Srushti Dwani - Dr.Mangalampalli Balamurali Krishna.{Carnatic Classical} 3/1

Balamuralikrishna was born in Sankaraguptam, East Godavari District, Andhra Pradesh state.[1] His father was a well known musician and could play the flute, violin and the veena and his mother was an excellent veena player. He lost his mother when he was just a baby and since then, he was taken care by his father. Observing his inner penchant towards music, his father put him under the tutelage of Sri Parupalli Ramakrishna Pantulu. Sri Pantulu was a direct descendant of the sisya parampara of Saint Thyagaraja. Under his guidance, the young Balamuralikrishna learnt Carnatic Music. At the age of eight, Balamuralikrishna gave his first full fledged concert at a Thyagaraja Aradhana, Vijayawada. Musunuri Suryanarayana Murty Bhagavatar, a distinguished Harikatha performer, saw the musical talent in the child and gave the prefix 'Bala' (child) to the young Muralikrishna. This title has stuck ever since and Balamuralikrishna has been known so.
Balamuralikrishna thus began his musical career at a very young age. By the age of fifteen he had mastered all the 72 melakartha ragas and had composed krithis in the same. The Janaka Raga Manjari was published in 1952 and recorded as Raagaanga Ravali in a nine-volume series by the Sangeeta Recording Company.

Balamuralikrishna soon became very famous as a singer. The number of concerts for this young musician began to increase and hence he had to discontinue his school.
Not merely content with his fame as a carnatic vocalist, very soon Balamurali proved his immense versatility by playing the kanjira, mridangam, viola and violin. He also accompanied various musicians in violin and is also noted to give solo viola concerts.