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The New Yorker publishes the best writers of its time and is known for its groundbreaking reporting, authoritative analysis, and creative inspiration.

Videos Playlists

Crashes and Community in “Demolition”

Flipping the Script on Trans Medical Encounters

Textures: For Black Women, Embracing Natural Hair Is About More than Style

A Teen-Ager’s Quest to Manage His O.C.D. in “Lost in My Mind”

Richard Brody on the Movies That Should’ve Been Nominated for Best Picture in 2024

TikTok and War Intersect in “Following Valeria”

Cousins: An Awkward Reunion

Roger J. Carter: Rebel Revolutionary

Proof of Concept: Richard Kind on Making a Short Film about Making a Short Film

Friday Night Blind: Bowling Without Sight

How Ava DuVernay Restages History in “Origin”

The Barber of Little Rock: One Man’s Fight to Close the Racial Wealth Gap

Amanda Petrusich’s Best Albums of 2023

Richard Brody’s Best Movies of 2023

Echo: A Pioneer of Echolocation for the Blind

Richard Brody's Best Films of 2023

Carpenter: A Landmine Survivor’s Resilience

Swimming Through: The Euphoria of Cold-Water Immersion

Direcciones: Navigating a City Without Street Addresses

Deciding Vote: A Courageous Assemblyman’s Stand for Reproductive Rights

Parker: One Black Family’s Quest to Reclaim Their Name

Nina & Irena: A Holocaust Survivor Breaks Eighty Years of Silence

The Night Doctrine: The Lives Lost to a U.S. Strategy in Afghanistan

A Blind Child’s Endless Imagination: The Unicorn in Snowpants Suddenly Ran Off

The Final Work of an Israeli Filmmaker Killed by Hamas, in “The Boy.”

Alpha Kings: Gen Z and the World of Financial Domination

Nauha: A Caretaker’s Saintly Patience

Squid Fleet: The Brutal Lives of China’s Industrial Fishermen

Goldie: The Life of a Nursing-Home Rock Star

Troy: A Couple Obsessed with the Sex Worker Next Door

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