Actress Vanitha Vijayakumar opens up about her debut directorial venture Mrs & Mr, where she shares the unique experience of acting alongside her ex-lover. In this bold and emotional interview, she talks about real-life possessiveness, jealousy, relationship dynamics, and how personal experiences shaped the story. A candid conversation about love, breakup, and moving on — don’t miss it!
🎬 Movie: Mrs & Mr
🎙 Guest: Vanitha Vijayakumar
🎥 Topic: Directorial debut, love and breakup experiences
📅 Watch now for an honest take on modern relationships!
#VanithaVijayakumar #MrsAndMr #TamilCinema #VanithaInterview #RelationshipTalk #BreakupStory #TamilMovies2025 #ExLoverStory #Possessiveness #JealousyInLove #VanithaDirectorialDebut #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights
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NewsTranscript
00:00Actually, I don't know how to get an ex.
00:03I'm going to go to the opposite side.
00:06I'm going to get a good job here.
00:09How do you get an ex?
00:11That's my wife.
00:16I'm always in the last minute.
00:19I'm always in the last minute.
00:21I'm always in my life.
00:23Actually, what do you feel like?
00:25I'm always in the last minute.
00:29It's not a complicated situation.
00:31We're both family.
00:32Yes, grandma.
00:33So, my wife and dad are doing so much.
00:36If I tell everyone about advice,
00:38I don't want to do anything like that.
00:41Okay.
00:42It is not a joke.
00:47I'm very strict.
00:51If you irritate me,
00:53I'm always in the last minute.
00:55But not with everybody.
00:57When it comes to relationship,
00:59I'm very different.
01:00So, I cry more than I...
01:03You know, I'm always in the last minute.
01:06If you're in the last minute,
01:07there's an addition.
01:09There's a family member.
01:11There's a family member.
01:12There's a family member.
01:14So, there's a family member.
01:16Things have changed.
01:18What do you feel like?
01:19What do you feel like?
01:20What do you feel like?
01:21Mr. and Mrs.
01:22No.
01:23Mrs. and Mrs.
01:24That's right.
01:25You don't have to say,
01:26first of all, Mrs. and Mr.
01:28Yes, sir.
01:29Okay.
01:30Vanita Vijayakumar is here.
01:32You're here.
01:33He's released from July 11th.
01:35You're waiting for a moment.
01:37So, you're waiting for a conversation.
01:38So, for this reason,
01:39you're going to be here.
01:40So, one a cup.
01:41One a cup.
01:42Yeah.
01:43How are you?
01:44I'm good.
01:45Lot of things going on.
01:47So, yeah.
01:48It is like the final countdown started to release.
01:52So, in over nine days.
01:54So, every day is promotions.
01:57I don't have any back-end work.
01:59I don't have any back-end work.
02:00So, if I produce,
02:02I don't have any direction,
02:03I don't have any promotion.
02:05It is like a...
02:06Okay.
02:07That's how it goes.
02:08Okay.
02:09Why did you do it then?
02:11Why did you do it?
02:12Why did you do it?
02:13Why did you do it?
02:14I didn't prepare it.
02:16I began with...
02:17Yes, I was a script idea.
02:21I was going to do it the concept.
02:24I was going to do it.
02:25So, basically,
02:27I write.
02:28So, I was going to create it.
02:30I started creating it.
02:32It was a experience,
02:34a story,
02:35a story.
02:36Everyone was going to do it.
02:37All the other things,
02:39Robert came into the picture.
02:40Robert was supposed to direct the film.
02:42So, I was going to get the direction.
02:45but I am acting.
02:47So, I went to the location,
02:48I went to the abroad,
02:49I went to the Columbia,
02:50I went to the spot for two days,
02:52and I started working in the spot.
02:54But,
02:55when I started working,
02:57somewhere there was a difference in opinion,
02:59in terms of,
03:00I have an idea,
03:01I have an idea,
03:02I have an idea,
03:03I have to portray this thing,
03:06this is the scene.
03:07But,
03:08Robert had a thought process.
03:11So, professionally,
03:13there was a little clash of ideas.
03:16So,
03:17it didn't work,
03:18and then,
03:19he himself said,
03:20I don't know where to be a director,
03:22you have experience,
03:24you are doing what you are doing,
03:26why don't you direct?
03:28Because I think it is your brainchild,
03:30you have more command over the subject,
03:34you are thinking about who you are,
03:36you are not working.
03:38So, you can interfere with me,
03:39and you are saying,
03:40I can't do it.
03:41So,
03:42you are doing it.
03:43Because,
03:44literally,
03:45it was like,
03:46the Kaliana Meda,
03:47you have to go,
03:48you have to go,
03:49you have to go,
03:50you have to go,
03:51you have to go,
03:52so,
03:53I didn't know what to do.
03:54And, I was not mentally prepared.
03:56I was afraid,
03:57I was afraid,
03:58I was afraid,
03:59I was afraid,
04:00I was afraid,
04:01I was afraid,
04:02I was afraid,
04:03I was afraid,
04:04I was afraid,
04:05I was afraid,
04:06but,
04:07then,
04:08all the actors cooperated and said,
04:09you are doing it.
04:10So,
04:11Arthi,
04:12Ganesh,
04:13Arthi has played a very prominent character,
04:15I am a sister.
04:17So,
04:18he said,
04:19come on sis,
04:21you are doing it,
04:22we are doing it.
04:23You are doing it on camera man side,
04:25so,
04:26so,
04:27you should be Alexa,
04:28then you are doing it,
04:29and I just said,
04:30you wanted to go,
04:31after doing it on camera,
04:32you also wanted to do
04:33some job.
04:34I kept working awake,
04:35all my decisions,
04:36it was an Privacy,
04:37now and I came to do it.
04:38So when you invited yourself,
04:39anyways,
04:41you께서 asked me,
04:41everything is an emergency,
04:42first and foremost.
04:44What do I say?
04:45I was asking you'd do it,
04:46to itself,
04:47and everything is in life,
04:48so,
04:49you can talk so quickly about it,
04:51you can tell me.
04:52Well,
04:53through it to him,
04:54very清楚 frightful,
04:55to her, there is a crisis, a challenge, she handles pressure so well, so she works under pressure better.
05:07So maybe, we also know what character is, right?
05:11If we get pressure, we will be alert and we will be relaxed and planned.
05:17Yeah, you are right.
05:19So maybe, if we can do this, we can't do this.
05:22Yes.
05:23Actually, what is Rasi?
05:25Maham Simma Rasi.
05:28Simma, right?
05:29Okay.
05:30The gel is Maham Simma.
05:33My mother is Maham Simma.
05:35Oh, okay.
05:36So, there is Maham Simma in the industry, ladies.
05:39I know they are closer to me.
05:41So, it's a different nature.
05:43You can't have a different nature.
05:45But, it's a little complicated.
05:48The situation is complicated.
05:50Okay.
05:51Why are we prepared?
05:52Why are we prepared?
05:53Why are we complicated?
05:54Why are we complicated?
05:55After marriage, your life is complicated.
05:57See, it's complicated.
05:59It's complicated.
06:00Two families.
06:01Yes, ma.
06:02So, my father and wife are the same.
06:04It's natural and normal.
06:06Nothing is complicated.
06:07That's normal.
06:09No one knows.
06:12No one knows.
06:13It's just a one knows.
06:14You can't see.
06:15You are aileries.
06:17So, you don't know what they have to know.
06:19At the same time, my mother and mother are two parents at the same time.
06:24So, the sisters are already two parents.
06:28So, I have to be conscious that the two families are still alive.
06:32But yes, they are probably the same thing.
06:35But it's not a very serious issue.
06:39Even if anyone else has an addition to the family members,
06:44they have a family.
06:47So, at the same time, things have changed.
06:51It shouldn't be.
06:53That's normal too.
06:55But it's not in the house.
06:57Okay, fine.
06:58Why are you talking about everything?
07:00What are you doing?
07:01Okay, now the movie is coming.
07:04Actually, it's a bad thing.
07:07It's a bad thing.
07:09It's a bad thing.
07:11It's a bad thing.
07:13It's a bad thing.
07:15Is it your husband and wife?
07:18It is not.
07:21I can challenge and tell you,
07:23very few people can take that decision.
07:26In the industry,
07:28I think last Simbu and Nayantara had done.
07:33That's what they did.
07:34Yes, they did.
07:36I think Robert and Nayida have done it.
07:39But in Hindi, in Bali,
07:42it's not a bad thing.
07:44It's not a risk.
07:45It's not a risk.
07:46It's easy.
07:47If we go,
07:48okay,
07:49we've got a little matured.
07:51Yes, we've got a new life.
07:52We've got a new life.
07:54We've got a new track.
07:56We've got a new track.
07:58So, it's been a long time.
08:00It's been a long time.
08:01We've got 10 years.
08:02So, we've got a new life.
08:03We've got a new life.
08:04Now, we're going to be friendly.
08:05Yes.
08:06So, we want to support each other.
08:08So, we want to say,
08:10what is your problem?
08:11What is your problem?
08:12What is your problem?
08:13What is your problem?
08:14What is your problem?
08:15What is your problem?
08:16That's what I've done.
08:17I've done a lot.
08:19Everything was fine.
08:20But,
08:21but,
08:22what I've done is,
08:23what I've done is,
08:24I've said,
08:25that I've done a lot of advice.
08:26I'm not saying anything like this.
08:29It is not a joke.
08:31It is not a joke.
08:32Because,
08:33you can blame me.
08:34But,
08:35you might say,
08:36it is very...
08:38I can't believe that
08:40I'm not a problem.
08:41I can't believe that
08:43I am not a problem.
08:45But there is a revenge mode where there is jealousy and possessiveness.
08:53If we don't, we don't have to do anything.
08:57That concept is different. Both.
09:00I am not saying he did that.
09:03But there is a problem here.
09:06It is not easy.
09:08But when you handle it, there is a problem here.
09:12If we don't handle it, we will be fine.
09:15But there is a camera man, assistant.
09:18Who is it?
09:20Why is that?
09:22There is a scene in a balcony.
09:28There is a cute little scene.
09:31There is a marriage story.
09:34There is a lot of experience in Tamil cinema.
09:40There is a woman and wife.
09:43There is a modern thought process.
09:47There is a modern thought process.
09:51We are talking about a balcony.
09:53We are shooting in Dubai.
09:55A beautiful backdrop.
09:57A cute little house.
09:59There is a very late night on the balcony.
10:04There is a marriage.
10:06There are two names.
10:08There is a mother.
10:09There is a scene.
10:10I was already buzzed.
10:11So, he is asking me for a baby.
10:13When we were married, newly.
10:15That's why.
10:16When we started shooting in this scene,
10:19I think it was...
10:21If I am not wrong,
10:22there is a lot of money.
10:24Okay.
10:25I did shoot in the right place.
10:27Then, we will return to the right place.
10:29The first time we started shooting.
10:30Then, the first time we started shooting.
10:31I ended up shooting in the right place.
10:32When we got to the right place,
10:34we have to shoot in the right place.
10:36Then, the next stage came to the right place.
10:37Then, the next stage took flight.
10:42So, I went to Nalanjumani.
10:46He started saying something about the past, I react very different when I am in a relationship.
10:57You will think that you will be a good person, you will be a good person, you will be a good person, you will be a good person, you will be a good person, you will be a good person.
11:04I am a good person, my character is very strict, if you irritate me, he will be a good person.
11:13Not with everybody. When it comes to relationship, I am very different.
11:18So, I cry more than I, you know, you are a good person, you are a good person.
11:24So, I am a good person, especially when I am a good person, I am a good person.
11:30When everyone tells me, I am a good person, I am a good person.
11:34So, I am a good person, I am a good person.
11:38When I am a good person and I am good at you, I am a good person.
11:43I am a good person who is the one who is the other, I am a good person.
11:47I am so good at you.
11:48If you tell me, I am good at you.
11:50And I am so excited for you.
11:51So, this is a good person.
11:53So, yeah, it is very hard, complete, came out well, that is the, the plus point is, since it is an X, and the chemistry and the other, it will be interesting.
12:07It will not be like, you know, awkward, you know, what you're doing.
12:11If you're a husband and wife, you're a husband and wife.
12:14But, I'm telling you, it's easy to work, it's easy to work, it's easy to work, it's easy to work, it's easy to work, it's easy to work.
12:19Why did you patch up?
12:24Probably, what could have been.
12:27That's why we're here, we're here, we're here, a reminder.
12:32But sometimes, it's easy to work, it's easy to work, it's easy to work, it's easy to work.
12:38But, it's easy to work, it's easy to work, it's easy to work.
12:42We never got married.
12:44And, Robert said, that's the same thing.
12:47That's right.
12:48Yes, that's right.
12:49But, the situation was very complicated.
12:53He was going through a divorce and he was not yet divorced and all.
12:55A lot of legal things.
12:57So, that's why,
12:59we have to work,
13:01We have to work,
13:02we have to work on that song.
13:05He has said a song called Shubham Mohrtham.
13:07They started to work on Rajesh Vaidya.
13:09They did music and sang the songs.
13:10He sang the songs.
13:11Yes.
13:12A shoot from Pondicherry,
13:14in a lagoon resort.
13:16In a Sarovar Lagoon.
13:20It's not a big deal.
13:22If you look at the shot,
13:24you can't take the shot of the back shot.
13:27You will not believe that the back shot is done.
13:31The choreographer is directed to the camera man.
13:36You can take a 30-30 take.
13:39This is the shot.
13:41The other hand is drawn.
13:43I don't know.
13:45I'm just taking the shot.
13:47I'm sitting on this side.
13:48I'm also back shot.
13:50In OTS, I'm sitting on this side.
13:52I'm not going to die.
13:54I'm not going to die.
13:56I'm not going to die.
13:58Then, Kuber and Koyal Krishnan said,
14:00they were close.
14:02They were close.
14:04They were close to Koyal.
14:06So, now, they're all in the house.
14:08They're all in the house.
14:10So, Robert, I don't know.
14:12When I was doing it,
14:14I was talking about Kuber and Koyal.
14:16I was talking about Koyal.
14:18So, I'm sitting on the house.
14:20That's the end of my mind.
14:22People were saying that,
14:23they were talking about Kabaruma.
14:24They were talking about Kala.
14:25They were talking about Kaperuma.
14:26They were talking about Kala.
14:27They were talking about Kala.
14:29They were talking about Kala.
14:30When we were shooting a shooting,
14:33I thought it was one thing,
14:35but I thought it was one thing,
14:37and I thought it was one thing,
14:39and I thought it was one thing.
14:42It is, you know,
14:44sentiments are awkward.
14:47I thought it was a good thing,
14:50but now it's a good thing.
14:52But when you see it on the screen,
14:54that sentiment will come.
14:56So it's kind of very awkward for us.
14:59Sir, if you see it on the screen,
15:01how do you see it on the screen?
15:03I don't know, I think I am happy.
15:07I am very happy because
15:09when I tell you,
15:11I think it's a conveyer.
15:15And the flow of the film,
15:17I thought,
15:19what is this?
15:21Because when we were planning,
15:23everything changed.
15:25This is not all.
15:27It's not all.
15:28It's not all.
15:29It's not all.
15:30It's not all.
15:31First of all,
15:32it's a location problem.
15:33It's practical difficulties.
15:35It's not all.
15:37It's not all.
15:39It's not all.
15:41It's not all.
15:42It's not all.
15:43It's not all.
15:44It's not all.
15:45It's a relationship.
15:46It's a friendship.
15:47It's not all.
15:49It's not all.
15:50It's a problem.
15:51It's a professional and professional.
15:53It's not all.
15:54It's a relationship.
15:56It's not all.
15:57It's a relationship.
15:58It's all happened.
15:59Now,
16:00it's not all.
16:01The end of the day.
16:02It's not all that.
16:03We will be able to come to the island
16:07But when we go there,
16:0970% almost shoot,
16:1150% complete our time,
16:13two actors will come to Chennai.
16:15If they join,
16:17we can do pre-climax and climax.
16:19With a date problem,
16:21with a megapary of a date problem,
16:25we will be able to come to the actors.
16:28So now,
16:29The other parents will be able to move people into the situation,
16:31if they do a single actor,
16:33they will be able to move people into the situation.
16:35So, if they do this,
16:37then you can write,
16:39They will go to India,
16:41Then you can tell them if they did something,
16:43in India.
16:45Then you will go to Tamil.
16:47Then you said,
16:49they took a shift,
16:51and then they came to 70%.
16:53So,
16:55if they come along,
16:57Again, this is something that happens here.
17:00Even the whole story is not easy.
17:04As you see, there's a tone,
17:07then you get a tone,
17:09in the second half,
17:11it's very entertaining.
17:13It's very exciting.
17:15In fact, in Thailand,
17:18we can't find it in the shooting climax.
17:21But in second half,
17:23So, I used more than 15 actors to shift.
17:27So, there was a lot of vibe.
17:29There was a lot of vibe.
17:31It's exciting.
17:35So, yeah, I'm happy.
17:37I'm hoping that the audience will come to the theatre.
17:39I'll tell you what you want to see.
17:42But, I don't care about it.
17:44Because, I don't care about the theatres.
17:46I don't care about it.
17:47It's a little slow.
17:49It's a little slow.
17:51I don't care about it.
17:53I don't care about it.
17:55I don't care about it.
17:57I don't care about it.
17:59But, I don't care about it.
18:01Now, the Friday release and the Friday, Saturday, Sunday.
18:04I don't care about it.
18:06I don't care about it.
18:08So, all the love will be converted into theatre visit.
18:13I'm just waiting.
18:15Wow.
18:16So, you guys have to see a producer on the night?
18:18You're on the show?
18:19You've got to issue a film at the show?
18:20You've got to deal with it.
18:21You've got to interview the show.
18:22Okay.
18:23Because he was interested in the cinema,
18:24but he was interested in the director of the direction department.
18:29He was interested in the talk.
18:30The department?
18:31I was interested out.
18:32So, they're interested in the show.
18:33So, you know who is interested in the director.
18:36I said, who is the director?
18:38I said, who is the director?
18:40I said, I worked hard for him.
18:42I said, I worked hard for him.
18:44No, I didn't do that.
18:46But it didn't work because they already have a team.
18:48It didn't work specifically.
18:50It didn't work out.
18:52Then Parthipin Sir came to a meeting.
18:56He talked to him.
18:58He found a spark in her.
19:00He said, what is the plan?
19:02He said, okay.
19:04He said, okay.
19:06But I feel that somewhere
19:08there is a technical problem.
19:10That's what he said.
19:12He is like family to us.
19:14I was very comfortable.
19:16Like my own brother.
19:18So, he has a comfort zone.
19:20So, that's what he said.
19:22So, after Bigg Boss,
19:24he came to a meeting.
19:26But I was not very keen.
19:28I wanted the introduction
19:30and the time.
19:32he said,
19:34he said,
19:36I can't get the right thing.
19:38So, after that gap,
19:40he said,
19:42he said,
19:44he can't get the right thing.
19:46He said,
19:48he said,
19:50he said,
19:52you are not held responsible.
19:54Now,
19:56when I was doing a direction,
19:58a director came to a meeting,
20:00he said,
20:02I have a responsibility.
20:04He said,
20:06Of course,
20:08he said,
20:10I can't do anything.
20:12But,
20:13your name is at stake.
20:14So,
20:15that's why.
20:16So,
20:17you have to do a romantic scene?
20:18Acting.
20:19Acting.
20:20Correct.
20:21That's why you have to do a cinema.
20:22Plus, I think,
20:23you know,
20:24similarly,
20:25we have come from a world where,
20:27my mother and dad,
20:29my mother and dad were happy.
20:34Now,
20:35we were all growing up.
20:37Now,
20:38my mother and dad were happy.
20:39Now,
20:40we were all growing up.
20:41So,
20:42at that time,
20:43my mother and dad were hugging,
20:45kissing,
20:46kissing,
20:47and kissing.
20:48We are all that.
20:49We are all here.
20:50The other thing is,
20:51there is a situation where husband and wife is here.
20:53This is not the case.
20:55Nobody is going to die.
20:56We will finish the case.
20:58Husband and wife are open.
21:01The public display of affection is very common.
21:04In the generation of the generation.
21:06Children are also watching films,
21:10everything.
21:11He is also watching a cartoon.
21:13So,
21:14we are going to die affection.
21:15I am going to tell you,
21:17There are Disney characters, like a fairy tale, Cinderella, Snow White, etc.
21:26But, without a kiss, it can be done without a kiss, happily ever after.
21:32So, that's why I am the viewer.
21:35So, when I am in a relationship, I am happy and sad.
21:43So, I have been very open.
21:45It's very normal for them.
21:47You know, I am happy.
21:49That's why they're never here.
21:50So, because I was in a relationship.
21:52But, this is a profession.
21:53Now, I am in the direction, I am in the production,
21:57or even in the company,
21:59I am here at the company.
22:00Now, I am with my wife,
22:02if you are a hero,
22:04your sister,
22:05and them and their sister,
22:06then you come into society,
22:08and they tell me about it.
22:09I am also the hero,
22:10so, I think you are intimate.
22:12If you look at that, you can see it in the jail.
22:17All heroines, including my mother, including me,
22:22it's very different.
22:25If you work in a doctor, you go to the hospital, you go to the operation,
22:29you go to the hospital, you go to the hospital, you go to the hospital,
22:32but you come to the hospital, you come to the hospital, you come to the hospital.
22:37Heroes families, heroine families, character artists, family,
22:46there are shootings in the hospital.
22:48So, in this case, it's a profession that is interesting.
22:53What you say, what you say, what you say, what you say, what you say,
22:56what you say, what you say, what you say.
22:58So, we got used to it. Nothing new.
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