And what exactly does Lucy tell you?
00:41:36Uh, well...
00:41:37Oh, leave me alone, Lucy!
00:41:39Yes, I'll tell you.
00:41:41Well, let him put crystals in the omelet and...
00:41:44have her take the shaving spoons.
00:41:47I won't deny it, the kid's a real pain, huh?
00:41:48And that it hurts Lucia.
00:41:56Why do I work?
00:41:58Why does he tell you to do bad things to your mother, Curro?
00:42:01Because she has a grudge against her.
00:42:03This morning he told me to get a pair of scissors.
00:42:06and cut off one of her ears.
00:42:10Curro, Curro, don't be mean to Mom?
00:42:13Yes, but if I don't listen to him, it hurts me.
00:42:16Okay, fine, okay, work.
00:42:18Okay, now if you don't mind, I want to talk to your mother, okay?
00:42:20Will you wait for me outside?
00:42:23Look, darling.
00:42:27Don't worry, love.
00:42:32Fernando, no beating around the bush.
00:42:34What is this?
00:42:35A psychosis?
00:42:36What is it?
00:42:36Lie.
00:42:38What is he lying to you about, Lucia?
00:42:39He's lying to you, and a lot.
00:42:41Come on, since he sat down today I haven't said a single truth.
00:42:43Well, look at it, it's still there.
00:42:46But how can you be so sure he's lying?
00:42:49Look, I'm sure because, I know, from the movement of his eyes.
00:42:52Clear.
00:42:53When a person remembers, huh?
00:42:55His eyes shift to the left.
00:42:58And when does he imagine his eyes moving to the right?
00:43:04That.
00:43:07I know that because of that, well, and because I caught him with a cheat sheet in his hand.
00:43:10So why?
00:43:15Okay, Fernando, why?
00:43:16If my job isn't like that.
00:43:17Well, that's what you need to find out.
00:43:18Ah, but I'm going to tell you something, okay?
00:43:20The child actor is a phenomenon, huh?
00:43:22Come on, if I were you I'd suggest an acting school for her.
00:43:24Well, as long as we're typecast in those roles...
00:43:26Hey, what's up?
00:43:28Where is the apostle James?
00:43:29Is he in church taking a shot of holy water?
00:43:32Yes, yes, yes.
00:43:32She is in catechism to prepare for confirmation.
00:43:34And I feel horny, Fiti, I feel horny.
00:43:36But no, damn it, Diego, you're not understanding me.
00:43:38I already respect your brother's faith.
00:43:41Respect and affection.
00:43:42Look, damn it.
00:43:43I even included some reminders for her to share with her little friends later.
00:43:48Fiti, but Fiti, but what a joke this is, Fiti.
00:43:50That's great, guys, watch out, here it comes.
00:43:52Diego, we need to talk.
00:43:54Ah, yes.
00:43:56Okay.
00:44:00That?
00:44:01That?
00:44:01Why am I leaving?
00:44:03You're leaving...
00:44:04Well, you've just arrived, Santi.
00:44:05I mean, listen, look, one thing.
00:44:07I think it's great that you go to mass and all that, but we have work to do here, Santi.
00:44:09No, I'm going to Burundi.
00:44:11To Burundi?
00:44:12To the African continent.
00:44:13But what African continent are you talking about, Santi?
00:44:15I know you're not, sorry, you're not going anywhere, Santi.
00:44:17I'm going to build a children's hospital with my own hands.
00:44:20I've already made up my mind.
00:44:22What are you saying, Santi?
00:44:24What are you saying?
00:44:24Oh my God...
00:44:25But come on, think for a moment.
00:44:27Those kinds of decisions can't be made overnight.
00:44:29It can be done, it can be done, Diego.
00:44:31And I've already taken it.
00:44:33I'm going to give you my share of the tavern and I'm going to donate the rest of my savings to the church.
00:44:37That's going to happen...
00:44:39But, Santi, for God's sake, you have almost 100 million pesetas, but for you, for you, for you, for you, it's incense poisoning, or you're coughing because something fell on you, it's affecting your head, you must have hit yourself there and it's not affecting you...
00:44:50No, Diego, no...
00:44:51You're not okay, you're not okay.
00:44:52I'm perfectly fine.
00:44:54I have been better in my life since God spoke to me, since the miracle happened.
00:44:58But what miracle? No, no, there was no miracle, so...
00:45:02But you, you, you've let it go to your head.
00:45:05This was a remote shift where air bubbles are created and people stay inside and nothing happens to them, but what are you saying about miracles or what miracles?
00:45:12No, Diego, no. In the collapse, the white dove spoke to me from among the rubble and told me to go toward the light. And that's what I'm doing.
00:45:20But what white dove, Santi, but what white dove, no white dove, but you, you, you really, you, you are, you are a dog, who was a fireman, a fireman with the flashlight, who spoke to you was a fireman.
00:45:29Look, I'm going to tell you something, Santi, you're losing it, aren't you? You're, no, you're losing it, don't you notice, you're losing your mind, don't you realize?
00:45:34Well, as your brother, I forbid you from going anywhere, least of all to Burundi.
00:45:38No matter how much of a brother you are to me, I'm not going to discuss this decision with you, Diego. I'll only consult with the Almighty.
00:45:47And now, I'm going home and then to church.
00:45:50Already.
00:45:51Uh, what?
00:45:54What, what, what am I losing, Fiti? What am I losing? What am I losing? What am I losing, a brother, Fiti?
00:45:59What? Are you going to lose a brother?
00:46:00No, don't worry, you're not losing a brother. Trust me.
00:46:03Well, I've told you about my backpacking trip through Europe. We were already, well, I was in Barcelona, in the area around Mount Tibidabo, by a crystal-clear stream.
00:46:16Please.
00:46:18Bye bye.
00:46:19Which woman, Salas? What's she like?
00:46:29Yeah, but is there access or not, man? They're ripping us off for 100 euros, dude.
00:46:34Do you think I care about that now, Chucky?
00:46:36Yeah, man, this woman listens to me when I talk to her, okay? She pays full attention, she doesn't interrupt me or anything, man.
00:46:42She listens to me like no aunt has ever listened to me.
00:46:45Look, I find that super exciting and wonderful.
00:46:48Since I'm your assistant, man, I've found you the best alibi.
00:46:52The pigeon is sure to wear a thick-collared gaiter, dude, just like my mother.
00:46:55Raúl, man, we need to be practical. You go to Marcos, they give him the test and that's it, I'll cover for you, period.
00:47:01Chucky, what is it you don't understand? The N or the O?
00:47:04Well, it was ready to be thrown away.
00:47:05Marcos, I... sorry, dude, I'm here to tell you that I'm giving up on the bet.
00:47:14You win, mate, I owe you 100 euros.
00:47:17What's the matter? She has fewer access points than the Pentagon, right?
00:47:20No, no, that's not it, that's not it. What's happened to me, like what happened to Juan in the book?
00:47:23Well, well, I've fallen in love, Marcos, I've fallen madly in love with that woman.
00:47:27And this love, well, it has made me good, sincere, and honest.
00:47:33And it has made him good, sincere, honest, and a little bit of an idiot.
00:47:35Well, look, I don't care what you think, okay? I mean, that woman has transformed me.
00:47:39We are?
00:47:39No, I don't feel any tension, what's wrong?
00:47:41Africa.
00:47:42Where have you been hiding? I've been looking for myself all day.
00:47:43Yes, no, me too, I also wanted to talk to you.
00:47:46Look, I've been thinking about it and...
00:47:50I don't deserve you, Africa, no.
00:47:51No, you're too good for me, you know?
00:47:54And that's not good, you know?
00:47:56And this cannot be, it cannot be.
00:47:59So we can't continue.
00:48:01You understand, right?
00:48:10It's a pig, Africa.
00:48:12But why are you telling me this now?
00:48:13Yes, I love it.
00:48:18And I believe he deserves me.
00:48:19Africa, and it doesn't deserve you, auntie.
00:48:21No?
00:48:24You see, I don't know if I should have told you this before, but...
00:48:28The bra you lost was like this, eggplant colored with lace.
00:48:32How do you know?
00:48:36Because Raúl was wearing it this morning.
00:48:40It was the garment, okay?
00:48:42To prove to these people that he had hooked up with you.
00:48:45A bet.
00:48:47He finds out.
00:48:49I swear on my dead relatives that this guy is going to get what's coming to him.
00:48:51No, I'm not going to throw glass.
00:48:59I'm afraid.
00:49:01No, I'm not going to put pills in the stew.
00:49:03No, you're wood, Lucifer.
00:49:04Leave me alone, leave me alone, leave me alone.
00:49:06Hello good.
00:49:08Oh, what's wrong, honey?
00:49:10It's because it's Lucy.
00:49:11Ah, our friend Lucifer.
00:49:13What did he say to you now?
00:49:15Sharpen its little horns?
00:49:17Maybe the guy's soaked, because of course, it's so hot in hell, so incredibly hot.
00:49:21Look, Curro, enough of all this.
00:49:25I know that your miscible friend thing is a lie.
00:49:27But it's true that I'm possessed.
00:49:30Sometimes I see a child that nobody else sees.
00:49:32And he is with us.
00:49:34So we tell him to leave.
00:49:36Period.
00:49:38Lucifer, handsome, do you want to get out of the bathroom?
00:49:42Well, that's it, we're alone now.
00:49:44And now we're going to say who's behind all this.
00:49:46We are?
00:49:49Look, Curro.
00:49:50You're making me be very bad, very bad.
00:49:53And I don't want to, I don't want to.
00:49:55But if you don't tell me anything, you're going to eat the toilet brush.
00:49:57And wow, it has some rather suspicious-looking patches.
00:50:00But it's true, Lucia, I'm possessed.
00:50:02Look, don't make me lose my patience or you'll end up eating the dung.
00:50:04Okay, okay, okay.
00:50:05It was Guille.
00:50:08They said that if he did it, he would become one of them.
00:50:11And that they were going to take me to the foosball tables this afternoon.
00:50:14But they haven't left without me.
00:50:15Okay, come on, come here.
00:50:20Don't worry.
00:50:21We'll have to come up with something.
00:50:22Look, they've already had enough fun with us.
00:50:25Now it's our turn to have fun, okay?
00:50:27We're going to teach them a lesson.
00:50:29Okay, but also the mouth brush.
00:50:31So.
00:50:32Fiti, Fiti, I don't see this.
00:50:35I don't see it, Marina.
00:50:36Damn, Diego, do you want your brother to go to Burundi?
00:50:38No.
00:50:38No, well if we can't convince him, then God will have to convince him.
00:50:42Look, we'll also add a bit of echo, which I saw in Marce, Irno, Pan y Vino and...
00:50:46Shhh, he's coming.
00:50:47Shhh, he's coming.
00:51:17It is I, the Lord.
00:51:22Hey?
00:51:24I am God, your protector, your God, the Christ.
00:51:30Look up and talk to me if the mood strikes me.
00:51:33Listen, in your own words, what you had in mind in your heart.
00:51:38Well, that's it, sir.
00:51:46I'm going to grant you the favor.
00:51:48For saving, dude.
00:51:50Thank you.
00:51:51Thank you.
00:51:51Unbelievable, Santi, unbelievable.
00:51:57But don't get stuck and tell me about that project you had before I saw it.
00:52:03Burundi.
00:52:04You know everything, huh?
00:52:08Well, I just felt the call of charity.
00:52:13And if you give me your blessing, then I will leave everything.
00:52:17And I'm going there.
00:52:18No, no, no, no, no.
00:52:21Come on, it's not that I don't want to give you my blessing.
00:52:24If you need it, I'll give it to you.
00:52:26But no, I'll give it to you.
00:52:27Don't get carried away, don't get carried away.
00:52:29Why? Why? Why, Lord?
00:52:31Because?
00:52:34No?
00:52:35No, the family, here's a family.
00:52:37Do you still have a family?
00:52:39Santiago, you have a family that loves and needs you.
00:52:44Don't walk it.
00:52:47So you don't want me to leave?
00:52:51Do you want me to stay here with my family, as always?
00:52:55Mostly, mostly less.
00:52:56Whether it was the time on the subway, the time with the radio, he did it here.
00:52:58Yes, yes, yes, you think that here, you think that here with your people, here, that it fits into your table of nothing.
00:53:07Who?
00:53:08Ah!
00:53:11Santi, look, excuse me, I...
00:53:14You have no shame, no honor, no charity.
00:53:18For once something important happens to me in life, and you come here to the church to humiliate yourselves over me.
00:53:24Come on, Santi, it's not that big of a deal.
00:53:25It's not that big of a deal.
00:53:27No, no, Santi, man, no, it's not...
00:53:30Don't be silly, brother, it's you.
00:53:33This is the last thing I expected from you.
00:53:35The latest.
00:53:37May God forgive me.
00:53:39You are no longer my brother.
00:53:42Santi.
00:53:43Santi.
00:53:46Look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look.
00:53:57No, I don't have it because you've really worried me. It's just very strange, very strange.
00:54:00Okay?
00:54:00Okay, okay.
00:54:01Come on.
00:54:07Dude, Curro, you're doing great. Lucia is going crazy.
00:54:11No, Guille, it's me who's turning into a whirlwind.
00:54:14What are you saying, man? Stop doing anything, you've already heard Lucia.
00:54:17No, Guille, the one who suffers from it says they want to be inside me.
00:54:23Ana, please don't talk nonsense, ass.
00:54:25No, no, I don't want to keep playing, leave me alone, no, no, Guille, I don't know what's happening to me.
00:54:30No, no, man, stop it, please, this is a lie, okay? Please, stop it.
00:54:34Guille, don't look behind you.
00:54:40Don't tell me, it's behind.
00:55:00Guille, do you know where he is for a day?
00:55:02Who?
00:55:03Well, he's already talking.
00:55:04I'll be right there.
00:55:14Well.
00:55:15Come on, damn it, don't move around like that, I haven't slept a wink either.
00:55:18Burundi, Burundi, let's see.
00:55:20What are you doing?
00:55:21Looking for Burundi, Burundi.
00:55:22Ah, here it is, Burundi, wait.
00:55:25Burundi.
00:55:26Damn, it's in the middle of nowhere, man.
00:55:28Hey, let's see what they're doing in Burundi, let's see.
00:55:31They speak French, Burundi, and Sohjili.
00:55:35Your brother must talk about that, the third one, that Gili guy.
00:55:38Fiti, forgive me, forgive me, damn it, I just get heated.
00:55:40Okay, so what are we going to do?
00:55:42Well, what are we going to do? We're not going to do anything, I mean, we've already done enough.
00:55:44Nothing, no, I mean about the confirmation, we'll have to go.
00:55:46Yes, we'll have to go, yes.
00:55:48My son is also going to be confirmed, and I'm going to be his godfather.
00:55:53How are you going to be the godfather?
00:55:54So, to be a godfather at a confirmation, you have to be confirmed yourself, Fiti.
00:55:57Indeed.
00:55:58I mean, you, you are...
00:56:01The mother who bore you, Fiti, you've given it to me, you've given it to me again.
00:56:04Who confirmed it to you?
00:56:05So, who confirmed it to you and how?
00:56:06When we were kids, there were some get-togethers in Buitrago de los Zoya, do you remember?
00:56:10No, I don't remember.
00:56:10Yes, when I lost your canteen.
00:56:12Ah, yes, yes.
00:56:13And have you found me?
00:56:14No.
00:56:15We were told that Pink Floyd was going to play, and in the end it wasn't Pink Floyd, it was the auxiliary bishop of Madrid.
00:56:20Ah.
00:56:20And they didn't give us the holy chrism there anymore.
00:56:22Yes, the holy chrism, come on, I'm going to act weird, come on, leave me alone.
00:56:24We don't have to...
00:56:25Come on, I'll give you a ride in the car.
00:56:45Paloma, can we talk for a moment?
00:56:47Look, I'm going to get confirmed today, and well, I want you to know that it's something I feel very deep inside.
00:56:55And well, because seeing you, I know that only someone as pure as you can change me.
00:57:02And well, and I really wanted to...
00:57:07I wanted to tell you that you have made me a new man, Paloma.
00:57:18I love you, I love you, and this love has made me kinder and more sincere, you know?
00:57:23And it made me think, and then realize...
00:57:25Thug, yes, you piece of Thug, you're already giving me back my bra.
00:57:30Yes, yes, of course, Africa, and forgive me, I beg you.
00:57:35I have a past, you know?
00:57:36And it's a dark, rather impure past.
00:57:39But hey, as its name suggests, it's the past, right?
00:57:41And the past, well, it's the past.
00:57:43And well, in that past, well, listen, I brought back as much information as I could.
00:57:47It hasn't been much, you know?
00:57:48It has been rather little.
00:57:49But all this has changed, my love, because of you, everything has changed.
00:57:53You've got some nerve, man.
00:57:54And you, little nun, be very careful because as soon as you let your guard down, this will rip off your habit.
00:58:00Well, this is the last one I brought back and it seems to have gotten a little damaged.
00:58:09And you're still smiling at me?
00:58:12You are an angel, Paloma.
00:58:14You are an angel.
00:58:16And those silences drive me crazy.
00:58:19It must be, of course, it must be because you have a rich inner life.
00:58:23Me, me, the reason I'm always complaining is because I have no inner life.
00:58:26But this is going to change.
00:58:27I'm going to change for you.
00:58:28I promise you.
00:58:31For you, Paloma.
00:58:34I, Santiago Serrano, give my share of the tavern to my brother Diego Serrano.
00:58:41I donate the rest of my assets and capital to the church.
00:58:45Santi!
00:58:47Santi!
00:58:49Sandy.
00:58:52That, that, that's good, that, that, no, that what we did to you yesterday, sorry, wasn't right, was it?
00:58:59I want to tell you that, if it is God's will that you go to Burundi, well, Burundi seems fine to me.
00:59:05It is, and no, we didn't mean to hurt you.
00:59:07For me, the most important thing is that you are happy.
00:59:10Yes, if you're happy in Burundi, well, in Burundi then, well, I'll come see you on vacation.
00:59:20Brother, don't worry.
00:59:22I will come to see you too when I can.
00:59:24I take the bridges.
00:59:28The bridges of Burundi.
00:59:35Forgive me too, Santi.
00:59:37I didn't know what I was doing.
00:59:38No, no, no, no, it's okay, okay?
00:59:43But, let's see, I'm scared.
00:59:44Yes, it's okay.
00:59:48Dude, we have to stop this joke now.
00:59:51But why? What's going on?
00:59:52Dude, yeah, I think my brother's been heard talking and he's saying that Lucifer wants to possess him, I don't know what.
00:59:56Come on, now.
00:59:57Yeah, dude.
01:00:00Work!
01:00:02Dude, what were those blows?
01:00:04Come on, man, don't worry, can't you see it's fine.
01:00:08Look what your dirty brother has done.
01:00:13Curro, man, this is a lie!
01:00:15Work!
01:00:15Curro, please!
01:00:16Curro, please!
01:00:16Curro, we've driven him crazy, please!
01:00:19Work!
01:00:20Curro, come over there!
01:00:22We've driven him crazy, please!
01:00:24Work!
01:00:25Curro, go away, it's a lie!
01:00:28Work!
01:00:30Please!
01:00:32Forgive me!
01:00:33Curro, stop it already!
01:00:35How did I do?
01:00:36Fantastic, mate, great high five!
01:00:38Go to class, go on.
01:00:41That's good, huh?
01:00:42It seems we have feelings.
01:00:45Go on, leave.
01:00:48So that you don't forget your feelings, you and your classmates are going to clean all the toilets in the school.
01:00:54Let's see if cleaning up other people's messes will clean up the mess in your own heads.
01:00:58Okay?
01:01:00Very good, Guille.
01:01:01Fantastic.
01:01:07Estes, uncles.
01:01:09Guys, guys, guys, guys.
01:01:10It's the Quintinado thing, its fruits.
01:01:12That some cousin has deposited 100,000 euros into my bank account.
01:01:15That?
01:01:15That we are millionaires.
01:01:16Let us pray, brothers, to God the Almighty Father.
01:01:28And let us ask Him to pour out the Holy Spirit upon these children.
01:01:34Adopted children, who have already been reborn to eternal life in baptism, so that He may strengthen them with the abundance of His gifts, consecrate them with His spiritual function, and make them a perfect image of Jesus Christ.
01:01:49Don't expect it, man, calm down.
01:02:10And it looked like you messed up, man?
01:02:12It's here, man, it's okay, man, alright?
01:02:13Hey, what is the devil doing to annoy me?
01:02:16It's here, damn it, it's here, damn it.
01:02:18It's there untouched.
01:02:18Shut up, shut up, man, we're in a sacred place.
01:02:20Be quiet.
01:02:20Looking there.
01:02:21Come on.
01:02:23You may go in peace.
01:02:29Paloma, what an experience, right?
01:02:34This is like communion, but without gifts.
01:02:37Hey, shall we meet up for a drink later?
01:02:39Or for whatever, for whatever you want.
01:02:41Okay, then I'll pick you up, I don't know, at the library.
01:02:43Yes, at eight o'clock, for example, okay?
01:02:47Okay.
01:03:10Paloma, you've broken my heart.
01:03:13Pigeon.
01:03:16Pigeon.
01:03:18Pigeon.
01:03:21Pigeon.
01:03:23What, what...
01:03:25Look, you have no idea how I feel about you.
01:03:29I'm speechless, truly, and...
01:03:31But, but, but Don Juan did.
01:03:32Don Juan has them.
01:03:33Don Juan has them all.
01:03:35Listen to me.
01:03:35It started with a bet.
01:03:40He continued with a digression.
01:03:46Then a desire arose.
01:03:47Then a desire arose.
01:03:48And today my heart burns.
01:03:51One thing, Paloma.
01:03:53No, I'm here feeling all poetic and I see that you keep looking at my lips.
01:03:59I know those are my strengths, okay?
01:04:01But anyway, I don't know, I'm here in a mystical mood and what you wanted was something more carnal.
01:04:08Like, like...
01:04:10For example, what is a make-out session?
01:04:12Hey?
01:04:14Right?
01:04:16No, well.
01:04:18No.
01:04:25Don Aurelio, I'm going to talk to him.
01:04:27Well, Don Aurelio, what about my situation?
01:04:30When am I going to Burundi?
01:04:32Well, after speaking with the bishopric, it seems impossible at the moment.
01:04:36What those countries need are skilled workers, doctors, engineers...
01:04:40Okay, so what's up?
01:04:41Just because I'm a tavern keeper doesn't mean my hands will be any less.
01:04:44Look, Santiago, if you want to help, you could start with something much simpler.
01:04:49For example, the neighborhood's soup kitchen for the homeless.
01:04:51Volunteers are needed there to serve and clear the tables.
01:04:55There you go, Don Aurelio, that is, specialized hands, that is, qualified ones.
01:04:58And helping hands are better than praying lips, Santiago.
01:05:01What is a soup kitchen for the homeless?
01:05:03I want to go to Burundi, to Burundi.
01:05:05Well, that can't be, damn it.
01:05:07But look, Santiago, what's important in charity is the spirit.
01:05:11With which it is made.
01:05:13Well, you are right, Don Aurelio.
01:05:16I was really looking forward to going to Burundi.
01:05:18But if we have to go to the soup kitchen, then we go.
01:05:21With complete dedication and charity.
01:05:25What now?
01:05:26I don't know when I'll be able to go.
01:05:28Because I go into the tavern at eight and then I never come out.
01:05:32Ah, that doesn't matter, Santiago.
01:05:34Breakfast service starts at five o'clock.
01:05:38A.m.
01:05:39In the morning, in the morning.
01:05:42Okay, breakfast time!
01:05:46With complete dedication and charity.
01:05:48Pigeon.
01:05:52Paloma, wait.
01:05:53Pigeon.
01:05:54Wait for me.
01:05:54Pigeon.
01:05:55Pigeon.
01:05:56What, what, damn it, he can't hear me?
01:05:58Clear.
01:06:00Okay, but can you tell me what you did to the creature that says you crossed the line?
01:06:02and that you are a...
01:06:03that you're a pig and that...
01:06:05Good heavens, Paloma, I don't translate that.
01:06:06No, no, I already know, I already know, no, no, here mostly
01:06:08What happened was a misunderstanding, you know?
01:06:09But let me talk to her.
01:06:11That...
01:06:11Paloma, Paloma, I have to tell you something.
01:06:14Raul, don't shout, he can't hear you.
01:06:16Hey?
01:06:17Ah, okay, come on.
01:06:19Come.
01:06:21That...
01:06:22That...
01:06:23Look, I didn't know you didn't...
01:06:26Come on, well, yes, I had noticed you weren't talking and that
01:06:28because I said to myself, damn, that girl should keep quiet about it.
01:06:31But come on, I mean...
01:06:32I don't care, I...
01:06:34I fell head over heels in love with you.
01:06:38Do you understand that?
01:06:41Hey?
01:06:41She says it can't be for you two.
01:06:44That you are very different and that it cannot be.
01:06:47But I don't...
01:06:49Hey, can you translate for us?
01:06:50Yeah.
01:06:51Well, translate, translate.
01:06:53Translate this.
01:06:54Yeah.
01:06:56That...
01:06:57That we are not so different.
01:06:59That love has no barriers.
01:07:01And what I feel...
01:07:04It is pure.
01:07:06It's true.
01:07:08Really.
01:07:10From here.
01:07:12He translates it, huh?
01:07:14Oh, oh.
01:07:14Sorry, Raúl.
01:07:15The thing is...
01:07:16No one had ever told me anything so...
01:07:18Pretty, right there in front of my face.
01:07:21Says...
01:07:22That...
01:07:22That there is no impossible love.
01:07:25That his love...
01:07:27It's true.
01:07:30AND...
01:07:30And tell him that...
01:07:31That the...
01:07:32Talking like that...
01:07:33Queer.
01:07:34I would learn it, you know?
01:07:35I'm great with languages.
01:07:36That he can learn to communicate through signs.
01:07:40That...
01:07:40That...
01:07:40And like the one we'll always have in the international language, right?
01:07:44Which?
01:07:45No, I mean, my little soldier.
01:07:46That...
01:07:47He speaks all languages, you know?
01:07:48That it is polyclotary.
01:07:50No, this is not the time for toy soldiers.
01:07:51What, what, what, what, what, what, what?
01:07:57I have a boyfriend, Raúl.
01:07:58Well, that sounds great to me, but what does she say?
01:08:00So, Raúl, he has a boyfriend.
01:08:03That she thinks you're a very handsome guy.
01:08:05Very...
01:08:05Very sincere.
01:08:08But that can't be your thing.
01:08:10Look, this is making me feel sad.
01:08:12I'm the one saying this last part, okay?
01:08:13But boyfriend...
01:08:14Boyfriend...
01:08:14A serious boyfriend, for real.
01:08:18So no...
01:08:19I have nothing to do.
01:08:21Wait, wait.
01:08:23That...
01:08:23That...
01:08:24Anyway...
01:08:25I...
01:08:26If someday...
01:08:27You get tired of him...
01:08:28I mean, couples have their crises and stuff, you know?
01:08:31That I will continue to be here.
01:08:34And well, anyway, we can meet up sometime and go out or go to a concert or something, right?
01:08:38Raúl, man.
01:08:39That?
01:08:41Ah, ah, ah!
01:08:43Okay, okay, but a concert like that with a lot of energy, a lot of power, a lot of drums, a lot of vibration in everything, you know?
01:08:48That?
01:08:51The girl is, dodgy, dodgy, eh?
01:09:02Fuck.
01:09:03Damn, man, that was one I actually got along with.
01:09:06And it happened to me like it did to that sly fox, man, I got caught playing with fire.
01:09:12I even really loved her, Chucky.
01:09:14Okay, I'll wait in the library, then.
01:09:22Damn, Africa, it finally breaks, doesn't it?
01:09:24Another thing is if you had it broken and you let it go, damn.
01:09:28Hey, well...
01:09:29Well, not anymore, right?
01:09:30But tomorrow...
01:09:32Tomorrow I'm going all out, man.
01:09:34Damn, how are you?
01:09:35Oh, good morning, how are you?
01:09:40Can you take your tap dancing and me now?
01:09:43Can.
01:09:44What's up? Are we moving in right now at 9 in the morning?
01:09:46No, no, I came to see the philanthropist, because you haven't arrived.
01:09:48No, you haven't arrived yet, and let's not mess with City, we know each other and it's very early, okay?
01:09:52And has Alquero gotten up to go to the dining room?
01:09:54At 4.
01:09:57At 4 in the morning, right?
01:09:58At 4, but if those hours aren't set aside for the streets, boss.
01:10:01And what have you been doing? Making coffees?
01:10:03Well, you must have gotten a little tip, right?
01:10:05Oh, no, be quiet, they're poor, aren't they?
01:10:06City.
01:10:07City, please, man.
01:10:08So, how are you, Santi? Have you been feeling well? Have you been okay?
01:10:10So, have you felt that sense of giving and charity and all that?
01:10:13What he felt was the urge to die from the early start the child had to make.
01:10:17So what are we going to do now, every day?
01:10:19Every day.
01:10:20Another year, Saint Thomas.
01:10:22My fingers are scalded from making toast.
01:10:24I made myself 400 slices of toast, with butter and everything.
01:10:27Well, Santi, not either.
01:10:28What do you mean, not even then?
01:10:30I've been doing this since I was 14, he sends me to end up making toast for a gang of thugs.
01:10:34Go to hell!
01:10:36Let them work if they want to eat!
01:10:38They're just sitting there with the freeloaders!
01:10:40Santi, calm down, calm down, relax.
01:10:41And don't say so many stupid things, because they say a lot of stupid things.
01:10:43Look, Gui, listen to me, this is very simple, I mean, stop going to the dining room and that's it.
01:10:45Whether I go or not.
01:10:47I'm going to talk to Don Aurelio so he can give me back the 5 million I swindled from them.
01:10:525 kilos?
01:10:53Yes, 5 kilos.
01:10:545 kilos and 100,000 euros that I gave them for a stubborn child's bubble.
01:11:01What now?
01:11:02They're going to give them back to me, I swear on my life, they're going to give them back to me until the last census.
01:11:06Well, your missionary spirit has certainly lasted a long time, Efe.
01:11:09What spirit or what milk?
01:11:10And you know what I say?
01:11:11Fuck off.
01:11:13Charity brings plague.
01:11:16That.
01:11:17That's my Santiago.
01:11:18Yes, that's it.
01:11:19He has returned to his normal self.
01:11:20There it is.
01:11:21There it is, man.
01:11:22Prepare me a toast.
01:11:23Come on, Santi.
01:11:24Call your house and your house that never existed.
01:11:30I look in the mirror and I'm not there.
01:11:33Talking is fine, that's fine, but the key is seduction.
01:11:37Now with life.
01:11:37You'll never give it to me.
01:11:54We'll see about that.
01:11:56You see life upside down.
01:11:59You see what it is.
01:12:02And while I have you on my mind.
01:12:06Always think of yourself and count to three.
01:12:10And you never know what's going on.
01:12:14Life turned upside down.
01:12:16Thinking with your feet.
01:12:17At your place or mine.
01:12:21At your place or mine.
01:12:22You're turning your life upside down.
01:12:25Life turned upside down.
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