Skip to playerSkip to main content
  • 3 weeks ago
'The Lowdown' star Ethan Hawke and creator Sterlin Harjo talk about the experience of debuting their show in a theater at THR's TIFF lounge at the 1 Hotel Toronto. Plus, Hawke reveals how he has a couple people in his life that are like his character Lee in the show. While Harjo shares why he wanted to show how diverse Tulsa was in the series.

Category

People
Transcript
00:00Actually, like, we were sitting next to each other, and I was listening to Ethan eat popcorn.
00:04I get nervous, and I ate popcorn like a cow the entire time.
00:09I mean, literally, when I stood up, popcorn just fell to the ground.
00:12And he didn't offer me any.
00:13Well, I wouldn't.
00:14I know, but I kept wanting to get going.
00:19Most people who come through here, I'm catching them before the premiere,
00:23but you guys, I have the privilege of talking to you afterwards.
00:27How are you feeling after last night?
00:32It was great.
00:33I mean, you know, everyone was laughing at the right spots, seemed very eager to cheer.
00:38We've never watched it together.
00:40First of all, I love the light box.
00:42It looked great.
00:43It sounded great.
00:44We've never seen it projected like that.
00:47Yeah, and so we got to whisper at all the things.
00:52What did you whisper about?
00:54How great we are.
00:55Great idea.
00:56Oh, yeah, it was a great idea.
00:58The character really gets beat up, and there's also jokes being played out while this is happening.
01:03And for me, it's like that's the bar of the show, tonally.
01:07It's like if they're laughing and also afraid for his life, then the job well done.
01:12Yeah.
01:13And they did last night.
01:14And then my hotel is always at the end.
01:16There's always a moment where you can feel.
01:18I remember I was actually here at a film festival, this film festival years ago with a movie that show remained nameless.
01:25And they did the whole screening.
01:27And right at the moment that was supposed to be the heartbreaking moment, it started with a tiny little giggle.
01:33And then somebody giggled about them laughing.
01:36And it was just like, oh, wow, this movie sucks.
01:37And there's a moment at the end of our show where if they think this is funny, I know they loved what they saw.
01:47What were you looking for in your next, like what was it about this that felt like the right thing to do next?
01:53With Res Dogs, each episode, we started doing a thing in like the second season where each episode had it was sort of a genre piece, you know, inspired by a certain specific genre.
02:02Whether that be horror, like Richard Linklater films, we were ripping off.
02:07And so I just kind of like come to this place where I realized I love genre.
02:12I love being able to have parameters and say something within those parameters.
02:17And so I wanted to do a crime show.
02:19But it was weird how effortlessly I was in the penultimate episode of Reservation Dogs, you know, the second to last.
02:28And that's when this show really started taking off in your mind.
02:32Right.
02:33So there was kind of almost no lag in Sterling's.
02:35Yeah, we just kind of kept, it was like, well, this is the next project.
02:38And we just went straight into it.
02:40And we had had such a good time working together that it was nice to, and we were very familiar with it.
02:44That was going to be my question.
02:45It's like, did you talk about this while you were working on that episode?
02:48It was after.
02:49You were thinking about it.
02:49It was after that.
02:51I was thinking about it.
02:51And then I think we talked about it when we were hanging out at the Philbrook Art Museum.
02:56Yeah, and then you sent me the script.
02:58And then I sent him the script later.
03:00Yeah, but he pretended that he wasn't offering me the part.
03:03I pretended.
03:03I just wanted notes.
03:06He knows this.
03:07I really like him.
03:08You don't meet people that you really get along with that.
03:11You think it's going to happen all the time in your life.
03:13It doesn't happen that often.
03:14My wife knew how I felt about you.
03:16And I was like, he still just sent the script.
03:18And I printed it out.
03:20And I would read a page.
03:21And then she just kind of sat down next to me.
03:22We both read it, like, page at a time.
03:25And we were both like, this is my favorite thing I've ever read.
03:29We were just like, this is incredible.
03:30Like, is he, do you think he wants me to play that part?
03:33And she said, no, no, you're too old.
03:34I said, fuck you.
03:35I'm not too old for this part.
03:37She said, well, ask him.
03:39I trust Ethan so much and love working with him that it was like, here, it's yours now.
03:44And then he interpreted it.
03:46And I was just, you know, blown away with how much he was bringing to it.
03:51I actually did a pass before I sent it to him of, like, what I felt like was the Ethan pass, you know.
03:55Because I just, I feel like I've been such a fan of his.
03:58And then I've worked with him.
03:59And I feel like I know the cadence.
04:03You asked me, hey, would you do a part on Rez Dogs?
04:05I'm like, I'd love to.
04:06But I was expecting a kind of four-line.
04:10I was going to run a subway shop or something.
04:12I thought it was a cameo.
04:13That's basically how you led with that.
04:15And I got it.
04:16And it was this little play.
04:18And it was so in my wheelhouse.
04:20But you're good at that.
04:21You hear somebody's voice.
04:23And that's what I think makes you a great showrunner is, like, once you meet Kyle, you kind of, oh, you start writing scenes.
04:29You're like, Kyle's going to crush this.
04:30And Kyle would really go, oh, I can do that.
04:32Totally, yeah.
04:33Do you know anyone like Lee?
04:36Oh, yeah.
04:37Yeah, very much so.
04:38I think that's why I responded to it so hard.
04:42I mean, there's a part of my brain that's trapped in the 90s and trapped in an ethos that I believe in that Lee is trapped in as well.
04:53That I see as a positive of fighting for actual, real intimacy, real truth.
04:59I have a couple people in my life that were really Lee-like figures for me.
05:05Talk about, like, using Tulsa.
05:06Like, what did you want to convey about the city to people in this versus other things?
05:14I just, you know, I'm in love with the city and I wanted to show how diverse it is from the architecture down to the people, you know?
05:21I mean, it was founded by Muscogee Creek people, which is my tribe.
05:26And I love showing its truths and humor and love and darkness and everything.
05:31You know, I just wanted to show a real portrait of it.
05:33I secretly know the answer to this, but how celebrated are you in the town?
05:38Oh, I don't know.
05:39Mayor?
05:39No.
05:41You're here today to announce your honor.
05:42I'm not so celebrated.
05:43They keep me humble.
05:44Yeah, it's both.
05:47It's both.
05:48It was a five, six-month shoot, so I moved my whole family down there.
05:52And every place we went to, every restaurant, we got a great day.
05:56Oh, your friend's a strong.
05:57Come on in.
05:57Don't say, hey, no, no.
05:59You know, I remember once we first sat down at that pizza place and I asked the waiter what song was on the stereo because they were playing a really cool, it was an Uncle Tupelo song, but I didn't recognize it.
06:10And the waiter came back with the LP and gave it to me.
06:13No, no, no, if you like this song, I was like, okay, I'm liking this city.
06:16But that's because of Sterling.
06:18And I do think they do a good job of beating you up and loving you.
06:23You got to, yeah.
06:24Keep you humble.
06:25Speaking of which, did you do all your own stunts on that?
06:27Were you?
06:28I'm like the Tom Cruise of Tulsa.
06:31I mean, that's really.
06:33I was really in the trunk.
06:34No, I don't pride myself on my stunt work.
06:37I was really in the trunk and it was extremely uncomfortable.
Be the first to comment
Add your comment

Recommended

2:08:39
Up next
1:31:18
1:31:30