Pranam Devaraj, along with actors Rangayana Raghu and Khushi Ravi, are starring in the film Son of Muthanna, the movie team , spoke in an interview with FilmiBeat.
ಕನ್ನಡದ ಹೆಸರಾಂತ ಸೀನಿಯರ್ ನಟ ದೇವರಾಜ್ ರವರ ಎರಡನೇ ಪುತ್ರ ಪ್ರಣಂ ದೇವರಾಜ್ ಹಾಗೂ ರಂಗಾಯಣ ರಘು ಮತ್ತು ನಟಿ ಖುಷಿ ರವಿ ನಟಿಸುತ್ತಿರುವ ಸನ್ ಆಫ್ ಮುತ್ತಣ್ಣ ಸಿನಿಮಾ ರಿಲೀಸ್ ಗೆ ರೆಡಿ ಇದ್ದು ಈ ಕುರಿತು ಚಿತ್ರತಂಡ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ The popular senior Kannada actor Devaraj's second son, Pranam Devaraj, along with actors Rangayana Raghu and Khushi Ravi, are starring in the film Son of Muthanna, which is now ready for release. The film team has spoken about this with FilmiBeat.
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
00:00Technicians and Directors are very important to this production house.
00:05It is the most important thing.
00:06If you have three things, you can have the capacity of the producer.
00:09If you have two stars in cinema, there are several examples.
00:15The producer is the most important in cinema.
00:18In my opinion.
00:19The cinema is the most important thing.
00:21David, Nodi, Ashirvatsi.
00:23If you want to film everything in the film, you can film everything in the film.
00:27What changes in cinema is the most important thing?
00:30No, there is no change.
00:32You have to change in personal life.
00:34You have to change in the film.
00:36You have to change in the film.
00:38So it is important.
00:39Family and friends are important.
00:41But sometimes, I feel that it is a feeling.
00:44I can't do that in the film and my friends.
00:49I can't do that in the film.
00:51I can't do that in that time.
00:54I can't do that in my life, too.
00:57But I'm the only one who is for my dad and friends,
01:02I can support the age and values.
01:04I can't do that in my life.
01:05And I am the only one who is really corresponding to them.
01:07I don't have to change in my own life.
01:08Personal life is also difficult.
01:10But professionally, I am always confident.
01:14Right now, my friends are very confident.
01:16I will and I will have to start a conversation.
01:18How should I go for this?
01:19I think it is important.
01:20It is important.
01:21We are all available.
01:23So I got to say that.
01:25So, Sir, we all know the story of a master's dialogue.
01:27You know what I'm going to say.
01:29I'm not going to say that.
01:31Then I'm going to say that,
01:33I love him.
01:35What was the interest of scripting you have?
01:37Correct.
01:39I don't know the actor's correct,
01:41but you know the script is interested in the script.
01:43So, I don't know how to force or
01:45that I'll do it.
01:47But, yeah.
01:49I always want to connect because I am the biggest blessing and support.
01:56So, it is my daddy or my father.
01:59So, this is how you are doing.
02:02Netflix, Amazon, etc.
02:04So, if you watch a young man, you don't have any chance to watch a movie.
02:09Because it is very easily available.
02:12So, if you want to connect to a script,
02:15you don't have any chance to watch a movie.
02:21So, that is a big blessing.
02:24I have the support on that.
02:26If you look at the film,
02:29why are you doing casting?
02:32Who are you doing?
02:33Ragu, sir.
02:34I am a boss.
02:36I am a boss.
02:38I am a girl.
02:40I am a girl.
02:41I am a girl.
02:42I am a girl.
02:44I am a girl.
02:45I am an Koller.
02:46I am a girl.
02:48I am a girl.
02:49I am a girl.
02:50I am even a girl.
02:51So, it is a family.
02:52If you want to do the debut.
02:54You did handle her?
02:56I am not a girl.
02:57So, I am so excited about everything.
02:59You know how?
03:01No, I am not a girl.
03:03You are a girl.
03:04I am a girl.
03:05So I am comfortable.
03:09You have to do a good job.
03:13I pay two pictures and I'll go to the chat.
03:17This is a meeting.
03:19I'm so excited about this.
03:23I was so excited about the meeting.
03:27So I wasn't worried about this.
03:30She is not the same.
03:33She is the same.
03:35The first time, we got to go and talk.
03:38And we got to go and talk.
03:42We got to go and talk.
03:45A lot of stuff in my life.
03:48Sir, when we got to go,
03:50I was working professionally,
03:52I couldn't get into the picture.
03:56How did you get to the fight in the fight with your introduction in 48 frames?
04:01I didn't talk about exactly the exact matter.
04:04You got to connect with your emotional system.
04:06You got to connect with your emotional system, and you're afraid of me.
04:09That's why.
04:10That's why.
04:12You're not clear.
04:15You're not clear.
04:17You're like, you're not clear.
04:19Yeah, you're clear.
04:21I'm going to drink coffee.
04:23I'm going to drink.
04:25No, that's fine.
04:26If you want to know what to do,
04:28if you want to know what to do,
04:32if you want to know what to do,
04:36what to do with you?
04:38That's why I'm asking you, sir.
04:40Actually, one production officer,
04:45he asked what to do,
04:47what to do, what to do,
04:48he didn't know what to do.
04:50He didn't get impressed with him, sir.
04:54He didn't get impressed with him,
04:55and I didn't get impressed with him.
04:57I looked like my style,
05:00but he didn't know how to do that.
05:02So, I went to the hospital,
05:04and I got to go to the hospital,
05:05and I got to go to the hospital.
05:06So, I was coming to the hospital,
05:10I was sitting here with a co-director,
05:12and he was watching,
05:15he was filming a video,
05:16and he was sitting there with a camera,
05:18and he was sitting there with a comedy,
05:22They were close to us and we were very close to our family.
05:29We were close to our first school bus.
05:34We were scared.
05:35I was scared...
05:39We were scared.
05:40We were scared and we were scared.
05:42We were scared.
05:43And we were scared.
05:44And the other day, we were scared.
05:45If you ask me, he says,
05:47he says,
05:50I'm going to be circumvented.
05:53He's afraid of his advantage.
05:55Because I have the advantage of that,
05:57he's afraid of him.
05:59That's it, Papa.
06:00God said,
06:02he's a huge leader.
06:03He's a big leader.
06:05He's a big leader.
06:07In our youths,
06:08in our youths,
06:09he's a big leader.
06:11Sir, he's a big leader.
06:12He's a big leader.
06:14Fight to dance is an option.
06:16You can perform the same way,
06:18and see what you can do.
06:20But you can have a performance.
06:22Sir, what is the opposite way?
06:24I am confident.
06:26What are the opposite ways you can connect with the gaze.
06:28My sister says,
06:30I can't do the same way,
06:32but the acting will also be the same way.
06:34So, that will be the same way.
06:36You can't do the same way.
06:38That's why you can perform.
06:40It's a great performance, but it's not a fight to dance, sir.
06:47Now, I'm telling you about the film.
06:52The technicians and the directors are very important to this production house.
06:57They are very important to start the release.
07:01It's the most important.
07:03You know, there is one category, sir.
07:06Why?
07:08If you were one of the producers telling me,
07:12one of the producers is not a part of it.
07:15No one is interested.
07:16He is not a part of it.
07:18He is a friend.
07:20Guru, I am the producer.
07:24What's the matter?
07:25He is a part of it.
07:26Whatever budget?
07:27Three and three things.
07:28He is a part of it.
07:29It's a part of it.
07:31Pick up the category from the pre-duty, which is really important.
07:40A что-to name is production oil, and you will be the one who made it.
07:43A production oil, you will have to say,
07:46the director will be a good actor,
07:50and the director will be the one who made it.
07:54This category is a good actor.
07:59you can get any choice.
08:01These two are the options.
08:03For example, I am very interested
08:05to have a unique production house,
08:07a unique meal, a unique package,
08:09we are not risking.
08:11If you run all the risks,
08:13God must not risk.
08:15I am going to plan this with a small money
08:17and I have to try to get some money.
08:19It is also going to travel
08:21to the new production house.
08:23The producers say
08:25the money is nice and
08:27If you have a budget, you will have to pay attention to it.
08:29That's right, Joshu.
08:31We started this film before we started this film.
08:34That's why we have to go on to extra travel.
08:38What is the same question about the production house?
08:41It's important that many of the stars are in the cinema.
08:45There are a lot of examples.
08:47How important is the production house?
08:52I don't know about the cinema.
08:56The producer is the most important for the cinema.
08:59And we have no support,
09:01I have never seen any of the producers.
09:05No support for the cinema.
09:06I don't like it.
09:09One cinema will be able to take the producer and decide.
09:14Three things.
09:16At least not enough to get the innovation.
09:18The innovation will be able to take it.
09:20So it's a fact.
09:22And that's why the producer is very important in the film and more than everything else, the producer will go to the cinema.
09:41If you don't like the film, the producer will go to the film.
09:45The producer will go to the film and the producer will go to the film and the producer will go to the film and the producer will go to the film and the producer will go to the film.
09:59It's August 2022.
10:01So, if you don't like the film, you will be able to go to the film and get ready for the film.
10:10So, what do you think about the audience?
10:13Sir, the audience is very important.
10:16He's very important.
10:18David's very important.
10:19I just want to give you a question about the film and the producer will go to the film.
10:24It's time to try to get the film to the film.
10:26So, if you don't like the film to the movie, you will be able to explain the film.
10:30If you don't like the film to the film, you will play the film and go to the film.
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