Horror (1970) 88 minutes ~ Color
Original Title: Il rosso segno della follia
John Harrington (Stephen Forsyth) and his wife Mildred (Laura Betti) are owners of an exclusive bridal boutique in Paris. Unknown to anyone else, John is a brutal serial killer who is compelled to slay young brides on their wedding night. With each new murder, his tortured memories slowly begin to reveal the traumatic childhood event that turned him into a dangerous psychotic. When Mildred angers John, she too becomes his victim, but her spirit will not rest until he is punished for his crimes.
Director: Mario Bava
Writers: Santiago Moncada (screenplay) and Mario Bava (screenplay)
Stars: Stephen Forsyth, Dagmar Lassander, Laura Betti, Alan Collin, Gerard Tichy
Original Title: Il rosso segno della follia
John Harrington (Stephen Forsyth) and his wife Mildred (Laura Betti) are owners of an exclusive bridal boutique in Paris. Unknown to anyone else, John is a brutal serial killer who is compelled to slay young brides on their wedding night. With each new murder, his tortured memories slowly begin to reveal the traumatic childhood event that turned him into a dangerous psychotic. When Mildred angers John, she too becomes his victim, but her spirit will not rest until he is punished for his crimes.
Director: Mario Bava
Writers: Santiago Moncada (screenplay) and Mario Bava (screenplay)
Stars: Stephen Forsyth, Dagmar Lassander, Laura Betti, Alan Collin, Gerard Tichy
Category
đĨ
Short filmTranscript
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00:06:52John...John.
00:06:57Just a minute, Mildred.
00:07:01My name is John Harrington.
00:07:06Paranoic, an enchanting word, so civilized and full of possibilities.
00:07:16The fact is, I am completely mad.
00:07:19The realization of which annoyed me at first, but is now amusing to me, quite amusing.
00:07:26Nobody suspects that I am a madman, a dangerous murderer, not Mildred my wife, nor the employee
00:07:35of my fashion center, nor, of course, my customers.
00:07:42Poor little fly, why are you so daring?
00:07:49You're so fragile, and yet you're born, you reproduce yourself, and you die like men.
00:07:58The difference is that you don't think, and you don't need to remember.
00:08:03You don't fear death because you ignore it.
00:08:07Your insignificant life is a mere biological accident.
00:08:12But death exists, I can assure you.
00:08:15And that is what makes life a ridiculous and brief drama.
00:08:33But the fact remains that I have killed five young women, three of whom are buried in the
00:08:38hothouse, Carol, Mary, Margaret.
00:08:45They were the friendliest, the most attractive ones.
00:08:49There is one problem.
00:08:53I must go on wielding the cleaver.
00:08:57It's most annoying, but when I begin to hear those footsteps, those stealthy footsteps,
00:09:06I know I must kill.
00:09:09And I shall have to continue killing until I find out the whole truth.
00:09:13That's it, until I find out the whole truth.
00:09:27Good morning, Mildred.
00:09:43Did you sleep well last night?
00:09:46You know I never sleep well.
00:09:48It's pointless to ask me the same question every day.
00:09:52How sad, another bride killed.
00:09:55Sad, but fortunately, she paid for her wedding dress in advance.
00:10:06Have you made any decisions about what we spoke of yesterday?
00:10:10I'll never give you a divorce, never.
00:10:14We shall stay married until death do us part.
00:10:26That's a vague answer.
00:10:26They didn't suspect that death was going to part them so soon.
00:10:31They're in my power, John.
00:10:33The banks, the wholesalers, everything works thanks to my money.
00:10:40None of this would exist if it weren't for little old me.
00:10:50Yes, but don't forget, I inherited the house and the fashion business from my mother.
00:10:58A mountain of ruins buried in death, that's all it was and you know it.
00:11:06That's when I had the misfortune of finding a completely useless husband.
00:11:13I have records right down to the last penny I've invested.
00:11:17Stop that!
00:11:20Better listen to me carefully, John Harrington.
00:11:25I will never give you a divorce, never.
00:11:29Do you understand?
00:11:31Never.
00:11:32As you wish, Mildred.
00:11:34I won't insist.
00:11:35John, Dr. Callaway has invited me to a seance tonight.
00:11:43I want you to come with me.
00:11:47Are you trying to communicate with your first husband?
00:11:51If he was really as intelligent as you say he was, I don't think you'll be able to manage it.
00:11:56At least while he was alive, he was a man.
00:11:59But you, how easily one is deceived by appearances.
00:12:05I could compete with your deceased husband easily, if it was worth the trouble.
00:12:36Mr. Harrington, we'd like to have you take a look at these sketches.
00:12:40Another time.
00:12:50Who are you?
00:12:51Hello, my name is Helen Wood. I'm a professional model. I heard you had a vacancy.
00:12:56How did you find out?
00:12:57Oh, a friend of Rosie's told me.
00:12:59Rosie?
00:13:01She worked for a year here. Left us without warning a couple of weeks ago.
00:13:07Have you worked before?
00:13:08Here are my references.
00:13:13Your last job was at Regents. Why did you leave there?
00:13:17For personal reasons.
00:13:21Height, 5'7". Weight, 122. 37, 22, 37.
00:13:28You're half an inch out. My waist is 21 and a half inches.
00:13:31Have you ever modeled wedding dresses?
00:13:33A few times.
00:13:34Well, here you'll have to do it constantly. And pajamas, lingerie.
00:13:39We specialize in everything a bride might use on her wedding day.
00:13:43Including the bridegroom?
00:13:46You seem to be very intelligent. And rather witty.
00:13:50I think I am.
00:13:52I can offer you a month's trial at 500 francs a week.
00:13:56And we have to have an exclusive. Taxes and insurance are both included.
00:14:01I'll take it.
00:14:03You'll report to Miss Louise.
00:14:05All right.
00:14:06She'll show you the routine.
00:14:11Welcome to Harrington and Company. I hope you'll enjoy working with us.
00:14:14I hope so.
00:14:56THE END
00:15:26Š BF-WATCH TV 2021
00:15:56Š BF-WATCH TV 2021
00:16:26Š BF-WATCH TV 2021
00:16:56Š BF-WATCH TV 2021
00:17:26Š BF-WATCH TV 2021
00:17:56Š BF-WATCH TV 2021
00:18:16We are gathered here...
00:18:19with our remorse, our hatred, our love,
00:18:24our unspeakable desires.
00:18:27And I summon you, the ones who can still feel pity for those of us
00:18:32alive here.
00:18:36I begin to perceive some kind of message with increasing intensity.
00:18:40This room is being filled with pity,
00:18:43with forgiveness, with compassion.
00:18:46Who are you?
00:18:48Whom do you seek?
00:18:54Who are you?
00:19:10Oh, John.
00:19:14Behave yourself.
00:19:16Leave me alone.
00:19:21Don't be naughty.
00:19:24I love you, John.
00:19:30John?
00:19:32I love you, my baby!
00:19:54Š BF-WATCH TV 2021
00:19:59Š BF-WATCH TV 2021
00:20:04Š BF-WATCH TV 2021
00:20:11I loved you so much,
00:20:16John.
00:20:19Stop it! Stop it!
00:20:25Š BF-WATCH TV 2021
00:20:31Good morning, Mr. Harrington.
00:20:34Good morning, Inspector Russell.
00:20:37Do you want to ask me some more questions?
00:20:41I'll do anything I can to help you.
00:20:43I'm afraid I've told you everything I know.
00:20:46I was just passing by.
00:20:48I thought I'd drop in and pay my respects.
00:20:50This place fascinates me.
00:20:53It's just a hot house.
00:20:55I'm attracted to everything that is an alteration of nature.
00:21:00Like the brain of a mental patient.
00:21:02Even that must be something like your hot house.
00:21:05Don't you agree?
00:21:08A curious analogy, Inspector.
00:21:11An impressive atmosphere.
00:21:13Flowers that are strange.
00:21:16And the birds of crime fluttering about in his brain.
00:21:23A special hybrid.
00:21:28Heat.
00:21:29And water.
00:21:33And the right fertilizer.
00:21:36We've drawn a blank regarding those murders.
00:21:38In less than a year, there were three women killed.
00:21:41And on their wedding night.
00:21:42Not to mention the four missing.
00:21:44Maybe their husbands weren't too keen on marriage.
00:21:48I can accept any crime.
00:21:50I can understand the human impulse that motivated it.
00:21:53Why are you dealing with a demented mind?
00:21:58Why do you say that?
00:22:00Is there another possibility?
00:22:01A madman can also have good reasons.
00:22:05For him.
00:22:06But I'm sure in the dark.
00:22:08That's the advantage the criminal has.
00:22:11He operates without logic, you see.
00:22:15Who knows who his next victim will be?
00:22:17More than 200 couples.
00:22:20They get married in Paris every day.
00:22:32The leaves that burn here.
00:22:35Yes.
00:22:36Only leaves.
00:22:40Have you heard from Rosie Miller?
00:22:44She left without notice.
00:22:50These lovely flowers, Inspector Russell.
00:22:53They're beautiful, aren't they?
00:22:57Rosie was also quite beautiful.
00:23:01But, Inspector.
00:23:03She wasn't planning to get married.
00:23:07At least she wasn't just before she left.
00:23:16I think I've mentioned before that girls who work in fashion
00:23:19are very practical and ambitious.
00:23:21Husbands sometimes buy the garments for their wives
00:23:24and use the models for themselves, if you understand.
00:23:34Do you think Rosie is taking a secret vacation?
00:23:37Why not?
00:23:50Ms. Wood.
00:23:54Excuse me.
00:23:55This is Helen Wood.
00:23:56She filled the vacancy left by Rosie's departure.
00:24:02Inspector Russell, I'd like to introduce you to Ms. Helen Wood.
00:24:05It's a pleasure, Ms. Wood.
00:24:06There ought to be a law against pretty models
00:24:08going away without leaving a forwarding address.
00:24:11I'm not going anywhere.
00:24:13Ms. Wood.
00:24:14I have to leave you.
00:24:19Excuse me.
00:24:33The husbands of your clients are very fortunate men indeed.
00:24:40Oh.
00:24:41I may have to trouble you again.
00:24:44Just routine, is that right, Inspector?
00:24:50Simply routine.
00:24:52Oh, Inspector.
00:24:54Don't worry about those girls.
00:24:56I'm sure you'll find them.
00:25:14Mr. Harrington.
00:25:19Mr. Harrington.
00:25:21I wanted to notify you that...
00:25:24I'm going to have to quit working for you.
00:25:27Why?
00:25:29Because I'm getting married.
00:25:32I'm getting married.
00:25:34I'm getting married.
00:25:36I'm getting married.
00:25:38I'm getting married.
00:25:40I'm getting married.
00:25:41Because I'm getting married.
00:25:50I want you to stay after the other girls leave tonight.
00:26:05Come on, come on, hurry up.
00:26:09What are you doing tonight?
00:26:10I have an appointment.
00:26:15See you in the morning.
00:26:16Good night.
00:26:40Good night.
00:27:10Good night.
00:27:11Good night.
00:27:12Good night.
00:27:41Here you see all the dresses created by the House of Harrington
00:27:44since my mother founded the organization in 1927.
00:27:48I adored my mother.
00:27:50I adored her.
00:27:52I adored her.
00:27:54I adored her.
00:27:56I adored her.
00:27:58I adored her.
00:28:00I adored her.
00:28:02I adored her.
00:28:04I adored her.
00:28:06I adored her.
00:28:08I adored her.
00:28:10And I decided to carry on her work.
00:28:14You're so young.
00:28:16And so lovely.
00:28:18Choose whatever dress you like.
00:28:20It will be my wedding gift.
00:28:35Go ahead, choose one.
00:28:41This one.
00:28:55This is the most beautiful, isn't it?
00:28:56Put it on.
00:28:58Now?
00:28:59Yes.
00:29:01Now.
00:29:05I want to see you in your wedding dress.
00:29:08As if tonight really belonged to us.
00:29:10Yes.
00:29:36A woman should live only until her wedding night.
00:29:39Love once.
00:29:41And then die.
00:30:38THE END
00:31:09Do you hear those footsteps?
00:31:13Someone is walking inside my head.
00:31:16Who?
00:31:18Why do I hear those footsteps?
00:31:25John.
00:31:27John.
00:31:38THE END
00:32:03Now you will become another woman.
00:32:08And I'll find out a little bit more.
00:32:12Why that woman keeps calling my name.
00:32:16Why there's so much pain in her eyes.
00:32:20And I'll see her features more clearly.
00:32:24Each time, more clearly.
00:32:29John.
00:32:31John.
00:32:38THE END
00:33:08THE END
00:33:38THE END
00:34:08THE END
00:34:38THE END
00:35:09Don't you smell something burning?
00:35:20John.
00:35:21What do you find so interesting in the newspaper that you forgot the toast?
00:35:28Don't do that, Mildred.
00:35:30You know it bothers me.
00:35:39I was only trying to make your toast edible.
00:35:46Did I tell you I received a letter from my cousin Gladys?
00:35:50No.
00:35:54Aren't you going to ask me what she said in it?
00:35:58You're going to tell me anyway.
00:36:01She's not feeling well.
00:36:03And she asked me to pay her a visit.
00:36:05To keep her company.
00:36:07So, if you have no objections, I'll go tomorrow.
00:36:11I have no objections.
00:36:13Of course you have no objection.
00:36:16For a whole week, you can pretend you're divorced.
00:36:21But I promise you, I will come back, my dear.
00:36:24You can be certain of that.
00:36:55THE END
00:37:14Hello, Mr. Harrington.
00:37:18Hello. What are you doing here?
00:37:21What do you think I'm doing?
00:37:22I could tell you I knew your wife was going away,
00:37:25and I've come because I wanted to be alone.
00:37:28I might be a model whose sole purpose is to capture her boss.
00:37:32Or Rosie Miller's sister, for example.
00:37:35Who wants to ask you,
00:37:37what did you do with my sister, Mr. Harrington?
00:37:41As a matter of fact, I...
00:37:43I killed her.
00:37:45Raped her.
00:37:47And buried her in the hothouse.
00:37:48It must have been wonderful.
00:37:52What motive would you prefer to have brought me here?
00:37:57The real one.
00:37:59That would be the most interesting.
00:38:04Are you really Rosie's sister?
00:38:11Would it matter to you if I were?
00:38:13No.
00:38:15How often have you been unfaithful to your wife?
00:38:18Three, four times?
00:38:21You ask a lot of questions.
00:38:24That's the only way that you're like other women.
00:38:27The only way?
00:38:31There's something different about you.
00:38:34I don't know exactly what it is.
00:38:38I don't know.
00:38:39I don't know exactly what it is.
00:38:44Perhaps your eyes.
00:38:48Or your skin.
00:38:50But for me, you're different from any woman I've ever known.
00:38:54I'm just an ordinary girl. I adore luxury.
00:38:57I'm terribly lazy.
00:38:59And I like to amuse myself doing crazy things.
00:39:02What kind of things?
00:39:04I just turned 23 and I've had several lovers.
00:39:06Several lovers?
00:39:09How many lovers have you had?
00:39:11Oh, I never counted them.
00:39:13Not many.
00:39:17Why aren't you happily married?
00:39:22Every man needs women for different reasons.
00:39:25Apart from love.
00:39:27Apart from love.
00:39:29Why do you need them?
00:39:33Perhaps...
00:39:34to find out something about myself.
00:39:37You know, I could help you find out about yourself.
00:39:41I wouldn't want to...
00:39:44to use you in that way.
00:39:53I don't want to harm you.
00:39:55I know how to take care of myself.
00:39:58Do you live here?
00:40:01Yes, I do. Alone.
00:40:04Well, good night, Helen.
00:40:10Do you mind if I ask you another question?
00:40:12No.
00:40:14Why haven't you kissed me yet?
00:40:35I'm sorry.
00:40:36I'm sorry.
00:41:03Please, Mary, come away from here.
00:41:06He'll be all right.
00:41:07No.
00:41:11Please.
00:41:12I beg you to come.
00:41:14I can't leave you here.
00:41:15I don't want to leave you here.
00:41:17Listen, Mary, she knows best.
00:41:20No.
00:41:22Oh, you've got to understand.
00:41:25It's for your own good.
00:41:26You must.
00:41:27I don't want to understand anything.
00:41:29All I know is he's going to be all right.
00:41:34He's going to be all right.
00:41:37Why?
00:41:40He was the only thing I ever loved in the world.
00:41:59Mary.
00:42:00He's gone.
00:42:01Mary.
00:42:02No.
00:42:03He's gone.
00:42:05He's gone.
00:42:06You don't know him.
00:42:07He never came to town.
00:42:09He didn't want to die.
00:42:11He had to go.
00:42:13He knew no doing.
00:42:14He didn't want to die.
00:42:15When he learned how he was going to walk out alive,
00:42:17he grabbed himself by the arm, died right there.
00:42:20What will he do when he finds him later?
00:42:22That he's close to her and there were our dogs.
00:42:25I guess I'll stay.
00:42:27I'm not a ghost, my dear.
00:42:47I took the first plane back.
00:42:55I wanted to surprise you, and apparently I did.
00:43:03Where have you been?
00:43:04With some woman?
00:43:05What are the two of you doing?
00:43:10Did you tell her how much you loved your mother?
00:43:13Mildred.
00:43:17Did you think I was going to leave you here alone?
00:43:26I sent Gladys a telegram saying I wasn't coming.
00:43:29I don't intend to leave you here alone for a week, do you hear?
00:43:33Don't even bother dreaming about it.
00:43:35Are you listening?
00:43:37Not a week, not a day, not even a minute.
00:43:40I'll always be here by your side, whether you like it or not, always, always.
00:43:57Why do we torture each other?
00:44:24Who's torturing whom?
00:44:28There was a time when we were... we were happy.
00:44:33Before we got married, to be exact.
00:44:37We laughed together, made plans, had dreams.
00:44:45But you were never my husband.
00:44:48I know, but I wanted you so much.
00:44:54John.
00:44:55Then something happened.
00:44:56Right on our wedding night, I heard those footsteps.
00:44:57What footsteps?
00:44:58Mildred, I know I should have done something that night, but I was afraid.
00:44:59John.
00:45:00John, don't leave me like this.
00:45:01Have pity, darling.
00:45:02Don't leave me.
00:45:03John.
00:45:04John.
00:45:05John.
00:45:06John.
00:45:07John.
00:45:08John.
00:45:09John.
00:45:10John.
00:45:11John.
00:45:12John.
00:45:13John.
00:45:14John.
00:45:15John.
00:45:16John.
00:45:17John.
00:45:18John.
00:45:19John.
00:45:20John.
00:45:21John.
00:45:22John.
00:45:23John.
00:45:24John.
00:45:25John.
00:45:26John.
00:45:27John.
00:45:28John.
00:45:29John.
00:45:30John.
00:45:31John.
00:45:32John.
00:45:33John.
00:45:34John.
00:45:35John.
00:45:36John.
00:45:37John.
00:45:38John.
00:45:39John.
00:45:40John.
00:45:41John.
00:45:42John.
00:45:43John.
00:45:44John.
00:45:45John.
00:45:46John.
00:45:47John.
00:45:48John.
00:45:49John.
00:45:50John.
00:45:51John.
00:45:52John.
00:45:53John.
00:45:54John.
00:45:55John.
00:45:56John.
00:45:57John.
00:45:58John.
00:45:59John.
00:46:00John.
00:46:01John.
00:46:02John.
00:46:03John.
00:46:04John.
00:46:05John.
00:46:06John.
00:46:07John.
00:46:08John.
00:46:09John.
00:46:10John.
00:46:11John.
00:46:12John.
00:46:13John.
00:46:14John.
00:46:15John.
00:46:16John.
00:46:17John.
00:46:18John.
00:46:19John.
00:46:20John.
00:46:21John.
00:46:22John.
00:46:23John.
00:46:24John.
00:46:25John.
00:46:26John.
00:46:27John.
00:46:28John.
00:46:29John.
00:46:30John.
00:46:31John.
00:46:32John.
00:46:33John.
00:46:34John.
00:46:35John.
00:46:36John.
00:46:37John.
00:46:38John.
00:46:39John.
00:46:40John.
00:46:41John.
00:46:42John.
00:46:43John.
00:46:44John.
00:46:45John.
00:46:46John.
00:46:47John.
00:46:48John.
00:46:49John.
00:46:52John.
00:46:56John.
00:46:58John.
00:47:12Why.
00:47:15Aah!
00:47:21Aah!
00:47:23Aah!
00:47:26John.
00:47:29John!
00:47:41Aah!
00:47:43Oh!
00:47:44Oh!
00:47:45Oh!
00:47:46Oh!
00:47:47Oh!
00:47:48Oh!
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00:48:00Oh!
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00:53:06Oh!
00:53:07Oh!
00:53:08Oh!
00:53:09Oh!
00:53:10Oh, Mother, for my son!
00:53:21Oh!
00:53:29Why did they kill Mummy?
00:53:33Who did it?
00:53:36I want to know who did it.
00:53:44John.
00:53:46John.
00:53:48John.
00:53:54John.
00:53:55John.
00:53:56John.
00:53:57John.
00:53:58John.
00:53:59John.
00:54:00John.
00:54:01John.
00:54:02John.
00:54:03John.
00:54:04John.
00:54:05John.
00:54:06John.
00:54:07John.
00:54:08John.
00:54:09John.
00:54:10John.
00:54:11John.
00:54:12John.
00:54:13John.
00:54:14John.
00:54:15John.
00:54:16John.
00:54:17John.
00:54:18John.
00:54:19John.
00:54:20John.
00:54:21John.
00:54:22John.
00:54:23John.
00:54:24John.
00:54:25John.
00:54:26John.
00:54:27John.
00:54:28John.
00:54:29John.
00:54:30John.
00:54:31John.
00:54:32John.
00:54:33John.
00:54:34John.
00:54:35John.
00:54:36John.
00:54:37John.
00:54:38John.
00:54:39John.
00:54:40John.
00:54:41John.
00:54:42John.
00:54:43John.
00:54:44John.
00:54:45John.
00:54:46John.
00:54:47John.
00:54:48John.
00:54:49John.
00:54:50John.
00:54:51John.
00:54:52John.
00:54:53John.
00:54:54John.
00:54:55John.
00:54:56John.
00:54:57John.
00:54:58John.
00:54:59John.
00:55:00John.
00:55:01John.
00:55:02John.
00:55:03John.
00:55:04John.
00:55:05John.
00:55:06John.
00:55:07John.
00:55:08John.
00:55:09John.
00:55:10John.
00:55:11John.
00:55:12John.
00:55:13John.
00:55:14John.
00:55:15John.
00:55:16John.
00:55:17John.
00:55:18John.
00:55:19John.
00:55:20John.
00:55:21John.
00:55:22John.
00:55:23John.
00:55:24The wig for number 12.
00:55:25Almost ready.
00:55:26Hm, in a minute.
00:55:29The white boots go with model 24.
00:55:31Yes ma'am, I'm on my way.
00:55:33Mrs. Harrington, it's a pleasure to see you here.
00:55:35We thought you were away.
00:55:37Oh, by way John, what satin are we gonna use for model 25?
00:55:41What would you suggest, Mrs. Harrington?
00:55:45Oh, keep going.
00:55:47Well, I'm sure we leave it the way it was.
00:55:49John?
00:55:51Is it all right?
00:55:53Yes, fine.
00:56:02Listen, I'd like a color shot of this for the cover shot.
00:56:08How's it going, Marie?
00:56:09Fine.
00:56:10Good.
00:56:16Are you ready?
00:56:18Uh-huh.
00:56:20Do you like that negligee?
00:56:21Uh-huh.
00:56:23It looks fine.
00:56:25Thanks, I'm happy.
00:56:51Model 11, subtle breeze.
00:57:04Fashion from a base of sweet organisms and appliqued with a splattering of flowers in free fall.
00:57:11The flowered cap has a short veil, also in organza.
00:57:16The shoes are of deluctant fatty with Italian...
00:57:20Good morning, Betsy.
00:57:21Good morning, Lady Worcester.
00:57:23Model 12, summer moon.
00:57:27This is an empire style gown in fur with a cloak of lace.
00:57:32The shoes and stockings are of silver lamÊ.
00:57:36Model 15, awakening.
00:57:39This one is a nightgown of fine Dutch tunes, worn with slippers trimmed in swan style.
00:57:45Excuse me for a moment, won't you, ladies?
00:57:48Model 18, orange flower.
00:57:51An enchanting ensemble in natural silk and deluctant fatty.
00:57:56The shoes are...
00:57:57Inspector Russell.
00:57:59What brings you here?
00:58:01Used to be when marriage for a woman was a simple problem of finding success or failure.
00:58:06Now she also has a simple problem of keeping alive.
00:58:09Which of those wedding gowns will the next victim be wearing?
00:58:12This one?
00:58:14That one?
00:58:15I wouldn't know.
00:58:17I made a routine call to the television station.
00:58:20I asked them to show me the film that was playing that night that we showed up and invited at your house.
00:58:25Strange, but nobody screamed before that scene we saw when you turned on the TV in front of us.
00:58:32Interesting, huh?
00:58:34That's very interesting.
00:58:38Oh, would you like me to tell you my plan for trapping the murderer?
00:58:44If you want to.
00:58:45Just patience.
00:58:47Only that.
00:58:48Just patience.
00:58:50Right now all I can do is wait.
00:58:52But it won't be very long until I'll be able to burst his bubble.
00:58:56Good day.
00:58:57Good day, Inspector.
00:59:12A bore, wouldn't you say?
00:59:13My mother still thinks these things are important.
00:59:17And you don't think so?
00:59:19If only girls who deserve these dresses wore them, you would go bankrupt.
00:59:23Do you deserve one?
00:59:24Certainly not.
00:59:26You don't really think that I'm a lily-white virgin, do you?
00:59:28I'm my own boss.
00:59:31I hope you're going to be present at my wedding.
00:59:33You are?
00:59:34Sure, why not?
00:59:37He must like you, and that's something.
00:59:39He's very nervous.
00:59:41And very lucky.
00:59:44What?
00:59:52What's wrong with your mother?
00:59:53She's talking to herself.
00:59:56Are you blind?
00:59:57She's with your wife.
01:00:09Eldred?
01:00:14Eldred?
01:00:19Eldred, where have you gone to?
01:00:43Oh!
01:01:13Oh!
01:01:43Oh!
01:02:13Oh!
01:02:44Oh!
01:02:53I'll never leave you, John.
01:02:56Never.
01:02:58Everyone will see me except you.
01:03:02By your side as always.
01:03:06Always, John.
01:03:09Always by your side.
01:03:14They'll say we're a perfect couple.
01:03:28Always together.
01:03:31Always.
01:03:38Always.
01:04:08Always.
01:04:09Always.
01:04:10Always.
01:04:11Always.
01:04:12Always.
01:04:13Always.
01:04:14Always.
01:04:15Always.
01:04:16Always.
01:04:17Always.
01:04:18Always.
01:04:19Always.
01:04:20Always.
01:04:21Always.
01:04:22Always.
01:04:23Always.
01:04:24Always.
01:04:25Always.
01:04:26Always.
01:04:27Always.
01:04:28Always.
01:04:29Always.
01:04:30Always.
01:04:31Always.
01:04:32Always.
01:04:33Always.
01:04:34Always.
01:04:35Always.
01:04:36Always.
01:04:37Always.
01:04:38Always.
01:04:39Always.
01:04:40Always.
01:04:41Always.
01:04:42Always.
01:04:43Always.
01:04:44Always.
01:04:45Always.
01:04:46Always.
01:04:47Always.
01:04:48Always.
01:04:49Always.
01:04:50Always.
01:04:51Always.
01:04:52Always.
01:04:53Always.
01:04:54Always.
01:04:55Always.
01:04:56Always.
01:04:57Always.
01:04:58Always.
01:04:59Always.
01:05:00Always.
01:05:01Always.
01:05:02Always.
01:05:03Always.
01:05:04Always.
01:05:05Always.
01:05:06My incinerator is too much.
01:05:09Even too much for you, Mildred.
01:05:14I think now you'll leave me in peace.
01:05:22Won't you, Mildred?
01:05:37I hope that finally you're happy.
01:05:41You wanted to be with me, dear.
01:05:44Always.
01:05:47You said so yourself.
01:06:06Yes, sir?
01:06:07A whiskey, please.
01:06:13Would you like something, dear?
01:06:16A whiskey for you, Monsieur, and a sherry for Madame.
01:06:21Would you like something, dear?
01:06:24A whiskey for you, monsieur, and a sherry for madame.
01:06:51Here's to us, Mildred.
01:07:20Would you like to come home with me?
01:07:34You have company.
01:07:38She won't disturb us.
01:07:42We'll go to my house, the three of us.
01:07:46My wife will see something she won't ever forget.
01:07:49Not even in hell.
01:07:52You rotten pervert!
01:07:53Who do you think you are?
01:07:55Get out of here!
01:07:56It's nothing to do with a pervert.
01:07:58It's nothing but a pervert.
01:07:59OK, let's eat, then.
01:08:09Here's your bag.
01:10:19Oh!
01:12:20I was in the sitting room, and I saw you come up here.
01:12:23May I come in?
01:12:24Yes, of course.
01:12:36Come closer, Helen.
01:12:42When I was a little boy, this was my room.
01:12:46We've all had a room like this.
01:12:49And then it gets lost, this room of memories.
01:12:53But you've kept yours beautifully.
01:12:56Yes, the memories do float about somewhere.
01:13:04You managed to preserve them very well.
01:13:13Get out of here, Helen.
01:13:14John, are you ill?
01:13:19I'm coming to the end of a long road.
01:13:23Our minds get so tired of suffering.
01:13:30Of suffering so.
01:13:32I've got to find out.
01:13:36There's only a little way to go.
01:13:42Only one step more.
01:13:45And I'll have found out everything.
01:13:49Only one step more.
01:13:51The last, Helen.
01:14:12John.
01:14:13John.
01:14:14John.
01:14:15John.
01:14:16John.
01:14:17John.
01:14:18John.
01:14:19John.
01:14:20John.
01:14:21John.
01:14:22John.
01:14:23John.
01:14:24John.
01:14:25John.
01:14:26John.
01:14:27John.
01:14:28John.
01:14:29John.
01:14:30John.
01:14:31John.
01:14:32John.
01:14:33John.
01:14:34John.
01:14:35John.
01:14:36John.
01:14:37John.
01:14:38John.
01:14:39John.
01:14:40John.
01:14:41John.
01:14:42John.
01:14:43John.
01:14:44John.
01:14:45John.
01:14:46John.
01:14:47John.
01:14:48John.
01:14:49John.
01:14:50John.
01:14:51John.
01:14:52John.
01:14:53John.
01:14:54John.
01:14:55John.
01:14:56John.
01:14:57John.
01:14:58John.
01:14:59John.
01:15:00John.
01:15:01John.
01:15:02John.
01:15:03John.
01:15:04John.
01:15:05John.
01:15:06John.
01:15:07John.
01:15:08John.
01:15:09John.
01:15:10John.
01:15:11John.
01:15:12John.
01:15:13John.
01:15:14John.
01:15:15John.
01:15:16John.
01:15:17John.
01:15:18John.
01:15:19John.
01:15:20John.
01:15:21John.
01:15:22John.
01:15:23John.
01:15:24John.
01:15:25John.
01:15:26John.
01:15:27John.
01:15:28John.
01:15:29John.
01:15:30John.
01:15:31John.
01:15:32John.
01:15:33John.
01:15:34John.
01:15:35John.
01:15:36John.
01:15:37John.
01:15:38John.
01:15:39John.
01:15:40John.
01:15:41John.
01:15:42John.
01:15:43John.
01:15:44John.
01:15:45John.
01:15:46John.
01:15:47John.
01:15:48John.
01:15:49John.
01:15:50John.
01:15:51John.
01:15:52John.
01:15:53John.
01:15:54John.
01:15:55John.
01:15:56John.
01:15:57John.
01:15:58John.
01:15:59John.
01:16:00John.
01:16:01John.
01:16:02John.
01:16:03John.
01:16:04John.
01:16:05John.
01:16:06John.
01:16:07John.
01:16:08John.
01:16:09John.
01:16:10John.
01:16:11John.
01:16:12John.
01:16:13John.
01:16:14John.
01:16:15John.
01:16:16John.
01:16:17John.
01:16:18John.
01:16:19John.
01:16:20John.
01:16:21John.
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01:16:54John.
01:16:55John.
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01:17:00John.
01:17:01John.
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01:17:06John.
01:17:07John.
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01:17:19John.
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01:17:25John.
01:17:26John.
01:17:27John.
01:17:28John.
01:17:30John.
01:17:31John.
01:17:32John.
01:17:41I didn't expect you to be here, Harrington.
01:17:43What do you want, Inspector?
01:17:45The killer tried to get to Lady Wooster's daughter
01:17:48in her house tonight.
01:17:50You were at the reception, weren't you?
01:17:52Yes.
01:17:53How long were you there?
01:17:55Not long.
01:17:56Mr. Harrington and I have been here all evening.
01:17:58all evening. We decided to spend the night together.
01:18:04And the objection. Oh no of course not this would. You won't be long with.
01:18:12You seem to be
01:18:12a very lucky man. I must say very lucky if I were you I wouldn't press my luck.
01:18:21Pardon this interruption.
01:18:22You are
01:18:27certainly very fortunate. I envy you.
01:18:37I'd visit a doctor if I were you. You're sweating again in the cold air. And I can
01:18:43turn into a nuisance. Good evening.
01:18:53What are you doing here.
01:19:01Can't you get. You don't mind my using your back. Or getting into your dressing
01:19:07gown.
01:19:13Why did you lie to help me. I wanted him to leave so that we could spend some time
01:19:18alone. You're not afraid to be alone with me.
01:19:35Go away. Please. Please go away.
01:19:41Do you mean it really.
01:19:50Something unforeseen has happened. Go go now. Before it's too late.
01:20:02I don't want to go. On. I want to be with you.
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01:23:02I
01:23:04never wanted to harm you, Ellen.
01:23:07No, I didn't want to.
01:23:13You never compelled you to kill me.
01:23:21Like you, I couldn't use it.
01:23:28You know, I wished I could have known
01:23:29No, I didn't, but I must fit that last piece into place.
01:23:35I must know who did it.
01:23:54John!
01:23:56John!
01:23:57John!
01:24:12I killed my mother.
01:24:21I didn't...
01:24:24I didn't want her to marry again.
01:24:27I killed her.
01:24:32I killed her.
01:24:44Are you all right?
01:24:45Yes.
01:24:47Miss Wood, you're a very courageous young lady.
01:24:58You...
01:25:22Ellen was the pawn you introduced into the game.
01:25:26Am I right, Inspector?
01:25:32It could have been so nice.
01:25:35I think.
01:25:38Although I suppose it couldn't be.
01:25:44Let's go, Inspector.
01:25:55Let's go.
01:26:25Let's go.
01:26:55THE END
01:27:13Good evening, John.
01:27:15At first you couldn't see me.
01:27:18And now nobody will see me except you.
01:27:20And we'll always be together.
01:27:23At first in the asylum.
01:27:26And then in hell for eternity.
01:27:30No.
01:27:32Go away.
01:27:35I don't want you with me.
01:27:38No.
01:27:40No!
01:27:42Let me go!
01:27:44Let her go!
01:27:51I killed her once.
01:27:52I don't want to kill her again.
01:28:20Š BF-WATCH TV 2021