Actor Mukesh Rishi, Actor Naveen Kasturia और Director Faruk Kabir ने IANS से खास बातचीत की। इस दौरान उन्होंने अपनी नई वेब सीरीज से जुड़ी जानकारी दी। वहीं, इस बीच Actor Mukesh Rishi ने अपनी फिल्म 'Gunda' से जुड़े अनसुने किस्से शेयर किए। साथ ही कहा कि मुझे खुशी इस बात की है कि जो मुझे फिल्म में खराब लग रहा था उसमें आज की generation ने उस में humor ढूंढ लिया है। बातचीत के दौरान Director Faruk Kabir ने अपनी नई वेब सीरीज सलाकार को बनाने के पीछे की कहानी बताई। इतना ही नहीं दोनों ही कलाकारों ने यह भी बताया कि शूटिंग के दौरान उन्होंने क्या क्या experience किया।
#MukeshRishi #NaveenKasturia #FarukKabir #GundaMovie #Salakaar
#MukeshRishi #NaveenKasturia #FarukKabir #GundaMovie #Salakaar
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NewsTranscript
00:00So hello everyone, welcome to INS and first of all congratulations for Salakar.
00:04I want to start off with the captain of this ship.
00:07What was the germ of Salakar and how did you create that world?
00:11Because the production value is a lot of rich.
00:13I have seen the fleet, the 30s, 40s Mercedes that he drives in.
00:17Yes, yes.
00:18Those buttons, you know, 70s, 80s techs.
00:23So from where it started and how eventually everything came together?
00:27Look, every story starts from Kore Kaga and then the first word is written.
00:34But in this case, I genuinely want to thank Jio Hotstar that they were also willing and brave enough to want to tell a story of such a nature.
00:47Salakar is a difficult story to say, but it is simple to understand and see.
00:53And that is the problem that you have to simplify something so that the audience will reach the same way.
01:00And there are two timelines in Kani.
01:04Like you have seen in the trailer in the trailer, in the 2025 and 1978.
01:08Now in today's time, you were talking about production value and detailing.
01:15Mukesh Ji is a lot of cars running in the old days.
01:19And Naveen Babu is a lot of Clark Kent in the 1950s.
01:26A suited-booted hero in the 1950s.
01:30So this is more difficult to do this today.
01:34Because the whole series has been shot on live locations.
01:38The big plants you are seeing, you all feel like it is VFX or anything.
01:42This whole story has been shot on live locations.
01:45Now in today's time, the period creates more difficult to create periods.
01:49Every place has a hoarding.
01:50Every place has a new kind of construction.
01:53So in this case, Uttar Pradesh government has supported us that we can create periods.
02:05So the details of the production value is very detailed.
02:10We need to create a period piece.
02:13In this case, we see that it was a pretty cool personality.
02:20We have a guy saw it with the trailer itself.
02:22So in this case, you have your experience of sites,
02:27you are not able to see it?
02:28You have visited your repository and have two people in the future?
02:33When you see your characters,
02:37many things automatically are repeated in your presence.
02:42How did it come to me?
02:44It's my look.
02:46I used to wear my clothes.
02:50I used to wear my clothes.
02:54When you do this kind of character,
02:58you can see things in your mind.
03:02This is why you are in a film,
03:04because you have so understood.
03:06If you want to be cruel,
03:08if you want to go,
03:10you have to go up and down.
03:14But there were no special efforts.
03:16Because then you go with the words.
03:18The words you say.
03:20You say it's very hurt.
03:24You say it's for me.
03:26It's for me to go to the level.
03:28If you reach the level,
03:30if you say it's a little lower,
03:32then it's easy.
03:34So many times,
03:36you get up, you get up,
03:38you go up.
03:40I got there.
03:42I got there.
03:44I have seen it.
03:46foreign
04:04foreign
04:10foreign
04:14I was just sure that it is the same thing.
04:17We discussed all the confirmations.
04:20The second thing is that we asked the question
04:25was the question that they would say
04:29and would say that they would feel the same way.
04:33And the whole set would feel the same way.
04:37But the most interesting thing is
04:40because Naveen Babu and Mukesh's scene are most of the most interesting.
04:43Maza to Naveen Babu ka hai.
04:47And Naveen, you're playing the lead in this series.
04:50Tell me,
04:52you know, when you've listened to a narration,
04:55when you listen to a narration, you're listening it with someone.
04:59Then there's another stage when you are one with the story.
05:01You've read a story, you've read a character,
05:04revisit a character,
05:05or you've shared a tear from there.
05:07What was the process for you?
05:10How did you arrive at the common,
05:14the reference point for the character,
05:15that what you're thinking and what you're thinking,
05:17meet them with you?
05:19Actually, my answer is exactly the way that Mukesh sir has explained.
05:23That Faruk has already planned so much,
05:29that I didn't have to do anything more.
05:31I just had to listen to him,
05:33and try to create that.
05:36That's what I did.
05:37I didn't have a lot of effort from each other.
05:41I mean,
05:42you see,
05:43you've read it a lot,
05:44you've read it,
05:45you've read it,
05:46you've read it,
05:47but you've written it,
05:48you've written it,
05:51their vision is,
05:52if you've read it completely,
05:53and just try it,
05:55because it's always moment by moment.
05:57I was also just trying to follow Faruk's instructions.
06:22And I had many times that they were very simplified.
06:28Just to create that.
06:30And just like that is the form of a set.
06:32I had a half-character.
06:34After that I felt like half a character.
06:36He did a shirt.
06:38It was my whole family.
06:40I didn't have a lot of research.
06:45So you fully surrendered to him?
06:46Fully surrendered.
06:47I think that I have to think that in my face, I have to think that I think I can feel this way.
06:55I'll tell you, the hair I have to play, my own hair is not.
07:00If you look on the face of this, you can see how much depth is in your thoughts.
07:07I have to think that I have to understand that I have to say something that I have to say.
07:12But it's not that many actors have to do a lot of work in the day.
07:18Our set has been a busy set.
07:21And in the set, at a certain level, there was a different perspective.
07:29So, Naveen Babu also had to do a lot of work in the day, physically and emotionally.
07:37But one thing, which I used to see, both Naveen and Mukesh sir also,
07:45I realized they both are enjoying themselves.
07:48Yes.
07:49So, I was surprised in my mind that they both are enjoying themselves.
07:54And we all are enjoying the work that's happening.
07:57So, hopefully, we are doing something right.
07:59Okay.
08:00And my next question sir, let's see a visual in the trailer.
08:04We have a shot in front.
08:05Her character is Mercedes, 30s, 40s, vintage Mercedes.
08:09That's what we are doing.
08:10Zia was a dictator.
08:12So was Hitler.
08:13A very famous visual is Hitler.
08:15Yes, absolutely.
08:16Was that a reference point for that particular shot?
08:18All dictators, whether it's been Hitler or Fellini or Zia in that matter,
08:26all dictators have a highly narcissistic trait.
08:31Yeah.
08:32So, that is common in all dictators over the centuries.
08:38So, yeah, you can say that Hitler is a reference point for Zia.
08:43Because their actions were something like that.
08:46Okay.
08:47Okay.
08:48And about music, there is also a song that I can tell you about in the series.
08:52Yes.
08:53Who has composed the song?
08:54What elements have you used in that song?
08:56There are two songs in our series.
08:59There is a song called Baliyah.
09:02Baliyah is a song that is a song that is a song that is a song that is a song that is a song that is a song.
09:05It's picked up with him.
09:06So, for a time, these songs are called Baliyah by Kanate.
09:16Now one guards had this song in Bhilio or Shabbir.
09:19So, that song is not an example of the song and Japanese...
09:33The second song is called Vande Maatram, which is when Naveen's character goes into a deep state in the story,
09:44you will listen to Vande Maatram's song.
09:48There is a song by Shri Ram Chandra, who is a very good singer.
09:52He has composed Amar Mohile.
09:55And G.O.H. sir's support is a story that we should be a patriotic, thematic, character based song.
10:07The song is called Baliyah, which is the song by Kumar Sanu Sahib's daughter.
10:12Her name is Shannon.
10:14She lives abroad.
10:15But when she was here, she was singing this song.
10:18The lyrics by the I.P.S. officer Dr. Ajaypal Sharma.
10:24She has written a lot of famous I.P.S. officer in Uttar Pradesh, Carder.
10:28My next question is from two actors.
10:31Mukesh sir and Naveen.
10:33You belong to two different eras of artists.
10:36If you have worked in cinema, you have started with OTT.
10:39Pictures is one of my favorite.
10:41When two different schools of thought of actors come together,
10:47what is the exchange between them?
10:49Especially when they are playing contrasting parts.
10:51If you are antagonist, then you play protagonists.
10:53What is the exchange?
10:54Day-to-day unfolding like?
10:55I feel like there is no school of thought.
10:58Every project, I feel like I start from the bottom.
11:04Because you are working on a new voice.
11:07You have to try to understand that voice.
11:10And there is no formula.
11:12In my head there is no formula.
11:14Every time the approach is new.
11:16There is no one process.
11:17There is no one.
11:18Sometimes it happens that you have to go to the script.
11:21Sometimes it happens that you don't touch the script.
11:23So it depends on what the makers are expecting.
11:28And I feel like as many different personalities you have on screen,
11:37there will be something interesting.
11:40So they don't have to be, at least the co-actors,
11:44they don't need to have the same process.
11:48You know?
11:49Yeah.
11:50Mukesh Ji, how are you doing with your work?
11:52Sorry.
11:53You are asking questions.
11:54No.
11:55No.
11:56When you were doing scenes with them,
11:57what did you feel like?
11:58No.
11:59I was really enjoying it.
12:00Because in some scenes,
12:02I was able to open it with Sir.
12:04It was such a lot.
12:05That he is performing and I am lost.
12:07Because I am enjoying it so much.
12:09When I first met him with his presence,
12:12his presence is so intimidating.
12:15If you are standing up and you will have a hug,
12:18I will go to the floor below.
12:20So his presence is very intimidating.
12:23But off-camera is very warm.
12:25Very sweet.
12:26Very soft.
12:27So now the eyes broke.
12:29Gentle, gentle.
12:30Yeah.
12:31Yeah.
12:32So yeah.
12:33It was very fun.
12:36It was very easy.
12:38It was very easy.
12:39I was thinking,
12:40I am not a good person.
12:41I am very happy.
12:42I am very happy.
12:43I am happy.
12:44I am happy.
12:45I am happy.
12:46I am happy.
12:47I am happy.
12:48Even after working for so many years,
12:52we are shooting at night.
12:55This is a very disciplined man.
12:57You are awake early.
12:58You are awake early.
12:59Then,
13:00you know,
13:01for 7,
13:03and there are long scenes.
13:04And he is just
13:05at it.
13:06He wants to give 100%.
13:07So,
13:08subconsciously,
13:09aap ki learning to hoot hi,
13:10you have inspired to hoot hi,
13:11because haapni it nae waakt se dekha hai.
13:13And now he has so much strength, so much joy, that he has to do it, so he has to learn how to do it, and I also have to get a lot of fun.
13:23And Mukesh sir, I will extend this more question.
13:26Like Naveen said, his process is very spontaneous.
13:30He doesn't even see the script.
13:32It depends on the story of the story or the character.
13:34He makes a way to make a path.
13:36When you are in front of yourself, acting is all about reacting how you react to your co-stars.
13:42What will be the process for you in this series?
13:47Especially when you have a creative exchange on camera.
13:51I have learned my experiences from age, different and different worlds.
13:57Because I have seen a lot of films in the world.
14:02At the same time when I came to the film, the first thing was my normal life.
14:06And there was a lot of things in that life.
14:08There was also a force, there was also an army, there was also a whole world.
14:11There was also a way, a kind of uncle, a friend made me.
14:14There was also a very big thing that I saw in the world.
14:16I saw that.
14:17I saw that.
14:18I saw that.
14:19So many times when I saw this, there was a couple of things in the world.
14:20There was also a way that I saw.
14:21When I saw this, it was a fact that I saw this,
14:23There was a way that I saw this.
14:24So, first of all, it's a thing that you have a body that is fit or not fit.
14:32Because you've never seen any army officer.
14:37It's in their discipline.
14:40It's in their discipline.
14:43So, these little things are because of sports or exercise,
14:49they are in-built.
14:52So, when I was new and now,
14:57there are many things that I have to do.
15:01I choose to do it.
15:04I have to see it.
15:06I have to do it.
15:08I have to do it.
15:10I have to do it in skin.
15:12I have to do it in the same way.
15:13After that, I'm going to go into lines.
15:15I have to do it in 4-5 years.
15:18So, when I'm in front of lines,
15:21I start to understand a lot of things.
15:24What does it mean?
15:26Sir, do you listen to your favorite lines from the series?
15:29My favorite is that.
15:32I love Vianna.
15:34I love Vianna.
15:36The Upra.
15:37Yes.
15:38Now, they can say,
15:39what is this?
15:40It's a fun.
15:42It's a lot.
15:43So, you get to see something.
15:45You get to see something.
15:46You get to see something.
15:47One is a confirmation.
15:48You don't have to do it.
15:50You don't have to do it.
15:51I feel that my own school is a school.
15:55When I'm okay,
15:57I've taught you.
15:58I taught you from Priya Darshani.
15:59I taught you.
16:00I taught you.
16:02I taught you.
16:03If you're okay,
16:05you're saying one more.
16:07You're simple.
16:08It's okay for me.
16:09If you want to take it,
16:11you'll take it.
16:12But if you're happy in the first take,
16:15you'll be happy.
16:16You'll be happy.
16:17You'll be happy.
16:18You'll be happy.
16:19You'll be happy.
16:20What's your thing?
16:21What's your preparation?
16:22What's your preparation?
16:23The director's level of match is starting to get started.
16:26The result is amazing.
16:28Absolutely.
16:29You'll be happy.
16:30This is a trust,
16:31confidence.
16:32You can say that I was like saying.
16:34That's something I'm going to continue to do.
16:36I did it.
16:37What do you need to do it?
16:39You'll go there.
16:40After I got a book,
16:41you'll be happy.
16:42It's fun to me.
16:43I just do it.
16:44So…
16:45Here's my whole excitement.
16:46It's fun.
16:47That…
16:48Yes…
16:49I'm there.
16:50I'm there.
16:51Tell me.
16:52There are also идет vast amounts in India.
16:55I mean…
16:56Se terminar…
16:57So, if you go there 6-8-1, you will be able to get there.
17:02Because you have to speak the lines every time,
17:04the language doesn't come.
17:06And you have to be different from the line.
17:09So, I think the most fun in OTT is that
17:12I have a different way to do this
17:17which is very loud.
17:19So, that is also a challenge as an actor,
17:21which we are accepting and following us.
17:25So, this is how I think
17:29there are many things that I have found in my thoughts.
17:32The line of Sir was written.
17:34It was a very nice line.
17:37So, I think that you can get to that level.
17:40You can get to that level.
17:42You can leave it.
17:43Sir, you didn't have to learn anything.
17:47I didn't have to learn anything.
17:49I didn't have to learn anything.
17:51I was talking about the physicality.
17:53So, I didn't notice how I was going to learn.
17:55I was going to learn how to do this.
17:56So, I was going to go one side and one side.
17:57So, Farag had said,
17:58first of all, go straight.
17:59So, walk.
18:00Then walk.
18:01Then walk.
18:02Then walk.
18:03Then walk straight.
18:04So, that's what happened.
18:06So, that was happening.
18:07And I had to be a bit more of the posture.
18:09You know how posture I was with the posture.
18:11I was having to touch the posture.
18:12So, I was doing my homework.
18:14But if the other thing,
18:16I had to share my actions,
18:17of the actions,
18:18I was going to do a little work.
18:19you know how posture was,
18:20I was having to do my homework.
18:21The other thing is,
18:22in action you know,
18:23the action you know,
18:24was doing a rehearsal.
18:25The recordings of the training.
18:26So, I had to work on that.
18:27So, I had to work on that.
18:29I had to have to work on that.
18:30character play around so I should also look like one so I had to work on that
18:35okay who that I had to work on yeah and Farooq sir mujhe series ka production
18:41design kaafi achao akscale hai ar ho scale ko attain karta hai ho
18:43jaysay ki nuclear exhaust hum nne teo dekhi do bade-bade towers aur ee bhot
18:48sarhi cheez hai ho buttons fleets jaysay ki ma na mention kiya if you could break
18:54down the process of arriving at the production design kis na production
18:57design kiya hai kya aapka brief raha hua hon ko
19:00ah sir production design ke liegh to yeh ke mein us kisam ka film maker hum
19:06mujhe set work zyadha phasan nahi hai sets pe kama karna phasan nahi kata ho
19:11mein mujhe live locations phasan da hai toh sari ek-ek location mein khud
19:15ndhuta hoon okay ah pahle extensive scout karta hoon
19:19wo scout mein kam se kam 10-15 din toh mein sirif ekaat insaan ke
19:23saath sirif ndhuta hoon okay scout karta hoon or scout karne ke baad phir select
19:28karne ke baad phir ham loog us process pe pahunch tei toh ah yeh bhi sari series
19:33kukye laddak, laknao, mumbai, alag-alag jagahon pere shoot hoi hai toh woh pura stitch
19:40karna khas kar period piece bhi toh haan isme kafi mehnat hai, kafi detailing
19:45jati hai, eek zimedari hai audience ko, eek era me hai ham bol rhae hai leke jane ke liye
19:51toh bhai agar aapko leke jana hai toh mehnat karie phir us mein, or leke jai ye audience
19:55ko haan, phir kuch half-baked nahi ho sulta hai, toh, aur salakar eek zimedar
20:01kaanhi hai kehna, ah kahi na kahi salakar hindustan ke kuchh itihas ke aise
20:08pannu ko bhi dharshati hai, jho zyada tar hamne aksar sune nahi hai, aur abhi aiste aiste
20:15woh cheeze open mein aane laghi hai, toh, kyunke eek era aur wakt bhi aisa hai, I think
20:20audiences ko maza ane wala hai and I feel ke woh kho jayenge us era me, jis kisam ka
20:26production design, locations, aur, ah, pura jis tarah se stitch hua hai, sari
20:31cheeze joh ban ke aai hai, I feel ke unko maza aega us era me jane ke liye, and for my
20:37final question, mokish sir, uh, aapne bhoat saari film no kama hai, jho bhoat
20:41favorites hai, generation ki, I belong to that generation, I love your work in
20:45Baazi, I love your work in Sarfarosh, but there's one film jis ki aapne
20:50eek bhoat bhaadi cult audience hai, which is, uh, gunda, Kantisha ki, ah, jha
20:55ab us film mein kama rhey thai, mujhe bata ye, directorial notes kya rheythet hai
20:59Kantisha ki, did he, did he see it with a very straight face?
21:02Sir, it was his own world.
21:07He made his own films.
21:09I was a new villain.
21:12So, he gave me more money.
21:15But when I reached shooting,
21:17I said,
21:19what did I do?
21:21And then,
21:23Mr. Shakti Kapoor said,
21:26what are you doing?
21:28He said,
21:29I didn't need to do that.
21:31But I didn't know that after twenty-five years,
21:35in the film,
21:37which I said,
21:39I said,
21:40I'm happy that today's generation
21:42has a humor.
21:44That's what I did.
21:46So,
21:48in that moment,
21:50the film was very popular.
21:52But I felt that I should avoid these things.
21:56I should not tell anyone.
21:59So,
22:00that's what happened.
22:01So,
22:02that's what happened to me.
22:04I think,
22:05that's what happened to me.
22:07So,
22:08that's what happened to me.
22:09So,
22:10that's what happened to me.
22:12So,
22:13that's what happened to me.
22:14And,
22:15then,
22:16I didn't think I came to me.
22:18I'm the most of them.
22:19I'm the most of them.
22:20So,
22:21that's what happened to me,
22:22I'll do it.
22:24So,
22:25that happened to me,
22:26It's a big shock to the industry to typecast.
22:29Now, Naveen Babu has always done aspirants and this kind of shows where he's a simpler man.
22:39But to see him as a very edgy spy in that clock,
22:45this is a bit of off-the-grain casting.
22:47Our industry has a habit to typecast.
22:50I feel that after seeing Mukesh Sir's performance,
22:56you will see the true caliber of this actor.
23:00And the people who are doing typecast,
23:03you will have to think that this is such an underrated,
23:08and such an underrated character that we have.
23:11And we are not thinking about it.
23:13Because in Mukesh Sir's performance,
23:16it's a very subtle and subtle performance.
23:22You can enjoy it.
23:24The two of us, Naveen Babu and Mukesh Sir,
23:26the two of us,
23:28I think the two of us have such performances
23:30that at least I have not seen before.
23:34You have seen it.
23:35You have seen it.
23:36When I saw something,
23:37I saw something that was very much in the background,
23:38and that was the match.
23:39If I saw my casting,
23:40I thought that was the same way.
23:41It was the same way.
23:42I saw it.
23:43I saw it.
23:44I saw it.
23:45I saw it.
23:46I saw it.
23:47I saw it.
23:48I saw it.
23:49This is a great success.
23:50And this credit goes to you.
23:52God bless you.
23:53A credit to all of us.
23:54It's all of us.
23:55Yes, it's a good actor.
23:56If you enjoy the set,
23:57it's a good job.
23:59And I'm tempted to ask one last question.
24:01Thanks for all of you.
24:02Open to all.
24:03You have said that
24:04you have talked about a typecasting.
24:05Now, our industry is like a body.
24:07It's different organs.
24:08It's a mainstream,
24:09indie, parallel.
24:11It's also a campy film.
24:13It's also a great audience.
24:15As the member of film fraternity,
24:18how important is that
24:20we realize this true power
24:22in our industry
24:23so that it helps us
24:24to become a global soft power
24:25through cinema?
24:26No, it's very important for us
24:30to tell good stories
24:31and to give all kinds of talent
24:33a chance
24:34and all kinds of stories
24:35a chance.
24:36You have to know
24:37where a story came from
24:39or a good work
24:41came from.
24:42You have also seen
24:43a recent example
24:44of Sayyara.
24:45How well, thankfully,
24:47that film has done.
24:48And I'm so happy
24:49that it's done so well.
24:50And some people say,
24:52you know,
24:53you know,
24:54you know,
24:55but I said,
24:56enjoy it.
24:57In a film industry
24:58in a good way,
24:59enjoy it.
25:00As many people
25:01are working,
25:02as many people
25:03in the industry,
25:04as many people
25:05are working,
25:06they are working with
25:07any other person.
25:08Correct.
25:09I liked it.
25:10I'm 37.
25:11I liked it too.
25:12I'm not 25,
25:25but I still liked it.
25:26And so,
25:27I think we should celebrate
25:29all kinds of things.
25:31It's a lot of,
25:32you know,
25:33you know,
25:34how do I get the film?
25:35I'm 37.
25:36Yeah.
25:37I liked it too.
25:38still liked it and so i think we should celebrate all kinds of work all kinds of shows support each
25:45other and celebrate it yeah yeah it's very important to say that you have three formats
25:54of the film.
25:56I think there are many different things that we have to do with TV, OTT, there is no difference.
26:00There is a big screen and we have to give the screen to the screen because there are
26:06the performances that you see, it's not been before, but in the past, people are enjoying
26:12the world.
26:13If it comes to the audience, it's not a bad thing.
26:14It's a community experience.
26:15It's a community experience.
26:16We ignore it.
26:18We don't have to do it.
26:20I have to see three formats.
26:22If you go to the TV, you need different kinds of patients, different kinds of patients and what you can do.
26:28So, I think that one actor has three forms.
26:31The challenge is for me.
26:33Because when I was in the world, I would say, sir, loud sir, loud sir.
26:39So, now I am in the world, sir.
26:42So, this is a learning thing for us.
26:45Where did we get loud?
26:47Where did our generation today?
26:49His detail is very good.
26:52A short term is the one that I was saying.
26:57It was not a place I was saying.
27:00And he immediately pointed out.
27:02Sir, I said to myself, I would say what I am saying.
27:06Then my line also went in the same direction.
27:08So, when I was in the face, I would say that.
27:12Communication is also very good.
27:16So, I realized that.
27:18I will remember that.
27:19You will remember what I was saying.
27:21We didn't even know.
27:22When I was in the office.
27:23When I was in the office.
27:25When I was in the office, I was in the line.
27:27Yes.
27:28You said that line is mine.
27:30They are fine.
27:31They are fine.
27:32But you wanted me to see the reaction.
27:35Okay.
27:36So, I think that the details of the details are even coming.
27:38Okay.
27:39So, I think that the details are coming from the office,
27:40from the director, from the office, from the office,
27:42that will always be good on the screen.
27:44So, the screen is good on the screen,
27:45that is our best.
27:47Okay.
27:48So, as much changes are coming up.
27:49I think these are welcome changes.
27:50I think it is the welcome changes.
27:51And if the actor would feel different and different form in
27:53I feel different, different form,
27:54it would feel different.
27:56Just like this performance.
27:57performance. So I am very happy that it is more common.
28:02And Navi, any closing notes?
28:04You can watch all the shows. You can watch it.
28:09You haven't watched it yet, right?
28:10No, you haven't watched it.
28:12It's coming out on 8th of August.
28:16And I would want everyone to watch it and I hope they enjoy it.
28:20Perfect. So with that, we have reached the end of this conversation.
28:22I wish you all the best for Salakar and for all your future projects.
28:25Thank you. Thank you so much.
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