Find the Lady (1976)
R | 100 min | Comedy, Drama | November 1977 (USA)
Three kidnapping plots simultaneously target the same young woman.
Director: John Trent
Writers: David Main, John Trent
Stars: Lawrence Dane, John Candy, Ed McNamara
R | 100 min | Comedy, Drama | November 1977 (USA)
Three kidnapping plots simultaneously target the same young woman.
Director: John Trent
Writers: David Main, John Trent
Stars: Lawrence Dane, John Candy, Ed McNamara
Category
🎥
Short filmTranscript
00:00:00Okay, 6 rounds rapid, required 15 inch group, range 25 yards, from standing position.
00:00:14Fire when ready.
00:00:15Oh, stupid, I was cold.
00:00:40Okay, Colfax, that's it, from here on in you're driving a desk and if you ever get your hands
00:00:44on even a BB gun...
00:00:45You got a problem, Riley?
00:00:46Problem?
00:00:47Ha, he's got the problem, he just fouled range again.
00:00:48Did you check his target?
00:00:49Check his target?
00:00:50I can't even see his target.
00:00:51Riley, regulations clearly state that the officer in charge of the range shall check
00:00:58the targets before filling out the score sheets, article 374, subsection D. Now, I see that
00:01:04COPEC isn't due for small arms re-examination till next month, so you can log this as range
00:01:09practice, okay?
00:01:11No way, Broom, no way.
00:01:12Regulations, Riley.
00:01:13Copec?
00:01:14Thank you, sir.
00:01:15Copec.
00:01:16Yes, sir?
00:01:17Thank you, sir.
00:01:18Get out!
00:01:19Yes, sir.
00:01:20Out!
00:01:21I'm sorry, sir.
00:01:22Good, good.
00:01:23I'm sorry, sir.
00:01:24Good, good.
00:01:53Good, good.
00:01:54I'm sorry, sir.
00:01:55Good, good.
00:01:56I'm sorry, sir.
00:01:57Good, good.
00:01:58I'm sorry, sir.
00:01:59Good, good.
00:02:00I'm sorry, sir.
00:02:01Good, good.
00:02:02I'm sorry, sir.
00:02:03Good, good.
00:02:04I'm sorry, sir.
00:02:05Good, good.
00:02:06I'm sorry, sir.
00:02:07Good, good.
00:02:08I'm sorry, sir.
00:02:09Good, good.
00:02:10I'm sorry, sir.
00:02:11Good, good.
00:02:12I'm sorry, sir.
00:02:13Good, good.
00:02:14I'm sorry, sir.
00:02:15Good, good.
00:02:16I'm sorry, sir.
00:02:17Good, good.
00:02:18I'm sorry, sir.
00:02:19Good, good.
00:02:20I'm sorry, sir.
00:02:21Good, good.
00:02:22I'm sorry, sir.
00:02:23Good, good.
00:02:24I'm sorry, sir.
00:02:25Good, good.
00:02:26I'm sorry, sir.
00:02:27Good, good.
00:02:28I'm sorry, sir.
00:02:29Good, good.
00:02:30I'm sorry, sir.
00:02:31Good, good.
00:02:32I'm sorry, sir.
00:02:33Good, good.
00:02:34I'm sorry, sir.
00:02:35Good, good.
00:02:36I'm sorry, sir.
00:02:37Good, good.
00:02:38I'm sorry, sir.
00:02:39Good, good.
00:02:40I'm sorry, sir.
00:02:41Good, good.
00:02:42I'm sorry, sir.
00:02:43Good, good.
00:02:44I'm sorry, sir.
00:02:45Good, good.
00:02:46I'm sorry, sir.
00:02:47Good, good.
00:02:48I'm sorry, sir.
00:02:49Good, good.
00:02:50I'm sorry, sir.
00:02:52Yeah?
00:02:53Kaminsky.
00:02:55What do you mean you lost him?
00:02:56What are you, a policeman or a wet nurse?
00:02:58You'll be back pounding a beet if you don't watch it, and no more calls!
00:03:01I know
00:03:03Yes, Johnson, what can I do for you, or better still, get out!
00:03:08Well, Brougham, le's get down to it.
00:03:11Now, we're getting a lot of static from upstairs.
00:03:16This whole department is getting a bad reputation.
00:03:18We're understaffed.
00:03:19We're understaffed, but we've got to carry on.
00:03:23Remember, to serve and protect.
00:03:27Ouch.
00:03:31Well, Stitsky, where are they?
00:03:33My pants!
00:03:35You said you'd have them back here when I got through to the mayor's office.
00:03:38Well, bring them in here.
00:03:42There is not enough attention paid to detail around here, Broom.
00:03:46Yeah.
00:03:50Yeah, Broom, you got a tough assignment.
00:03:52You got to keep out of sight, but the whole department will be watching you.
00:03:57Symbolically, of course.
00:03:59Of course, sir.
00:04:01There's a photograph there on my desk, Broom.
00:04:03Two of the most despicable characters that have come our way in a long time.
00:04:07Professional criminals, Broom.
00:04:09Men who are a threat to society.
00:04:12Men who'll do anything to serve their own ends.
00:04:19Leo Ruggerio.
00:04:21And Vito the Trigger Vitale.
00:04:24Known members of a crime syndicate.
00:04:26They might have got past transport terminal surveillance, but not for long.
00:04:30Because you're going to find them, Broom.
00:04:32You're going to find out why they're here.
00:04:34And you're going to nail them to the wall.
00:04:37Symbolically, of course, sir.
00:04:39Literally, if necessary. I want results.
00:04:41Trust me, sir.
00:04:43You'll need a partner.
00:04:44Of course, sir.
00:04:45Who do you want?
00:04:46Kopeck, sir. Can't break up a winning team.
00:04:48That is, if he's not wanted somewhere else.
00:04:50Oh, no. No, no. He's not wanted.
00:04:53He's all yours.
00:05:01Hello, Riley.
00:05:03Hello, this is Riley.
00:05:05Oh, is Sergeant Broom there, please?
00:05:07Who wants him?
00:05:09That's Officer Kopeck, sir.
00:05:10Kopeck? Kopeck?
00:05:12No, he's not here. I'll see if he's outside.
00:05:15No, sir. You don't have... Sir? Hello?
00:05:17There you are, Kopeck.
00:05:18Oh, Sergeant Broom. I was just looking for you. I was trying to get you on the phone.
00:05:21Sergeant Riley's looking for you.
00:05:23I'll go find him and tell him I found you, all right?
00:05:27Sergeant Broom's not here.
00:05:29This is Broom speaking.
00:05:31Um, your buddy is looking for you. Here he is.
00:05:34Oh, Sergeant. I... It's okay.
00:05:37Sir?
00:05:38Hello? Hello?
00:05:40Hello?
00:05:41Who is this?
00:05:42This is Officer Kopeck speaking.
00:05:44Kopeck, this is Broom. We have an assignment.
00:05:46Yes, sir. Um, just a moment, sir.
00:05:49Um, just one second, all right?
00:05:51Right with you.
00:06:03Oh, I'm sorry.
00:06:06I was...
00:06:21Here's your car, sir.
00:06:23You know...
00:06:32Sorry, sir. I was just looking for a pencil.
00:06:54Kopeck.
00:06:58Okay, Kopeck, let's go.
00:07:05There's not a mark on it, Kopeck.
00:07:07And I want it back the same way.
00:07:10Sign here.
00:07:11You know me, sir.
00:07:19The, uh, spring's a bit loose, I think, sir.
00:07:35Hello?
00:07:46Why don't we take that bit off?
00:07:49We ain't taking any bits off.
00:07:51We're not broke down. We're just pretending.
00:07:57Hey, let's go.
00:07:59Okay.
00:08:06Suspect bank robbery vehicle now confirmed as late model Honda sedan.
00:08:10Brown with racing stripes.
00:08:12One Delta 12 in pursuit east on western...
00:08:14One Delta 12?
00:08:16That's Clark and Mendoza, isn't it, sir?
00:08:18Ruggiero and Vitale.
00:08:19Oh, Ruggiero and Vitale.
00:08:21I don't think I know them.
00:08:23Are they robbery?
00:08:24Robbery, arson, homicide, you name it.
00:08:27Some guys get all the breaks.
00:08:35Ah!
00:08:51Okay, get in.
00:08:54Then they're, uh, organized crime.
00:08:57Who?
00:08:58Clark and Mendoza.
00:09:00Clark and Mendoza, robbery.
00:09:02Ah, what about Ruggiero and Vitale?
00:09:04They're organized crime.
00:09:06I thought we were organized crime.
00:09:08We are, but they're foreign. We're against it.
00:09:10Go, please!
00:09:15Why, you son of a bitch!
00:09:19Charlie, the wheel!
00:09:21Sergeant Brewer.
00:09:24I thought you were gone for five years.
00:09:26Commute a sentence. Extreme hardship.
00:09:28So what is it this time? More of the same?
00:09:30I didn't know there was anything in the truck to help me.
00:09:32I'm only driving it, you know.
00:09:34I mean, I stopped off at the deli for a hot coffee, but he must have got in.
00:09:36All right.
00:09:38Who got in?
00:09:42How should I know?
00:09:44I mean, anybody.
00:09:46There's a lot of criminals around, you know that?
00:09:48Hey, like these two torpedoes.
00:09:50Oh, yeah?
00:09:52Bad news. Just in for Motor City.
00:09:56Now, guys like these two,
00:09:58I can help you with.
00:10:00You know?
00:10:02You scratch my back and I scratch yours.
00:10:05Symbolically, of course.
00:10:07All right.
00:10:09What do you know about these two?
00:10:11They're always hanging around the concert hall.
00:10:14Kopek!
00:10:20Sergeant Brewer, I didn't know there was anything back there.
00:10:22For heaven's sake, Sergeant Brewer!
00:10:27Kopek!
00:10:30All right.
00:10:32Where are they?
00:10:34Who?
00:10:37Never mind that now. Come on, get in the car.
00:10:39What do you think I am, dumb?
00:10:41I'm not that stupid. Come on, get in there. Move!
00:10:56Surprise!
00:10:58Kopek!
00:11:07All right, the two of you, get out of the truck.
00:11:09You, against the wall. You're a little late, fellas.
00:11:11Wait a minute, I'm Sergeant Roscoe Brewer,
00:11:13I'm organized crime squad. Get out, I'm the mayor.
00:11:15Now, listen. Hold it! Hey, we're police officers.
00:11:19I'm not kidding, sonny. You'll be pounding the beat if you...
00:11:21Watch it with the hands.
00:11:24What's your badge number? Kopek, make a note of his badge number.
00:11:27You've got a lot to learn about police work, fella.
00:11:29You're gonna find yourself in an awful lot of trouble.
00:11:31Article 731, disobey...
00:11:36Disobeying a superior officer.
00:11:40Brew! Well, I should have known.
00:11:43Now, look after this, Kopek. Call the double.
00:11:45Right, you, come on.
00:11:47Good work, Brew.
00:11:49We like to get off on a flying start, sir.
00:11:51It'll all be in Kopek's report.
00:11:53Excuse me, sir. Hey, you!
00:11:57What's your name?
00:11:59Dockstader.
00:12:01Dockstader what?
00:12:03Dockstader, sir.
00:12:05Sir.
00:12:07There's one Charlie the Wheel in my car.
00:12:09Get him over here.
00:12:11Sir!
00:12:15Quick off the mark, eh, Broom?
00:12:17And I suppose you'll grab the other two
00:12:19before the afternoon's over.
00:12:21Wouldn't be a surprise, sir.
00:12:23Sir, there's nobody there!
00:12:25You lost them?
00:12:27No, I said there's nobody in the car!
00:12:29Don't make things any worse than they are, Dockstader.
00:12:31Look, my eyes don't lie to me.
00:12:33I told you there's nobody in the car, that's what I mean.
00:12:35All right, let's mark it down to you.
00:12:39This is car 54,
00:12:41Sergeant Roscoe Broom,
00:12:43organized crime squad.
00:12:45I want an APB, Charles Alexander Murphy.
00:12:47That's with a...
00:12:49PH.
00:12:51Otherwise known as Charlie the Wheel.
00:12:53For the mercantile bank job this morning.
00:12:55Wanted for burglary, extortion,
00:12:57grievous bodily harm, possession of stolen property,
00:12:59assaulting a police officer,
00:13:01and avoiding arrest.
00:13:05Also, failing to remain at the scene of an accident.
00:13:09Car 54 out.
00:13:13Lucky for you, I know.
00:13:15We'll have him in no time at all, sir.
00:13:17No thanks to you, Dockstader.
00:13:19Now see if you can clear up the rest of this mess
00:13:21without losing anybody else.
00:13:23Sir!
00:13:27Copic.
00:13:29Charlie the Wheel.
00:13:33You'd never think he was capable of a job like this, sir.
00:13:35Just goes to show,
00:13:37you can never tell about a person
00:13:39by just looking at them.
00:13:45Copic.
00:13:51This car isn't going to work out, sir.
00:13:53Okay, Ma.
00:13:55Yeah. I'll call Beverly.
00:13:57What?
00:13:59Steve and Lisa. Huh? Okay.
00:14:01Jordan too. Okay.
00:14:03Yeah. Yeah.
00:14:05What?
00:14:07I gotta... I gotta go, Ma.
00:14:09Had to bring the car back.
00:14:11Sometimes you just get a lemon.
00:14:13Lemon?
00:14:15Lemon?
00:14:21Lemon?
00:14:43Sir, it's over here.
00:14:45Sir, the concert hall. It's right there.
00:14:48Good work, Copic.
00:14:50Thank you, sir.
00:14:52Sir, what's a couple torpedoes doing
00:14:54hanging around a classy joint like this?
00:14:56Hang in, Copic.
00:14:58It's the only lead we got.
00:15:17Oh, my God.
00:15:47Oh, my God.
00:16:05Would you cut that out?
00:16:07What are you talking about? We gotta burn them, don't we?
00:16:09No, we don't got to burn them.
00:16:11We gotta put a snatch on them. Now put it away.
00:16:13Go on, put it away. All right.
00:16:15All right.
00:16:41Again from lethally, Miss Victoria.
00:16:44Breathe deeply, grandioso.
00:16:54Is that... Is that the one?
00:16:56No, no, shh.
00:17:14No!
00:17:16No!
00:17:20No.
00:17:23And you,
00:17:25why don't you play the last four rounds
00:17:27like I said?
00:17:29No, this is not a...
00:17:31What is all this? What are you doing?
00:17:33I'm rehearsing. What's it look like?
00:17:35You're rehearsing the wrong show is what it looks like.
00:17:37Come on, you'll be late.
00:17:39Rick, I can't leave. J.K. will be here soon.
00:17:41Well, not yet.
00:17:43See you later. Where are you going?
00:17:45Hey, look, if your uncle finds out on his own that you're dancing at the Orchid
00:17:47and that I hired you,
00:17:49it could get sticky.
00:17:59I thought you told me you were gonna can all this crap and tell him.
00:18:02All right, all right.
00:18:05Look, just give me ten minutes,
00:18:07then I'll meet you outside.
00:18:09Okay?
00:18:13Miss Lewineck,
00:18:15you have a voice, I must admit,
00:18:17but you got completely
00:18:19the wrong attitude to your status.
00:18:21Even I,
00:18:23the great Gino Frescobaldi,
00:18:25cannot make a diva out of you,
00:18:27no matter what your uncle might say.
00:18:29I'm sorry, maestro.
00:18:31Shall we try again?
00:18:39And what are you doing here?
00:18:41I thought I told you to stop sniffing around my niece.
00:18:43I have business here.
00:18:45Your business
00:18:47is taking care of my business
00:18:49at the Orchid and nowhere else.
00:18:51Henry? Sir?
00:18:53Throw him out.
00:18:55Yes, sir.
00:18:59I was just leaving.
00:19:01Thank you, sir.
00:19:09That's the one.
00:19:11No.
00:19:33Piece of pizza, sir?
00:19:35Ooh.
00:19:39Anchovies.
00:19:45Anchovies.
00:19:47Anchovies.
00:20:07My niece has a marvellous voice, Henry.
00:20:09Unique, sir.
00:20:11When my brother entrusted her to me,
00:20:13his final wish was that she should
00:20:15pursue her career as an opera singer.
00:20:33Yes.
00:20:35I think her debut will cause
00:20:37quite a stir in musical circles.
00:20:39Undoubtedly, sir.
00:20:45Marie!
00:20:49Marie!
00:20:57Bravo!
00:20:59Magnificent, my dear.
00:21:01Maestro, you must be very proud.
00:21:03Without you, my niece would not be making her debut.
00:21:05Just think of it.
00:21:07In a few days' time, opening night,
00:21:09the house filled,
00:21:11the whole world will know that you
00:21:13are bringing forth this remarkable talent.
00:21:17Victoria, my dear.
00:21:19Henry will take you home.
00:21:21You want to play some gym?
00:21:23Come on.
00:21:25There she goes.
00:21:27Come on.
00:21:29Until tomorrow, maestro.
00:21:35Come on.
00:21:37My chopper's stuck.
00:21:43Me. Responsible.
00:22:13Betty, you go with Henry.
00:22:15I'll make my own way.
00:22:17Okay.
00:22:43Okay, let's go.
00:23:13Let's go.
00:23:29It's the wrong door. In here.
00:23:43In here.
00:23:45In here.
00:24:11That's the muscle.
00:24:13Yeah.
00:24:15Going after the broad.
00:24:17Yeah.
00:24:21What are we going to do?
00:24:23We're going to snatch the broad and bounce the muscle.
00:24:25Yeah.
00:24:27Good.
00:24:29Just like when I was with Bugsy Spiegel.
00:24:43Now what?
00:24:45I can't find my chopper.
00:25:13Chopper.
00:25:35But my instructions were very clear.
00:25:37I was to take Miss Victoria home.
00:25:43Come on.
00:26:13Let's go.
00:26:33Well, sir, what do we do when we spot them?
00:26:35We maintain surveillance.
00:26:37Uh-huh.
00:26:39Until we can apprehend them
00:26:41and say, delecto.
00:26:43Huh?
00:26:45At it, Copac. At it.
00:26:47Ah.
00:26:51There they are, sir.
00:26:53Good work, Copac.
00:26:55Copac, get down the seat.
00:26:57Copac, the horn.
00:27:01Copac, you're going to blow the surveillance.
00:27:03Ow, I cut my leg.
00:27:07You're fat, Copac, fat.
00:27:09I told you never...
00:27:11Ah.
00:27:13Give me that.
00:27:15Ow.
00:27:17Copac.
00:27:19On the double, they're ready.
00:27:21I'm stuck. Hurry up.
00:27:23Whistle.
00:27:25Whistle.
00:27:27Whistle.
00:27:29Horn.
00:27:31Whistle.
00:27:33Stop in the name of Jesus.
00:27:35Christ be with you, sisters.
00:27:39Move. Copac, follow that car.
00:27:43Whistle.
00:27:45Not that car. That car follows that car.
00:27:51Now turn your wheel to the right.
00:27:53No, no, that wheel, not that wheel.
00:27:57To the right.
00:28:09Whistle.
00:28:39Whistle.
00:28:57Now you keep quiet and nothing's going to happen to you.
00:28:59Get in.
00:29:05Whistle.
00:29:07Ma, where am I? Ma, Ma, where am I?
00:29:09Ma.
00:29:11Now, don't worry.
00:29:13Ma, Ma, I've got to go, Ma, I've got to go.
00:29:37Ha, ha, ha.
00:29:45Don't you have something to do?
00:29:47You want to play some gin?
00:29:49Don't you ever think of anything but cards and booze?
00:29:51And broads.
00:29:53And business.
00:29:55Like dumping the limo.
00:29:57Hey, hey, leaving it out there, they...
00:29:59They could put the finger on us.
00:30:01Right.
00:30:03I'm hungry. Huh?
00:30:05I'll go get a pizza.
00:30:07Come on.
00:30:09Now listen, hold the anchovies.
00:30:11If they put anchovies on, I'll kill them.
00:30:13Come on.
00:30:35I told you to cut that out.
00:30:37Well, it was just a reaction, you know, like lightning.
00:30:39Come on, let me have it.
00:30:41Give me the gun.
00:30:43I feel naked without it.
00:30:45Listen, just get the pizza and move it. I've got to see the boss.
00:30:47Things were a lot different when I was with Bugsy Spiegel.
00:30:49He never talked to me like that.
00:30:53Sending a naked man after pizza.
00:31:12PHONE RINGS
00:31:17Yes?
00:31:19Good.
00:31:33Police?
00:31:35This is J.K. Lowenhack.
00:31:37I have to report a kidnapping.
00:31:39My niece, Victoria.
00:31:51And fade.
00:31:53Applause, applause, applause.
00:31:55If you're lucky.
00:31:57Okay, girls, go on left.
00:31:59You girls, come on right, and we're into the tap routine.
00:32:01Eddie, Eddie, where are you?
00:32:03Eddie, where are you?
00:32:05It's your cue, darling. It's your blues.
00:32:07I said blues, Eddie.
00:32:09Eddie, that's blue as in sad.
00:32:11As in fire.
00:32:13Do you know what I got back there?
00:32:15I got 60 amps back there.
00:32:17When I was a kid, my mother had more for cooking.
00:32:19And on top of that, I've got original wiring by Edison.
00:32:21So if Nureyev here
00:32:23wants 2K from the house and sound on all at the same time,
00:32:25then all he's gonna get is the fire chief up his ass.
00:32:29All right, Bruce, sort this out.
00:32:31You can't have what there ain't.
00:32:33Well, I don't know how to do it.
00:32:35You can't have what there ain't.
00:32:37Well, I don't know how I'm expected
00:32:39to put on a new show in three days
00:32:41and work my butt off in the old one at night.
00:32:43If Busby Berkeley can do it, you can do it.
00:32:45That's in the movies. That's not real.
00:32:47Did anyone ever tell you you have great legs?
00:32:49Oh, you, you could talk me into anything.
00:32:51Okay, girls, bustle, bustle, bustle.
00:32:53Let's get this turkey on the road.
00:32:55Rick, I've got something for you.
00:32:57I gotta go. I haven't got time.
00:32:59I've got it.
00:33:01Got what?
00:33:03All right, lady, hit the music.
00:33:05Okay, girls, tips, teeth,
00:33:07and a lot of charm.
00:33:09Let's go!
00:33:11Hit it!
00:33:13Yeah!
00:33:15You're in the wrong costume.
00:33:17And...
00:33:19Stay back, ladies.
00:33:21Final bit. Give it some warmth.
00:33:23You can get 25 years in the slammer for this.
00:33:25Only if it's for real, and only you and me
00:33:27know there's more than one of me.
00:33:29So, if one of me's kidnapped and the other isn't,
00:33:31no one's been kidnapped at all. It's that simple.
00:33:33It's that simple? No.
00:33:35Look,
00:33:37you came down here auditioned. I gave you a job, right?
00:33:39Then you tell me you're J.K. Lewin-Hack's
00:33:41niece, and you're supposed to sing opera.
00:33:43You're nuts. You know that.
00:33:45You got all the money you want?
00:33:47You got a chauffeured limousine?
00:33:49You got a secretary, for Christ's sake.
00:33:51And all you want to do is some dumb number with that faggot
00:33:53and a lousy show and a lousy club.
00:33:55It's not a lousy club.
00:33:57It is a lousy club. I run the place.
00:33:59You should know. Well, I want to make it on my own.
00:34:01You got it.
00:34:03You want to play weird games with your rich uncle?
00:34:05Include me out.
00:34:07So you got trouble singing and dancing at the same time.
00:34:09Tell him yourself.
00:34:11I'm going to.
00:34:13After I've been kidnapped. Why?
00:34:15Because then he'll be able to justify cancelling my debut
00:34:17and he won't feel that I let him down.
00:34:19It's simple psychology.
00:34:21Understanding
00:34:23the male ego.
00:34:25You're fired. You're fired.
00:34:27Ruby can do the show.
00:34:29Vicky, Bruce is screaming for you.
00:34:39Hiya.
00:34:41You're late.
00:34:45One and a two and a three
00:34:47and a one and a two
00:34:49and a three and a rig
00:34:51go away. Thanks and a one
00:34:53and a two and a three.
00:34:55You know, that dummy will never make a dance out of legs.
00:34:57You ought to get rid of her.
00:34:59You kidding? With a body like that,
00:35:01who cares if she can dance?
00:35:03And one, two, three, four.
00:35:05One, two, three.
00:35:07Oh, girls, those of you who can count,
00:35:09please count for me.
00:35:13Legs.
00:35:15Legs.
00:35:17Sashay, darling, sashay.
00:35:19You're playing Rosie O'Grady, not Rosie Greer.
00:35:21Rosie Greer.
00:35:23Here, drop this off to Lunar.
00:35:25Right away.
00:35:29All right, Eddie.
00:35:31We'll take it from the top.
00:35:35Eddie!
00:35:37Hit the music.
00:35:39You got the note?
00:35:43Your niece has been kidnapped.
00:35:45You'll be contacted.
00:35:47Good. You'd better get out of here
00:35:49before the police arrive.
00:35:51Forget it.
00:35:53I take in both sides of the action.
00:35:55I can second-guess the police better than you.
00:35:57You're too smart for your own good.
00:35:59It's very simple.
00:36:01I merely revert to my alter ego,
00:36:03Hugo Steinmetz, the perfect gentleman secretary, sir.
00:36:05I think I made a mistake getting into this.
00:36:07You made a mistake getting into the organization for money.
00:36:09And next week,
00:36:11that girl comes into our estate
00:36:13and you don't get a smell of it anymore.
00:36:15Without that, our accountants feel
00:36:17that you lack collateral.
00:36:19All I need is a little time.
00:36:21Look, I can still tell the police
00:36:23it was all a hoax and then...
00:36:25I think your time just ran out.
00:36:27Shall I answer the door, sir?
00:36:29Thank you, Hugo.
00:36:31Very well.
00:36:39Two gentlemen
00:36:41from the police department to see you, sir.
00:36:43Show them in.
00:36:45Mr. Hack, we'll see you now, sir.
00:36:53I've seen you before someplace.
00:36:55Uh, yes.
00:36:57I used to play probe ball.
00:36:59Hey, hey, never forget a face.
00:37:01No, no, I played water polo
00:37:03for the Vegas Dolphins, you know.
00:37:07You know, swim.
00:37:15Detective Sergeant
00:37:17Roscoe Broom
00:37:19and Officer Kopek.
00:37:21Mr. Lewin Hack, you've reported a kidnapping.
00:37:23Yes, my niece, Victoria.
00:37:25The opera singer.
00:37:27We have our sources of information, Mr. Lewin Hack.
00:37:29Uh, I think you'll find
00:37:31you can trust me, sir.
00:37:33Even at this early stage, I think I can safely
00:37:35tell you that we've been engaged
00:37:37in the vicinity of the concert hall,
00:37:39holding certain suspicious characters
00:37:41under surveillance.
00:37:45Two elements.
00:37:47Therefore, I can confidently state
00:37:49that I expect an early conclusion
00:37:51to this case, sir.
00:37:53Now, I understand you received a ransom note.
00:37:55Yes, it's here.
00:37:57Please hand it to Officer Kopek, Kopek.
00:38:05Has anyone handled this note, sir?
00:38:07Yes, I have.
00:38:09Other than you, sir.
00:38:11You go.
00:38:13Where are you going, Kopek?
00:38:15Mr. Lewin Hack wanted me to answer the door, sir.
00:38:17Well, the doorbell rang and he asked me to go.
00:38:19I said you go.
00:38:21Kopek, he said you go.
00:38:23I was just going, sir.
00:38:25Not you go. You go.
00:38:27Hugo Steinmetz, my secretary.
00:38:29He handled it.
00:38:31What? The note.
00:38:33Mr. Lewin Hack, Kopek, the note.
00:38:35Don't handle the evidence.
00:38:37You go.
00:38:39Mr. Steinmetz, would you answer the door, please?
00:38:41Yes, sir.
00:39:07One moment, sir, please.
00:39:09Sergeant, this letter is addressed to me.
00:39:11Police procedure, sir.
00:39:13Trust me. Kopek.
00:39:29My niece has been kidnapped.
00:39:31His niece has been kidnapped?
00:39:33Your niece has been kidnapped.
00:39:35Don't handle the evidence.
00:39:39Clear, clear, clear.
00:39:41All right.
00:39:45You're next.
00:39:53How's the audience?
00:39:55Tacky. What else?
00:39:57Ladies and gentlemen, Bruce LaRouche.
00:40:01Bruce LaRouche is a loose.
00:40:03Oh, and the team of boys,
00:40:05I must say,
00:40:07Oh, and the team of boys,
00:40:09I'm not coming through.
00:40:25Is the flasher in tonight?
00:40:27He hasn't been in since Louie got him with the hot coffee.
00:40:29There's a new one.
00:40:31Oh, what have we got now?
00:40:33Jack the Ripper or the Boss and the Strangler?
00:40:35The Opera.
00:40:37Terrific.
00:41:05Good.
00:41:07You're on.
00:41:35Let's go.
00:41:55Eddie? What?
00:41:57Where's Vicky?
00:42:01Come on.
00:42:03Move it.
00:42:07You get your ass out there.
00:42:23Eddie, where was she?
00:42:25Who knows?
00:42:27Well, I don't know how I'm expected to keep everything together by myself.
00:42:29Okay, girls.
00:42:31Got one more show tonight?
00:42:33I don't want anybody else running off, okay?
00:42:35Listen to madam, girls.
00:42:39Why am I going to give her a piece of my mind?
00:42:41She thinks because Rick fancies her
00:42:43that she can get away with anything, huh?
00:42:45Discipline, Eddie. That's what little Miss Muffet needs.
00:42:47Discipline. Where is she?
00:42:53Oh, my God.
00:43:01Ernest Pig.
00:43:03So when did you learn to read?
00:43:05Kidnapped.
00:43:07Eddie.
00:43:09They stole my baby.
00:43:11I don't believe it. What are we going to do?
00:43:13I'm in such a tears. Let's get some help. Shut up.
00:43:15Vic, look. Kidnapped.
00:43:17Look, look, look, look.
00:43:19Oh, I'm so nervous.
00:43:27Flanagan.
00:43:29Flanagan seems to have gone dead.
00:43:43Relax.
00:43:45I've got it.
00:43:47Everybody ready, sir?
00:43:49Go back to C-41.
00:43:53Would you sign there and there, sir?
00:43:55Police regulations, section 129, form C-41,
00:43:57granting permission to install a listening device
00:43:59on the telephone or telephones
00:44:01shall be completed and duly signed
00:44:03by the owner or lessee of the premises
00:44:05where the said telephone or telephones may be located, sir.
00:44:07What's all this stuff in any case?
00:44:09That, sir, is the very latest
00:44:11electronic surveillance equipment.
00:44:13You see, sir, when contact is made...
00:44:15Excuse me, sir.
00:44:17The incoming call, sir, is...
00:44:19Ah.
00:44:21Kopeck, stand by.
00:44:25Flanagan, it's gone dead again.
00:44:33It's okay, sir. I've got it now.
00:44:35All right.
00:44:39Don't worry, sir.
00:44:41I have the situation completely under control, sir.
00:44:43Kopeck, you trace that call.
00:44:45Mobile surveillance unit, 7-Area.
00:44:47Flanagan.
00:44:49Mobile surveillance unit, 7-Area.
00:44:51Flanagan, form 772, follow the equipment report.
00:44:53Station C, report back.
00:44:55One thing about police works,
00:44:57they were always expected to expect the unexpected.
00:44:59It's...
00:45:01Kopeck, have you traced that call?
00:45:03Sergeant Broom?
00:45:05What is it, Kopeck?
00:45:07I've traced the call, sir.
00:45:09Good work, Kopeck.
00:45:11Well, who was it?
00:45:13It was the chief, sir.
00:45:15Detective Sergeant Broom, sir.
00:45:19Hugo.
00:45:21Now, hold it, Flanagan.
00:45:23Hugo.
00:45:25Hugo.
00:45:29You know my ears are on the force, Mr. Lewinhak.
00:45:31This is my first kidnapping
00:45:33with two ransom notes.
00:45:35I told you, you can't come in.
00:45:37I don't care what you say.
00:45:39Your niece has been kidnapped.
00:45:41My niece?
00:45:43My niece has been kidnapped.
00:45:45His niece has been kidnapped.
00:45:49Simone.
00:45:51And, uh, legs.
00:45:55All right, um, over here.
00:45:59And Simone, please.
00:46:03And, um, leg.
00:46:05Uh, legs.
00:46:09Kopeck!
00:46:11Kopeck!
00:46:15What in God's name are you up to?
00:46:17You're an officer. You're pregnant.
00:46:21Uh, ladies and gentlemen.
00:46:23Quiet, please.
00:46:25Quiet.
00:46:27I'm here to conduct an investigation
00:46:29into the sudden disappearance
00:46:31of a member of your show.
00:46:33Now, I'm Detect...
00:46:35Detective Sergeant Roscoe Broom.
00:46:37Now, I have to ask you a few questions.
00:46:39Okay, they got a show to do.
00:46:41Don't worry, sir. This won't take long.
00:46:43If someone is covering something up,
00:46:45we will soon have it out in the open.
00:46:53I want to have a word with you.
00:46:55Shh. Number one, son.
00:47:01I understand
00:47:03that, uh, one of you...
00:47:05One of you...
00:47:07One of you found this note.
00:47:09Yes.
00:47:11I found the note.
00:47:13Not that one.
00:47:15That one.
00:47:17Gather, girls. Gather.
00:47:21I missed.
00:47:23You found the note.
00:47:25Then what happened?
00:47:27Well, I fainted.
00:47:29Kopeck, get some water.
00:47:31Um, officer,
00:47:33you're so strong.
00:47:35Pretty straining, miss.
00:47:37Oh.
00:47:41You said it would be smooth.
00:47:43It's smooth.
00:47:45What about the two other notes?
00:47:47Red puffs.
00:47:49Listen, the way that girl's loaded,
00:47:51we're lucky we thought of this idea
00:47:53before somebody else did.
00:47:55We?
00:47:57All right, but I did it for you.
00:47:59Well, don't do me any more favors.
00:48:01Well, it doesn't matter.
00:48:03Oh, but I thought you policemen
00:48:05had to be so careful about details.
00:48:07For instance, if the note is in the mirror,
00:48:09you wouldn't see who came in the door.
00:48:11You see? You see if you are sitting here.
00:48:13Psst.
00:48:15And you look in the mirror,
00:48:17you couldn't see who came in the door.
00:48:23And they did.
00:48:27Didn't they?
00:48:29Yeah.
00:48:31Somebody came in that door, right?
00:48:33Therefore, the note wasn't delivered
00:48:35until after she left the room, right?
00:48:37Anyone entering the room wouldn't have been observed by her,
00:48:39even if she'd been here, right?
00:48:41Which she wasn't, right?
00:48:43Right.
00:48:45Oh, you're so clever.
00:48:47I'm sorry, miss.
00:48:49I know she wasn't here when the note was delivered.
00:48:51What I want to know is what you know
00:48:53about what happened after the note was delivered.
00:48:55Oh.
00:48:57Okay, okay, okay.
00:48:59Everybody can change for the can-can.
00:49:01And you, don't forget your jockey shorts.
00:49:03Forget your jockey...
00:49:09Aha.
00:49:11Keep them calm.
00:49:13Get out of here before I call the cops.
00:49:15Sir, you can't go in there.
00:49:17Oh, my God.
00:49:19Sir, miss.
00:49:21What's the matter?
00:49:23Haven't you ever seen a lady before?
00:49:25Call that, Humpty.
00:49:27Yes, sir.
00:49:33Come on.
00:49:45Police procedure, sir.
00:49:55PHONE RINGS
00:49:59Luanhack, yeah?
00:50:01Sir, it's Henry.
00:50:03Your chauffeur.
00:50:05Hold on.
00:50:07It's all right. It's, uh, personal.
00:50:13Go on.
00:50:15Something terrible has happened.
00:50:17Mattie's been kidnapped.
00:50:19Two ruffians grabbed her.
00:50:21They rendered me unconscious, and I've only just come to.
00:50:23Uh...
00:50:25Look into that.
00:50:49She's in the crazy house.
00:50:51Henry just phoned me.
00:50:53So those other two notes were rip-offs, were they?
00:50:55Well, who's ripping off whom?
00:50:57Perhaps that gorilla of yours has gone into business on his own.
00:50:59He wouldn't do that.
00:51:01You're right. He's too stupid.
00:51:03Well, you better straighten this thing out, hadn't you?
00:51:05Yeah, all right.
00:51:07Remember,
00:51:09number one son in there.
00:51:11Use a payphone.
00:51:21Well, I think this completes our interview, sir.
00:51:25What about that one?
00:51:27Which one was that, sir?
00:51:29The tall one.
00:51:31The duck.
00:51:33You mean the Schwarzer?
00:51:35Hey, Sam!
00:51:37Come here! There's a call for you down here!
00:51:39The Schwarzer?
00:51:41No bargain. Nobody here by that name, sir.
00:51:43Copy.
00:51:47You, uh, looking for me?
00:51:51Uh, I wanted to ask...
00:51:55He wanted to ask you some questions.
00:51:57Sam, you're on!
00:51:59Catch you later.
00:52:01Don't go away.
00:52:05Sergeant Broome!
00:52:07Telephone.
00:52:11Wait here, Kopek.
00:52:13Yes, sir.
00:52:21Sergeant Roscoe Broome here.
00:52:23Roger that.
00:52:27Sir?
00:52:29Oh, sir!
00:52:31Sir! Could you turn down the sound, please?
00:52:33I'm trying to stop it!
00:52:35Oh, God!
00:52:41Cut that out!
00:52:45Oh, no, you don't!
00:52:47Get it on, baby!
00:52:49Take it off! Take it off!
00:52:51I heard that!
00:52:53I never forget a voice!
00:52:55Sergeant Broome!
00:52:59I'm a police officer, miss!
00:53:01Now, wait a minute, miss!
00:53:07Turn around!
00:53:09We love you, baby!
00:53:11We love you, baby!
00:53:17Broome here again, Flanagan!
00:53:19Go ahead!
00:53:21Push!
00:53:23Push!
00:53:25Good work, Flanagan!
00:53:33Schwarzer.
00:53:41Yeah?
00:53:43We have the wrong merchandise.
00:53:45Someone else has got the real thing.
00:53:47We have to talk.
00:53:49I'll be there. One hour.
00:53:51Yeah.
00:54:11Yeah?
00:54:13Don't burn her!
00:54:15Don't burn...
00:54:17Don't burn her.
00:54:19Three weeks on the job,
00:54:21and I ain't got to burn anybody yet,
00:54:23and they wonder why I'm a compulsive eater.
00:54:25Let me out of here, you creep!
00:54:27Come on and open this door!
00:54:29Shut it up, lady!
00:54:31The only way of coming out of there is feet first!
00:54:33Idle threats.
00:54:35She only knew my hands were tied.
00:54:37I don't know what to do.
00:54:39Idle threats.
00:54:41She only knew my hands were tied.
00:54:43On top of it, I have to starve to death, too.
00:54:45It never, ever worked out that way
00:54:47when I was working with Bugsy.
00:54:49What am I doing?
00:54:51Starve, I don't, for nobody!
00:54:53Let me out, you creep!
00:54:55Come on, you hear me?
00:54:57All right, all units to rendezvous
00:54:59at 0200 hours at the Crazy House.
00:55:01Central to car 007.
00:55:03Confirm rendezvous location.
00:55:05You heard me, Stitsky! The Crazy House!
00:55:07All right, see to it, Stitsky.
00:55:09Central to car 007.
00:55:11Observe correct radio procedure.
00:55:15Watch it, fellas, it's broom again.
00:55:25That's it, Kopek. The closing of another net.
00:55:270200 hours.
00:55:31Kopek?
00:55:33Yes, sir?
00:55:37I just hope she isn't in the hands...
00:55:41...of some pervert.
00:55:53I was thinking, sir.
00:55:55Yes, Kopek?
00:55:57Got an hour to rendezvous, right, sir?
00:55:59Yes, Kopek.
00:56:01About 60 minutes, right, sir?
00:56:03Yes, Kopek.
00:56:05Yes, sir.
00:56:17Here you are.
00:57:05Ah!
00:57:07Ah!
00:57:09Ah!
00:57:11What's going on here?
00:57:13No, no, no!
00:57:15It's me!
00:57:17Your son! Gino!
00:57:19That's Gino!
00:57:21You wretch!
00:57:23No, no, no!
00:57:29Luigi, help me!
00:57:31Harper!
00:57:33I can't speak!
00:57:37Sorry.
00:57:39A little bit.
00:57:41Sorry.
00:57:45Hi, Luigi.
00:57:47Luigi, I'd like a...
00:57:49A Mario.
00:57:51Oh, yeah, right.
00:57:53Luigi, double anchovies?
00:57:55Large to go, double anchovies.
00:57:57Thanks, Luigi.
00:57:59A Mario.
00:58:01If you want to go back there, it's okay.
00:58:31Do you have a dime?
00:58:33Me?
00:58:35Yes.
00:58:37Oh, yeah.
00:58:39Right down here. There you go.
00:58:43You're welcome.
00:58:45How's work?
00:58:47Well, it's a bit of a drag.
00:58:51Oh, no.
00:58:53It's busy.
00:58:55Haven't I seen you somewhere before?
00:58:57I come in here all the time.
00:58:59Yeah, I thought I'd seen you around.
00:59:01Yeah, I never forget a face.
00:59:03Yeah, anyway, well, it's better than being a hairdresser.
00:59:05You know, nothing but tease, tease, tease.
00:59:07Yeah, well, I'm still a tease.
00:59:09But now it's a strip tease.
00:59:11Yeah, in my line of work,
00:59:13you're on the go all the time, you know?
00:59:15You have to eat on the run.
00:59:17What do you do?
00:59:19We'll take a guess.
00:59:21No idea.
00:59:23I'll give you a clue.
00:59:25To serve and protect.
00:59:29I give up.
00:59:31I'm a cop.
00:59:33$4.75.
00:59:35Right, thanks, Luigi.
00:59:37Mario.
00:59:39Right, Mario. We'll see you around.
00:59:41Yeah, I come in here all the time.
00:59:43Yeah, I never forget a face.
00:59:45I'm sorry.
00:59:47Hey, Luigi.
00:59:49Give me a big one to travel, will you?
00:59:51Mario.
00:59:53That's not my name.
00:59:55That's not my name.
00:59:57Let's go, Prato.
00:59:59Luigi, come here.
01:00:03Come here.
01:00:05I am Mario.
01:00:07This is Luigi.
01:00:09This is Victoria.
01:00:11Sandy, get me a ring, quickly.
01:00:27Well?
01:00:29Like it, babe.
01:00:31How long?
01:00:33A couple of hours.
01:00:35He'll wake and think it was just a little nap.
01:00:37No after effects.
01:00:39Come on.
01:00:43Anybody seen my car keys?
01:00:45Your car's not here.
01:00:47You came back with a fuzz, remember?
01:00:49I gotta call from Vicky.
01:00:51I gotta pick her up.
01:00:53She's fine.
01:00:55I haven't changed yet.
01:00:57What about my ride?
01:00:59You better get your street clothes on.
01:01:01I am in my street clothes.
01:01:11Calm down.
01:01:13Get in the car.
01:01:15You're not gonna get hurt.
01:01:17Into the front seat of the car.
01:01:21Look at that.
01:01:23Front seat. Let's go.
01:01:25Come on. Go.
01:01:29Hang on to your hat.
01:01:53It'll be all right.
01:02:15Where is he?
01:02:17Well, it's quite possible, sir.
01:02:19Overcome by the pangs of hunger.
01:02:21He's popped out for a pizza.
01:02:24This isn't a picnic.
01:02:25There's nothing in his contract that says you shouldn't eat.
01:02:27There's nothing in the contract that says you don't deliver.
01:02:43All right, let's go.
01:02:44Out of the car. Let's go. Move!
01:02:48Get in there. Go on, hurry.
01:02:51There, there.
01:02:54Inside. Go on, hurry.
01:02:59Oh, that'll be him now.
01:03:03Leo!
01:03:04Yeah?
01:03:05Got that merchandise?
01:03:06What merchandise?
01:03:08The broad! Come on, move it.
01:03:10Well, where did you...
01:03:11She mustn't see me.
01:03:12This way.
01:03:14All right, right down to the left here.
01:03:16All right, right down to the left here now.
01:03:17Go on, move it. Go on, fast.
01:03:19Come on, move it!
01:03:20Through the curtains there.
01:03:21In here.
01:03:26Hey, Leo!
01:03:27The boss is gonna be pretty happy, I guess, with the job I've done here.
01:03:31Just like when I was with Spiegel.
01:03:33Shut up and get him in the room. Come on, move it!
01:03:35Come on, you heard him. Get in the room.
01:03:37Get in there.
01:03:38Where did he come from?
01:03:39He was with her.
01:03:40Well, tie him up.
01:03:41Yeah, I'll get in there and tie him up.
01:03:46It's her, all right.
01:03:47She's got that singing teacher with her.
01:03:55I'll go in. You two stay here.
01:03:57You'd leave a young girl like me out here alone?
01:03:59Don't make me nervous.
01:04:01All right, come on.
01:04:08It just doesn't pay to be a sex goddess.
01:04:11Keep it down.
01:04:17What is that?
01:04:19I'll go and see.
01:04:34It's creepy in here.
01:04:38There's a man looking at us.
01:04:40Where?
01:04:41Over there.
01:04:46There's nothing there.
01:04:47I'm not crazy. I've got eyes.
01:04:49Shut up.
01:04:50We've got to figure out what's going on.
01:04:52We'll split up.
01:04:53Ruby, you go...
01:04:54Not me.
01:04:56All right, Bruce, you...
01:04:57Don't make me nervous.
01:04:59I'm not going anywhere alone.
01:05:01All right, I'll go upstairs. You two stay here.
01:05:09It's the boyfriend.
01:05:11Then you better get her out of here.
01:05:13I don't want a man to take her for a ride or something while you sort this mess out.
01:05:16We can't afford to blow this now.
01:05:44Zero hour minus one, Colbeck.
01:05:46Right, sir.
01:05:50I think...
01:05:53I think somebody should go for a policeman.
01:06:01I'll go.
01:06:03Ruby?
01:06:14All right, you men, pay attention.
01:06:16Now, for some of you, this is your first raid.
01:06:18Shh! Take cover!
01:06:35Grab him!
01:06:38Hold it!
01:06:40Hold it!
01:06:43All right, little lady, we're going for a ride.
01:06:45A drive, not a ride.
01:06:47A ride is a drive.
01:06:48Shut up!
01:06:49Shut up!
01:06:51And you shut up!
01:07:14All right.
01:07:15You're under...
01:07:16Stop him!
01:07:21All right, fella.
01:07:22Wait a minute, what do you know about this?
01:07:25Oh, my God!
01:07:26What is it with you, always ripping my clothes off?
01:07:30Listen, I'm sorry.
01:07:31Look, there's a guy.
01:07:33You've said enough. You're in enough trouble.
01:07:35Oh!
01:07:36Oh, my God!
01:07:37Oh, my God!
01:07:38Oh, my God!
01:07:39Oh, my God!
01:07:40Oh, my God!
01:07:41Oh, my God!
01:07:43The heat.
01:07:46Now, take her downstairs and make yourself scarce.
01:07:49Come on, little lady, through here.
01:08:03Caught one of them, I see, eh, Broome?
01:08:05Yes, sir, it's a duck-stunner, sir.
01:08:08Take care of that one.
01:08:09A duck-stunner, sir.
01:08:10A duck-stunner, sir.
01:08:11This time, don't lose him.
01:08:12I mean, him.
01:08:14Yes, sir.
01:08:17The heat.
01:08:19I'll work a diversion.
01:08:20If they think we've got the wrong girl, they'll split.
01:08:22Think we've gone.
01:08:24Now, we're going in there.
01:08:25We're gonna secure the building.
01:08:27Now, there's a young lady being held in there.
01:08:29No suiting.
01:08:31Follow me!
01:08:41Sir!
01:08:45Step on it.
01:08:46Step on it!
01:08:51Oh, will you take a look, men?
01:08:54All right, this will be a standard operation, 86.
01:08:56On the whistle.
01:08:57It'll be Hogan and his men upstairs.
01:08:59Sanchez, his men in that door.
01:09:01Kopeck, and the rest of you men follow me.
01:09:04On the whistle! Wait for it!
01:09:11Wait for it!
01:09:16Hold it!
01:09:22Let me out!
01:09:23Kopeck!
01:09:24Let me out!
01:09:41Just wait, Kopeck!
01:09:44I'm in the back room!
01:09:55Kopeck!
01:09:56Let me out! Let me out!
01:09:58You're not the son of a...
01:09:59Let me out!
01:10:00Kopeck!
01:10:02The door.
01:10:05Come on, you hear me?
01:10:06All over by the actual arrest, sir.
01:10:08Let me out!
01:10:09Let her out, Kopeck!
01:10:10Let me out!
01:10:11Kopeck!
01:10:12Let me out!
01:10:14Release Ms. Luminac.
01:10:15Come on and open up this door!
01:10:20What the hell's going on here?
01:10:22I'll teach you to throw me in a bag, honky!
01:10:25Wait a minute, miss.
01:10:26We're the police.
01:10:27Well, it's about time.
01:10:28I bet if I'd been white, you'd be here soon enough.
01:10:30Wrong girl, eh, boo?
01:10:32You pay your taxes and what do you get?
01:10:34Some creep's throwing you in a bag
01:10:36and you're coming by saying you're the law.
01:10:38Well, she's not, Ms. Luminac, sir.
01:10:40Me, Victoria?
01:10:41You sure you didn't forget your eyeglasses?
01:10:50Kopeck!
01:10:56All right.
01:10:57Let her see.
01:10:59Don't make her sing!
01:11:00Don't make her sing!
01:11:01The ruin of the whole country...
01:11:02How are you, Sanchez?
01:11:03On the double, Sanchez!
01:11:05What do you want with Sanchez?
01:11:08He speaks Spanish, sir.
01:11:10But he speak in Italian.
01:11:15Very clever.
01:11:16See what we're up against, sir?
01:11:20Carry on, Sanchez.
01:11:23Ms. Luminac has been kidnapped!
01:11:25I'm quite aware of that, sir.
01:11:27But they went that way!
01:11:28Didn't fool me for a minute, sir.
01:11:30They probably have her here someplace in the building.
01:11:32Kopeck, hit the lights.
01:11:34The rest of you, follow me.
01:11:43Don't worry, sir.
01:11:44They don't stand a chance.
01:11:48All right, you men!
01:11:49Follow me!
01:11:51Kopeck, hit the lights!
01:11:58Search every room!
01:12:00On the double, you men!
01:12:02Yes, sir!
01:12:03Watch the lady!
01:12:04Will you put me down?
01:12:06I'm warning you.
01:12:07I do not wish to resort to physical violence.
01:12:13Get up!
01:12:14Get up, I tell you!
01:12:15Get up, I tell you!
01:12:16I don't wish to resort to physical violence.
01:12:18Leave her alone!
01:12:19Get up!
01:12:20Get up!
01:12:22Get up, I tell you!
01:12:23Leave her alone!
01:12:26Get up, I tell you!
01:12:27Get up!
01:12:30Leave her alone!
01:12:31Leave her alone!
01:12:32Kopeck!
01:12:33Do you speak English?
01:12:35Mr. Lewin...
01:12:38Good evening.
01:12:40Oh, good evening.
01:12:41Mr. Lewin!
01:12:42You're doing a fine job.
01:12:43Kopack!
01:12:49Kopack!
01:12:50Yes, sir?
01:12:51Where are you?
01:12:52Over here, sir.
01:12:53Where's over here?
01:12:54Where are you, sir?
01:12:55I'm a...
01:12:56Kopack!
01:12:58All right, you're a...
01:13:03Kopack!
01:13:04Yes, sir?
01:13:06Where are you, sir?
01:13:07Turn off the power!
01:13:08Yes, sir.
01:13:11Hablo estado espanol.
01:13:13Power, power...
01:13:15Um...
01:13:16Poli...
01:13:17Italiano.
01:13:34There you are!
01:13:42All right!
01:13:43Each one of you will take a door.
01:13:45There's gonna be a way out of here.
01:13:46On the whistle!
01:13:49Wait a minute!
01:13:50I saw this door first!
01:13:52I can't constantly be telling you men to take a door!
01:13:56Take a door!
01:13:58Hey, guy, this way out!
01:14:04Can't we sit down and discuss this thing in a civilized way?
01:14:08Oh!
01:14:11Where have you been?
01:14:12Looking for you.
01:14:14Get me out of here!
01:14:15Right, I'll get the gun.
01:14:19Right, that way.
01:14:20No, this way.
01:14:23Come here!
01:14:26Come here!
01:14:27Come here, come here!
01:14:53A simple order to take your own door.
01:14:55Take your own...
01:14:57Miss Livingston, I presume?
01:14:58Lewinhack.
01:15:00Lewinhack, of course.
01:15:01Allow me to introduce myself,
01:15:02Miss Lewinhack, Detective Sergeant Roscoe Boone.
01:15:05And Officer Copeland.
01:15:09Don't worry, miss.
01:15:10We'll have you out of here in no time at all.
01:15:12Men!
01:15:13I found the lady!
01:15:15Men!
01:15:16Where...
01:15:18Men!
01:15:20Where are you?
01:15:21Where are you?
01:15:23Where are you?
01:15:29I told you, men!
01:15:30One per door!
01:15:33Listen!
01:15:34Wait a minute!
01:15:37This whole thing is being grossly mismanaged.
01:15:39All right.
01:15:40If I ran my business like this...
01:15:41All right!
01:15:42Sergeant Broome?
01:15:44Sergeant Broome, where are you, Sergeant Broome?
01:15:46Whoa!
01:15:47Whoa!
01:15:49Sergeant Broome?
01:15:54Come here, Battalion!
01:15:55Battalion, you're under arrest!
01:15:56Got you!
01:16:04Mr. Lewinhack!
01:16:05You?
01:16:06I'm sorry!
01:16:08Don't worry, sir.
01:16:09We got the whole situation under control.
01:16:11I thought you knew the way out of here.
01:16:13Yeah, well, it's, uh...
01:16:15This way.
01:16:16Ah, this'll be the door.
01:16:19It's about time.
01:16:24That was the wrong door!
01:16:32Good work, Hogan.
01:16:33Good work, Hogan.
01:16:47Up there.
01:16:50I should have known.
01:16:57Stop her!
01:16:58Him!
01:16:59Him!
01:17:00You!
01:17:01You!
01:17:02You, in the lights!
01:17:03Get up in your house!
01:17:04Get up in the house!
01:17:05Get up in the house!
01:17:11All right, men!
01:17:12Close in!
01:17:13Get the guy in the mint coat!
01:17:14I'll get the other one!
01:17:15All right!
01:17:16Give me your hands!
01:17:17What are you doing?
01:17:18What are you doing?
01:17:19Get him up!
01:17:20What's the hurry?
01:17:21Go back!
01:17:22Go back!
01:17:23Sir!
01:17:24What are you doing?
01:17:25Sir!
01:17:26It's you!
01:17:27That's right!
01:17:28Now listen!
01:17:29You, listen!
01:17:30I'm on it with you!
01:17:31Section 347, obstructing a police officer in the course of his duty.
01:17:35Section 1021, accessory before the fact.
01:17:38And section 45, accessory after the fact.
01:17:41Hey, wait a minute.
01:17:42Dockstader, give him his right.
01:17:43Yes, sir!
01:17:45And Dockstader, you're back on traffic patrol.
01:17:48Sir!
01:17:49Article 87A, physical violence upon the person of a superior officer.
01:17:53Miss Lewin, help me!
01:17:56Young Dockstader, he's...
01:17:58Miss Lewin, help!
01:17:59I'm coming, Miss Lewin!
01:18:11Hey, you! Come here!
01:18:22All right, lady, this is it.
01:18:26All right, stand back.
01:18:29All right!
01:18:35You're under arrest!
01:18:42Good work, Corporal! Hold him!
01:18:45Vitaly!
01:18:54Don't worry about it, sir.
01:18:55I think I got the whole situation.
01:18:57I got my life saving badge anyway, sir.
01:19:03All right, everybody stand back!
01:19:04Let the broad catch it!
01:19:11Bond on the stand!
01:19:12All right!
01:19:17Sir!
01:19:18Don't worry, everything's completely under control.
01:19:21Kopek, don't just stand there!
01:19:23Get me up!
01:19:24Get me up!
01:19:29Just crawl on my back.
01:19:31Hold on!
01:19:38Take it easy, Kopek! Steady!
01:19:40We've almost got him!
01:19:41All right, Vitaly!
01:19:51Good work!
01:19:54Now which way?
01:19:55Down!
01:20:04Lady, this never would have happened
01:20:07when I was with Bugsy Spiegel.
01:20:12Where are you?
01:20:14Kopek!
01:20:15Down here, sir!
01:20:16They're all under arrest!
01:20:18Right, sir!
01:20:20I think this calls for a slight
01:20:23change in strategy.
01:20:42Officer Flanagan received a citation from Chief Kaminsky
01:20:45and was assigned a permanent undercover duty.
01:20:48Leo Regherio and Vito the Trigger Vitaly
01:20:50found guilty on charges of abduction,
01:20:52received suspended sentences,
01:20:54and deported to Little Italy.
01:20:56J.K. Leuenhack found guilty of conspiracy
01:20:58to abduct a minor and subverting the course of justice
01:21:01by bribing a juror.
01:21:02Case dismissed on a technicality.
01:21:04Decision upheld in the Supreme Court
01:21:06in a precedent-setting decision by Mr. Justice Leuenhack.
01:21:11Charles Alexander Murphy with a...
01:21:13otherwise known as Charlie the Wheel
01:21:15found guilty on all counts.
01:21:17Sentenced to 99 years in the federal penitentiary,
01:21:19he looted the arresting officer
01:21:21in the washroom of the criminal court,
01:21:23presently still at large.
01:21:25Victoria Leuenhack and Rick McHenry
01:21:27found not guilty of obstructing the police
01:21:29and lived happily ever after.
01:21:34Gino Frescobaldi released on probation
01:21:36into the custody of his brother, Mario Frescobaldi.
01:21:39He continues to receive large fees
01:21:41for teaching the uninitiated to sing opera.
01:21:43Ahem.
01:21:44Oh, thank you.
01:21:50Gee, it was nice of Miss Leuenhack to send a car for us, sir.
01:21:53A gesture, Kopeck, a simple gesture.
01:21:56Are you sure about the outfit, sir?
01:21:58Trust me, Kopeck.
01:21:59You know, an opening night is a formal occasion,
01:22:01and a formal occasion demands correct time.
01:22:04Yeah, but I...
01:22:05Kopeck, when you see some of the other guests,
01:22:07you'll see what I mean.
01:22:08Back in a quarter.
01:22:10Back in a quarter?
01:22:11Back in a quarter.
01:22:12Back in a quarter?
01:22:13Where do you think this is, the sands?
01:22:15Yes, Miss Leuenhack.
01:22:20Sergeant Broom!
01:22:21Turn to the wheel!
01:22:22Kopeck! Grab him!
01:22:24Not him, you idiot!
01:22:26Not me either! Wait a minute!
01:22:31Pocket car for you, sir?
01:22:33Yeah, thanks.
01:22:34Right.
01:22:35Kopeck!
01:22:36Hold it for police officers!
01:22:38Turn to the wheel!
01:22:40Hey, you don't work here.
01:22:42Kopeck!
01:22:43Kopeck!
01:22:45What's going on here? Let me go!
01:22:46How did you get out?
01:22:47Never mind, I'll settle with you later.
01:22:49Kopeck, follow that car!
01:22:51Kopeck, not that car!
01:22:53That car!
01:22:54After that...
01:22:55Take the wheel!
01:22:57Sorry, sir, emergency.
01:22:58Police department requires the use of this vehicle.
01:23:00Follow that car!
01:23:01What am I going to tell Miss Leuenhack?
01:23:03Where am I going to find the car?
01:23:05Faster, Kopeck, faster!
01:23:11Kopeck!
01:23:12Yes, sir?
01:23:13Get over here!
01:23:14Yes, sir.
01:23:18Give me that!
01:23:19Yes, sir.
01:23:20I told you...
01:23:21You know, sir, I was...
01:23:23Sorry, sir.
01:23:24Sir, I told you...
01:23:25I told you back there, Kopeck,
01:23:27to turn right and you turned left!
01:23:29You...
01:23:30You...
01:23:31You...
01:23:32You...
01:23:33You...
01:23:34You...
01:23:35You...
01:23:36You...
01:23:37You...
01:23:38You...
01:23:39If I remind you, you turn right and you turn left!
01:23:41You weren't paying attention!
01:23:42I was, sir.
01:23:43Now you're the one who's gonna have to make the report, Kopeck,
01:23:45I don't want anything to do with it.
01:23:46But, sir, I...
01:23:47Back there, I remembered distinctly, turn right, I said!
01:23:49I thought you said that.
01:23:50And you go left!
01:23:51Right is right, and left is left.
01:23:53I know that, sir.
01:23:54No you don't, Kopeck.
01:23:56It's your weight, Kopeck,
01:23:57I've been telling you about your weight.
01:23:59of your weight.
01:24:00Sir, I mean...
01:24:01I'm not going to talk to Cheminski about this, Kopeck,
01:24:02I'm going to let you...
01:24:03You know what, Kopeck?
01:24:04going on vacation. Don't say I can't, I can do it, Kopeck. But Sergeant Brewer! Wait a minute, I've
01:24:09accumulated... I've accumulated about three weeks leave. You can have my two
01:24:13weeks too, sir, if you want.
01:24:34You can have my two weeks too, sir, if you want.
01:24:59You can have my two weeks too, sir, if you want.
01:25:28You can have my two weeks too, sir, if you want.