The Sweeney. S01 E06. Night Out. (uncut)

deaddogsdam

First broadcast 6th February1975.  When the Superintendent finds out that there is a bank robbery in progress on a Saturday afternoon, he assigns Regan to visit an old girlfriend whose apartment is adjacent.  John Thaw - Regan Dennis Waterman - Carter Garfield Morgan - Haskins Mitzi Rogers - Iris Long T.P. McKenna - Det. Supt. Grant David Hargreaves - Det. Sgt. Jellineck Peter Childs - Jim Christopher Beeny - The Photographer Derrick O'Connor - Eagle Nick Brimble - Det. Con. Gerry Burtonshaw Wesley Murphy - Dukes, Pub Landlord John Oxley - Uniformed Policeman Tony Sympson - The Old Man Brian Coburn - The Scotsman Michael Middleton - The Van Driver Jeffrey Segal - The Reporter Dave Holland - Bank robber Terence Plummer - Pub Brawler Nosher Powell - Pub Brawler Les White - Bank Robber

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23:55If he's in a car, sir, it could take all night.

23:58I don't think we've got all night.

24:11Are you sure they're robbing a bank?

24:14Yeah. I told you.

24:17What bank?

24:19That one next door, I told you.

24:22Oh, no, you told me. I just don't believe you.

24:25What were you doing on the phone?

24:32What phone?

24:34I saw you through the window when I was coming back.

24:38I was telling my boyfriend I couldn't come out on account if I had a cold.

24:44Here! I thought he was chasing bank robbers, not spying on me.

24:48Here, where's my gun?

24:49In the dishwasher.

24:51You put it in the dishwasher?

24:53It was filthy!

24:56What are you trying to do?

25:01That's government property!

25:03Ah!

25:05What is it?

25:06Face at the window!

25:07Where are you going?

25:07Get the police! Get your hands off me!

25:09I am the police!

25:11I told you about the face in the window, remember?

25:13Look, just act natural and he'll go away.

25:15He won't.

25:16Yes, he will.

25:17Yes, he will.

25:17I won't.

25:18Yes, he will.

25:19I won't.

25:20Yes, he will.

25:21Oh.

25:22Oh.

25:23Will he?

25:24Yes.

25:25Oh.

25:26Will he?

25:27Yes.

25:28Oh.

25:29Yeah.

25:30It's all right.

25:31Is that in the course of duty?

25:32You've ruined my pistol.

25:33Do you know that?

25:34Why is that far?

25:35Right out on the landing.

25:36Oh.

25:37Oh.

25:38Oh.

25:39Oh.

25:40Oh.

25:41Oh.

25:42Oh.

25:46Why is that far?

25:47Right out on the landing.

26:11Hello?

26:15Inspector who?

26:19A bloke here wants a copper.

26:23Inspector Regal.

26:27Old bin all over the place!

26:31It's the police!

26:33Hello? Regan?

26:35Looks as if someone's gonna fetch him, sir.

26:37Good.

26:39It's old bin all over the place!

26:41It's the police!

26:43It's the police!

26:45I tell you, it's the police!

26:47There, you!

26:49I saw that!

26:59Good boy!

27:09Get that one!

27:11After him!

27:13Right!

27:15Hey!

27:17Hey!

27:19Hey!

27:21Hey!

27:23Hey!

27:25Hey!

27:27Hey!

27:29Hey!

27:31Hey!

27:33Hey!

27:35Hey!

27:36Get the police!

27:37Get that one!

27:38After him!

27:39Right, guys.

27:40Hey!

27:41Get out!

27:42Look!

27:43There's nothing else I can do for you, cop.

27:45Get the old man upstairs.

27:47Just a minute! Who the hell are you?

27:49And him!

27:50Hey! Heyman! Get the police!

28:17Hold on. Sergeant Carter!

28:36Super didn't say anything about the squad being involved in this.

28:41Get him in the courtroom.

28:43Yeah, ambulance.

28:45Easy now.

28:46All right, fam.

28:58Dick here.

28:59Where have you been?

29:00There seems to be some sort of vassal down in the pub.

29:02What do you mean? Does it involve the landlord?

29:05Well, I don't know. I mean, it's just some kind of fight, punch-up down in the pub.

29:09Two fellas run out, went round her back, one of them got punched stupid.

29:12That's all I know.

29:14I suppose it is Saturday night, isn't it?

29:16What's the idea of having me paged like this was some kind of hotel?

29:21I've got the whole world at each other on our doorstep now.

29:22I'm sorry, Regan. I thought you'd have had the phone pretty well covered.

29:24What do you want me to cover? The window or the phone?

29:26Hello, Regan. What's the problem?

29:27What in hell's name made you ring me here?

29:28Regan, I'm sure you have the situation.

29:29I'm sorry, Regan. I thought you'd have had the phone pretty well covered.

29:31What do you want me to cover? The window or the phone?

29:32Hello, Regan. What's the problem?

29:33What in hell's name made you ring me here?

29:34Regan, I'm sure you have the situation under control.

29:35I want you to know what the situation is here. We now believe control is mobile.

29:36He's in some sort of vehicle.

29:37It's going to take us a few more hours yet to locate him.

29:38What?

29:39I want you to stay here.

29:40I'm sorry, Regan. I'm sorry, Regan. I thought you'd have had the phone pretty well covered.

29:47What do you want me to cover? The window or the phone?

29:50Hello, Regan. What's the problem?

29:52What in hell's name made you ring me here?

29:54Regan, I'm sure you have the situation under control.

29:57I want you to know what the situation is here. We now believe control is mobile.

30:00He's in some sort of vehicle.

30:02It's going to take us a few more hours yet to locate him.

30:04What?

30:05I want you to stay there until such time as we do so.

30:09I don't think we'll be needing your bottles. Get in there and help them.

30:20Hurry up with that. You've got all these to open yet.

30:30Hang about. I think I've found it.

30:32What about the girl? She will stay with you.

30:34I don't go for that. It's getting hot here. She might get hurt.

30:38It is essential our friends continue to believe Miss Long was in that room.

30:42Once she leaves, they're likely to become suspicious.

30:44What makes you think they're not suspicious now?

30:46Because we are able to monitor their thoughts over the radio.

30:50Well, let me know the second they decide to pull out, that's all.

30:54Regan?

30:56What was that bit about two men earlier on?

30:58The fight spread outside the pub. You got nervous, that's all.

31:00But we've got triangulation on control, sir.

31:02It's the Hampstead-Belsize Park area, all right?

31:06That makes sense. High ground, you know.

31:14Lord, you've got two that have started there!

31:16I must warn you that...

31:20Get him down to the station.

31:23What was the charge, sir?

31:24Well, just hold him for the moment.

31:26He's a bloody cop, eh?

31:27And him, too.

31:28But he started the fight!

31:29Come on, it'll do you no good to argue.

31:31He started it!

31:32Come on, lad!

31:33Listen, there's 300 points worth of bloody hell!

31:35Have I done it?

31:36Come on, lad!

31:38Right, get him outside and make sure he doesn't talk to anyone.

31:41Come on, Dad.

31:42Well, listen...

31:43Come on, come on.

31:45But the gents, he's upstairs!

31:47He's about your car.

31:48Now, look, all when he's home...

31:49I was doing dance in the town...

31:50I don't lie to people.

31:52Now I'm going to talk to...

32:02Dick here.

32:03It's all right, it's all clear.

32:04I told you, didn't I?

32:05Now get some kip.

32:06We'll wake you at four.

32:07Four?

32:08That's right, four.

32:10Very pretty.

32:11Sling it in there.

32:12It's not what we're after.

32:16All right, Jerry.

32:17We can go home.

32:18Oh, er...

32:19You sure you don't want me to stay, Gov?

32:21No.

32:22Is there any word on George?

32:24Yeah, he's down in the hospital.

32:26That geezer you told him to chase out a pub...

32:28only turns out to be one of Grant's boys, doesn't he?

32:30George got jumped.

32:31I hope he gave him a kick in.

32:33Er, no.

32:34There was three of them, Gov.

32:35Oh, well.

32:36Listen, the next time you see...

32:38Yeah, yeah, not many.

32:39Look, er...

32:40You sure you're going to be all right here on your own?

32:42Yeah, yeah, I'm fine.

32:46See you tomorrow, Jerry.

32:48Hope so, Gov.

33:00What was that all about?

33:18Are you going to bed?

33:20Well, aren't you?

33:30Good night, Harris, love.

33:43Good night to you.

33:45Hold it.

33:46Shut up.

33:47I've got it.

33:48This is it.

33:50Hold it.

33:51Shut up.

33:52I've got it.

33:53This is it.

33:55I've got it.

33:56This is it.

33:57I've got it.

33:58Hold it.

33:59Shut up.

34:00Hold it.

34:01Shut up.

34:02I've got it.

34:03This is it.

34:04Hold it.

34:05Hold it.

34:06Hold it.

34:07Shut up.

34:08I've got it.

34:09Hold it.

34:10Hold it.

34:11Hold it.

34:12Hold it.

34:13Hold it.

34:14Hold it.

34:15Hold it.

34:16Hold it.

34:17Hold it.

34:18Hold it.

34:19Hold it.

34:20Hold it.

34:21Hold it.

34:22Hold it.

34:23Hold it.

34:24Hold it.

34:25Hold it.

34:26Hold it.

34:27Hold it.

34:28Hold it.

34:29Hold it.

34:30Hold it.

34:31Hold it.

34:32Hold it.

34:33Hold it.

34:34Put the documents in the case and wait for the van, and you, Deep, give me a report on the street. Anything that moves, let me know.

35:04What do you think?

35:34I'll get it.

35:48I'll keep us out of your sight, Jim. Now, dear. What about the street? Any problems?

35:51No, the newspaper's still out there.

35:53Newspaper? What newspaper?

35:55The newspaper at the pub. Nobody's picked it up. It's still there. And the milk's there, too.

35:59Well, where's that bloody landlord, then?

36:04Watch what you're doing with that case.

36:28Jim, Jim. I've heard no word from the landlord all night.

36:31They're still outside the pub. Jim! Jim!

36:34Yes, Jim here. We're out of the bank and ready to go.

36:37Now, listen, the landlord's unreliable. He may be about to shop us.

36:40I want him to be found and silenced.

36:42Send two men over the roof and you go through the bar. Get that landlord fast!

36:46Got it. Georgie? Yeah?

36:48Get up on that roof. You and Dick come down through the window.

36:51I'm going up through the hatch. We'll meet up in the barn. Right.

36:55Georgie? Yeah?

36:57Don't move till you see the van. Right.

37:01Dick, I'm sending a man up to you. Get into that pub and find that landlord.

37:05What was that about newspapers on the roof? They didn't catch it.

37:07It's not what they say, sir. It's the frequency.

37:09Nothing must go wrong now. Get that.

37:11Once we get locked into that...

37:12Hello? Arthur? No, I was just calling you.

37:16That's definite, is it?

37:18Have we got him?

37:20We have, sir.

37:48Hello? Inspector Regan, please.

37:50Hello?

37:51Put your clothes on.

37:52Hello?

37:55Hello, Inspector Regan, please.

38:16Hello. Put your clothes on. Hello, Regan.

38:19Oh, it's you. When are they coming out?

38:21The situation here, Regan, is that I've decided to charge the landlord.

38:25It's too risky to let him go, you understand?

38:27You don't have to worry about him.

38:28I wasn't worried about him.

38:29You'll also be glad to know, Regan, that we've located control.

38:32And, in fact, I am leaving now to supervise that end of the operation.

38:36It's imperative we pick him up as soon as possible.

38:39When are they coming out?

38:41According to our latest information, five past eight.

38:44Well, that's in ten minutes.

38:46Precisely.

38:47Iris and me are coming out now.

38:49No, don't do that.

38:50You'll be spotted by their man on the roof. He's still up there, you know.

38:52Why don't you bloody well nick him, then?

38:54Because I don't want a vulgar battle going all over Wollstone Gardens with people shooting at each other and consequent loss of life.

39:01Worse still, I don't want Chummy bolting back into the bank.

39:05Or it'll take a week to winkle him out with consequent loss of face.

39:08Well, what are you gonna do?

39:10The moment they leave, we'll move in.

39:11Now, once we're in the bank, Chummy's line of retreat is cut off.

39:15We'll have no option but to use his getaway cars, which means going down Ledbury Street.

39:19Now, that's all open ground.

39:22We have our sharpshooters in place.

39:25That's a terrific idea, Superintendent.

39:28What about us?

39:30Lie low.

39:31Try the cellars.

39:32Now, you listen to me.

39:33There's somebody already in those cellars.

39:35That would tie in with Sergeant Jelinek's theory.

39:37Which is what?

39:38But they're not coming over the roofs.

39:39They're coming through the cellars.

39:41Look, you're monitoring the radio.

39:43Are they coming over the roofs or are they coming through the cellars?

39:46Ah, yes, I see what you mean, Regan.

39:49If you go into the cellars and they come out that where the game is blown.

39:54That's not all that'll be blown.

39:56Iris, come on.

39:59Out.

40:00Now.

40:01Then, startat.

40:31Jim, don't go up to that barn till the van arrives.

40:55Now, hello, three.

40:57Three.

40:58Where are you now?

40:59Just under the Wollstone Gardens.

41:01What are you doing?

41:09I am trying to get this barrel under this trap door.

41:12There's no answer to that.

41:13Exactly.

41:14Don't just stand there, give me a hand.

41:17When are you getting it open, what are you going to tell the neighbours?

41:19That it fell off the back of a lorry?

41:20Give me a hand, for God's sake, they're coming up this way.

41:23I thought they were coming through my room.

41:25No, they're not.

41:27Why don't you get dressed, Iris?

41:35What do you want me to do?

41:37Push or get dressed?

41:40Get dressed.

41:42All right.

41:44What do you think I should wear?

41:46Something inexpensive because of the bullet holes?

41:48Or something dark so it doesn't show the blood.

41:51That's not funny.

41:52You're getting hysterical.

41:54I am not getting hysterical.

41:55I am terrified.

41:57Pass in the bank.

41:58Get there.

42:00Right.

42:00Quiet.

42:30Forget about getting dressed.

42:33I don't want you out of my sight.

42:34All right?

42:34Excuse me.

42:36Which is the best place to hide?

42:39Jack.

42:41Get down.

42:44What is going on?

42:46That's their truck outside.

42:48They're coming out of the bank through the cellars under here.

42:50They'll bring the stuff straight up into the street with only luck.

43:17What luck?

43:17They bring the beer into the pub.

43:18Yeah, and they didn't do all this without the knowledge of the landlord, and he isn't here anymore.

43:22So when's that going to penetrate the thick skulls?

43:25You haven't brought the milk in, have you?

43:28No.

43:29Or the newspapers?

43:31No.

43:34This leads up to the bar, but the bloody thing won't open.

43:40Go on, get in the van.

43:41Right.

43:44Right, now.

43:48What do you think?

44:01Where are you going?

44:07We're going to bring you here.

44:08Jack!

44:26Jack, up there!

44:38Inspector Regan, please.

45:01Yeah?

45:02Message from the super, sir.

45:04He wants to warn you, there are two armed men coming over the roof.

45:17Jack!

45:19There is blood!

45:26Oh, my God!

45:34I'm giving you permission to see the inspector now, provided you don't disturb them, right?

45:48Oh, my God.

45:49All right.

45:50Thank you, sir.

45:53Inspector, apart from the inspector's unfortunate accident, the operation was success.

45:58Oh, total success.

45:59Yes, we're going through the stolen valuables now and informing the owners one by one.

46:03Were they after one particular thing?

46:07No comment.

46:08All right.

46:09Thank you, nurse.

46:11Good morning, Jack.

46:12How are you?

46:13Good morning, sir.

46:14Now, I'm sitting here on the, uh, side of the bed, right?

46:15You can get a full shot, can't you, uh, on the foreground?

46:16We'd like to see the wound, sir.

46:17Where exactly was it wounded?

46:18Yes, where is your wound, Jack?

46:19You're sitting on it.

46:20Oh!

46:21Well, you can always widen your angle.

46:22Oh, it's a leg wound, is it?

46:23Yes, it's a leg wound, is it?

46:24Yes, it's a leg wound.

46:25Can we have something more dramatic, like, you know, a bandage round the head or an army

46:26plaster?

46:27Why not?

46:28I'm surprised you're not at the palace collecting another medal.

46:29Very funny, Jack.

46:30You'll be pleased to know we got them all from the big fella himself right down the line.

46:31The lock.

46:32The lock.

46:33The lock.

46:34The lock.

46:35The lock.

46:36The lock.

46:37The lock.

46:38The lock.

46:39The lock.

46:40The lock.

46:41The lock.

46:42The lock.

46:43The lock.

46:44The lock.

46:45The lock.

46:46The lock.

46:47The lock.

46:48The lock.

46:49The lock.

46:50The lock.

46:51The lock.

46:52The lock.

46:53The lock.

46:54Excuse me.

46:55If we could, er, hold this.

46:57So what were they after?

46:59I mean, what did you find on them, after you so courageously surrounded him, with half

47:03the Met, three streets away from the scene of the crime?

47:06Jewels, Kruger Rams, and, er, certain documents of highly political nature.

47:12We're charging high result, of course.

47:16Conspiracy.

47:17Oh, no way. That girl saved my life.

47:21Oh, blast it, George. Take that into consideration.

47:23Yeah, well, here's something you should take into consideration.

47:26I might marry her in prison at the beginning of the trial.

47:30Now, that would really keep me off the front pages, wouldn't it?

47:34Yeah, we could hold hands across the witness box,

47:37kiss through the bars of the Black Mariah.

47:40Yeah, I reckon we could hold the headlines for a whole month.

47:44You'd be nowhere.

47:46You're not serious.

47:48Well, in that case, you'll be all right, won't you?

47:50Of course, I could speak to the DOPP's office,

47:54see if they could drop the charges against her.

47:58Oh, yes, you could, couldn't you?

48:01I can't promise anything.

48:02Oh, no, of course you can't.

48:06I'll do my best.

48:08Oh, you will. I know you will.

48:11Excuse me, Superintendent.

48:13Yes, if you could leave that look together,

48:15it's, uh, old comrade's sake.

48:16This is for the badge of courage here.

48:18Yes, why not?

48:20I have my own suspicion.

48:50I have my own suspicion.

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