• 5 months ago
#UyirThamizhukku #Ameer #DirectorAmeer #Kollywood #KamalHassan #Ilaiyaraaja #Guna #GhilliReRelease #ManjummelBoys #Premalu #Vidyasagar #HeyRam #MaduraiFoods #FilmiBeatTamil

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00:00Usually Amir is a rugged guy, but in Vadachennai we have seen a love story
00:07I was a little shy when I acted, but when I watched it, it was ok
00:12That's what I feel
00:17I would like to ask about the re-release
00:19Is Tamil cinema a panchamath now?
00:22In the re-release, we had the same kind of enjoyment
00:25We had films like Admit, Aayirathil Oruvana, Nannada
00:29If you go and sit, you can watch the film
00:31Before the film starts, the fans will start whistling
00:35They will start enjoying
00:37That's what is happening in the theatre today
00:43In the poster of the film, there are some words like Tamilnadu and Tamilnagam
00:49In India, there is a need for language
00:53Tamil language has that pride
00:55It is the oldest language in the world
00:58The attempt to make Tamil as the second language
01:03The politics in our country
01:05When you see all this, it is not right to say that Tamil is not alive
01:09We should not give up our mother tongue
01:11That was the idea I had
01:15We celebrate Malayalam films a lot in our country
01:18If you keep saying that all the films you are releasing are heroism, build up, heroism,
01:24Don't get bored
01:26Let's see one place
01:31Guna or Mahanathia?
01:32Mahanathia
01:33Mahanathia or Devaramagam?
01:34Devaramagam
01:35Devaramagam or Gurumandi?
01:36Devaramagam
01:37Devaramagam or Vasul Rajayan VBS?
01:39Devaramagam
01:40Devaramagam or Alavandhan?
01:42Devaramagam
01:45Amir or Amiruddin?
01:47If you say Amiruddin, there are a lot of controversies
01:50There are a lot of doubts
01:52You are criticizing me without understanding me
01:55You don't know what I think, what my expectations are
01:58You are criticizing me
02:00You are cursing me as if I want to live a happy life
02:03That is your imagination about me
02:06PATHIRIKKAI OODAKAM
02:09Pathirikkai Oodakam is the 4th column of Janayagam
02:13So many cells are burnt in the 4th column
02:19Is this a job?
02:21Is this a shame?
02:24Hello to One India Film Febite viewers
02:26I am going to talk to Amir who has contributed in many ways as an actor, producer, and producer for Tamil cinema
02:33Hello sir
02:34Hello
02:36How are you?
02:37I am fine
02:38I want to ask you something before the film Uyir Tamil
02:42How do you maintain your fitness?
02:44I have been watching you for 20 years and you are still the same
02:46My favorite food
02:48Minimal amount of food
02:50The type of exercise
02:53That's it
02:54This is the secret of your fitness
02:56I like all types of food
02:58I eat less
03:00Exercise
03:02Cardio
03:05Minimal amount of exercise
03:07This is the secret
03:09I eat less vegetables
03:11That's it
03:13What is the story behind Narakali and Uyir Tamil?
03:19Narakali was planned by MGR Pandian before
03:23Narakali was a political leader
03:28For me, Uyir Tamil would have been the right choice
03:33Narakali was like a serious political film
03:41The story of this film is not a serious film
03:48We have to create a big expectation from Narakali
03:54That's why I said that Uyir Tamil would have been the right choice for Narakali
04:01I had the title of Uyir Tamil
04:04It was in my campaign
04:06I had another film to shoot
04:08I gave it to him
04:10He said, keep it
04:12It would have been appropriate
04:14Because the name of the dog in the film was Tamil
04:19So, everyone would call it Tamil
04:22So, Uyir Tamil
04:24That's the connection
04:26What is the film Uyir Tamil?
04:30I made it serious
04:32The politics of language
04:34In India, there is a need for language
04:38Tamil language has that pride
04:40World's largest language
04:43The attempt to make this language the second largest language
04:48The politics in our country
04:50When I saw all this
04:52It was not right to say Uyir Tamil
04:54We should not give up our mother tongue
04:56That was the idea I had
04:59In the poster of the film
05:01There was a mention of Tamil Nadu
05:04We saw that
05:06It was a political situation
05:11This film is a political film
05:16It is a film about politics
05:18Iyakunaru has said that there are love scenes
05:22A young lover like Sivakarthikeyan has acted in this film
05:27There are love scenes
05:29But there are very few love scenes
05:31I don't think I have taken you personally
05:34Iyakunaru's love scenes
05:36There is love
05:38There is love for a Tamil girl
05:42Love is what led Pandian to politics
05:46So, there is love
05:49I think there could have been a few more love scenes
05:54Love scenes
05:56I am saying this because it is close
05:58I don't know if it would have been more powerful
06:01I have told Iyakunaru that
06:03It would have been better if there were more
06:06Ameer is a rugged person
06:09But we have seen love in North Chennai
06:12The love between you and Andrea would have been beautiful
06:17I think you overshadowed the rugged love
06:22I think we can see a proper love scene in this film
06:26There are two scenes
06:28I am standing next to her
06:32I felt shy when I was acting
06:35But it was okay when I saw her
06:38That's what I feel
06:40Vidyasagar has composed a song in this film
06:43I want to know more about him
06:45If we look at the 2000s, 90s and later stages
06:49Vidyasagar's music is different
06:51It's not contemporary music
06:55He doesn't like a trendy sound
06:58But he always brings a sound to the audience
07:02That's a big plus for Vidyasagar
07:05After Rajasagar, Vidyasagar brings a sound like that
07:10Recently, his music was celebrated in the release
07:14He used to play a beautiful melody
07:18You would have seen it in the film Anji
07:22He had mixed a melody and a political campaign
07:28He had done both beautifully
07:32He said that was the opening song
07:36One day, I asked him to make an opening song for the film
07:42He said he had already done it
07:45I asked him if he could do something without it
07:49That's when I explained the situation to the director
07:54Since he was a fan of MGR
07:58I asked him if he could make a song with the sounds of MGR
08:07He said he would try it out
08:10That's how he made the song
08:13It's similar to the one you saw in the film
08:17The sounds of MGR in those days
08:22He did it very well
08:27The song was written by Pa Vijay
08:30That's what's interesting
08:33He was the opposite of MGR
08:36He was the opposite of Thirumukkabin
08:39He was close to Kalankeer
08:42He was the one who wrote about MGR
08:45He wrote about his views on MGR
08:49He did the election song at the end
08:52He saw it during the re-recording and decided to do a song
08:56No one could have done it better than him
09:01He did another great melody
09:05He didn't make it into a film
09:08I liked that song very much
09:11Did he release the song separately?
09:14No, he didn't make it into a film
09:17The tune and lyrics were excellent
09:20He could have edited it and made it into a lyrical video
09:23Let's try that after the film is over
09:26Is there a particular song that you like in his music?
09:31I like Un Samayil Ariyil
09:36His songs are extraordinary
09:41I don't know if he has a song like this
09:44I don't know if he has a song like this
09:47I don't know if he has a song like this
09:50I don't know if he has a song like this
09:53I like Malarai Nunamma from Karuna's film
09:56I think he would have said it himself
09:59I think he would have said it himself
10:02I wish he had a song like this
10:05I don't even want to think about Malarai Nunamma
10:08He has done a lot of folk music
10:11But his songs are like Melody King
10:14I like Asai Asai from Dhool's film
10:17I like Asai Asai from Dhool's film
10:20He has a beautiful song
10:23There's a song called Sella Perandi from Singampore
10:26I showed it in the climax
10:29We don't usually go to the theatre when we watch that film
10:32It was released a long time ago
10:35But I still remember that song
10:38I wonder what it would have been like if he had sung it in the climax
10:41I wonder what it would have been like if he had sung it in the climax
10:44I wonder if we should re-release it
10:47It will work out
10:50I want to ask you about re-release
10:53Is there a gap in Tamil cinema now?
10:56There's no such thing
10:59Re-release films have been seen in all eras
11:02I've seen them in all eras
11:05When did I see MGR Sivaji's films before I was born?
11:08When did I see MGR Sivaji's films before I was born?
11:11I saw them when they were re-released
11:14I got the opportunity to see Parasakthi
11:17So you saw them in theatres?
11:20Yes, theatres
11:23I saw them in theatres
11:26We had the same enjoyment when we saw them in the re-release
11:29We had the same enjoyment when we saw them in the re-release
11:32Like Adimi Penna, Aayirathil Ooruvana, Namnaada
11:35Engal Thangama
11:38All the films he made
11:41If you go to any of Sivaji's films, like Vasanthamani...
11:44If you go and sit there, before the song starts,
11:47the fans will start whistling.
11:50They will start enjoying it.
11:53That is what is happening in the theatres today.
11:56This was already there.
11:59It would have been released in a theatre in a village.
12:02Now, it is a trend to release it all over Tamil Nadu.
12:05A few days ago, Aayirathil Oopam was released.
12:08Veera Pandiyan Kattabomman was released.
12:11Raja Raja Cholan was released.
12:14Ulagam Kuttumani was released.
12:17Now, the next Ajith film will be released.
12:20Will you blame the audience for the Tamil films not satisfying the audience?
12:23Will you blame the audience for the Tamil films not satisfying the audience?
12:26You can never blame the audience.
12:29If you celebrate good films,
12:32why can't we celebrate good films?
12:35I will not say that people are not interested in good films today.
12:38I will not say that people are not interested in good films today.
12:41Good films may have satisfied them completely.
12:44Good films may have satisfied them completely.
12:47Because they didn't compete with them completely,
12:50they would have been in confusion.
12:53They would have been kind to give them a complete victory.
12:56They knew it was a good film.
12:58They ignored it saying they didn't want to celebrate it,
13:01and didn't volume up.
13:04Let it be Anbesham or Guna...
13:06Sundar sir himself is saying that
13:08the film didn't do as well as it should have done.
13:10That's what I'm worried about.
13:12That's where you have to look.
13:14Anbesham, Alavandhan,
13:16Mahanadhi or Guna
13:18have a huge expectation
13:20when they watch a film.
13:22When they watch the film,
13:24their expectations
13:26and the way the film is given
13:28don't match.
13:30If they don't match,
13:32it doesn't give them the success they expected.
13:36That's how it should be.
13:38It's not that I like the film.
13:40If both match,
13:42it will give them the success they expected.
13:44The way they entered the Kaki Chettai film,
13:46or the way they entered
13:48Sakalakala Avalavan film,
13:50if they match the two,
13:52it will be a success.
13:54But in this,
13:56it didn't happen.
13:58It was a film celebrated by Aburvosh.
14:00It was a silver jubilee film.
14:02How can you deny that?
14:04In a good film,
14:06Shankara Paranam has been in Chennai for 500 days.
14:08Maro Charithra has been in Chennai for 500 days.
14:10I have seen it in Chennai.
14:12Why didn't they celebrate it?
14:14Salangai Olli and Sagarasangam
14:16have both been a success.
14:18What should you expect from the film?
14:20Do you expect the audience to know
14:22and then the film will be a success?
14:24They expect something.
14:26The problem is that they don't match.
14:28At that time, they were successful.
14:30They say Johnny is good.
14:32They say Rajinikanth's acting is excellent.
14:34They expect something.
14:36What they expected at that time
14:38was not that film.
14:40At that time, they expected
14:42Rajinikanth's action film.
14:44When it went, it didn't match.
14:46So, they were disappointed.
14:48They didn't say it was a bad film.
14:54They didn't say it was a bad film.
14:56They were ready to watch it.
14:58They were ready to watch
15:00how many times Mahanadhi was on TV.
15:02Then, how did you get a role
15:04that you didn't get before?
15:06Because it was a good film.
15:08But at that time...
15:10At that time, I expected something.
15:12I didn't get it completely.
15:14I didn't get it completely.
15:16But I can't accept that
15:18it wasn't a good film.
15:20If you take Anbuya Sivam,
15:22I can give an answer to Kamal Haasan.
15:24But I can't say that it was a good film.
15:26I feel that
15:28that film had a lot of
15:30bad stories.
15:32My title is Anbuya Sivam.
15:34Anbuya Sivam is a film
15:36that teaches love.
15:38If I feel that this film
15:40has an emotional connection,
15:42I will watch it.
15:44Kamal Haasan's excellent acting
15:46in Sundar Sivam
15:48has a lot of emotional scenes.
15:50But I feel that
15:52it tells about the
15:54salary of the workers.
15:56It talks about something else.
15:58It talks about politics.
16:00I deviate from that.
16:02That's why I didn't get it completely.
16:04That's why Anbuya Sivam is not bad.
16:06When I watch Anbuya Sivam again,
16:08without expecting that,
16:10I feel that this scene is good.
16:12This mountain scene is good.
16:14This train accident is good.
16:16This dialogue is good.
16:18This love portion is good.
16:20That's why when I watch it
16:22without expecting it,
16:24I get it.
16:26When I expect it,
16:28I don't get it completely.
16:30I want to eat Idli Meen Kuzhambu.
16:32But you didn't get it.
16:34That's how it should be.
16:36I will never say that people
16:38don't celebrate good films.
16:40We celebrate Malayalam films
16:42a lot in our country.
16:44I think it's a big thing.
16:46It's a victory
16:48for art beyond language.
16:50That's how I see it.
16:52But at the same time,
16:54why are they celebrating
16:56that kind of cinema?
16:58They have always been celebrating it.
17:00I want to ask you something.
17:02Let's take a box office example.
17:04When Malayalam films
17:06get a lot of success
17:08in the box office this year,
17:10will people be interested
17:12in watching it?
17:14If you say a Malayalam film
17:16in the box office,
17:18it will be a Malayalam film.
17:20For example,
17:22there are so many action sequences,
17:24so many hero introductions,
17:26so many build-up scenes.
17:28What kind of heroism is there?
17:30It's a big thing.
17:32Only then will people know
17:34why it's a victory.
17:36If you keep saying heroism,
17:38build-up, heroism,
17:40don't get bored.
17:42You can watch it in one place.
17:44You can watch it in one place.
17:46I don't have to pay money to watch it.
17:48I don't have to pay money to watch it.
17:50I watch it in one place.
17:52In one place,
17:54there are 100, 200, 300 people
17:56who watch it.
17:58Why should I watch it?
18:00When you put up a CD at home,
18:02what do you say?
18:04Do you say,
18:06I'm going to forward all the scenes
18:08and make it a hero?
18:10That's what I say.
18:12They are ready to watch it.
18:14Who is going to say otherwise?
18:16Is this a time for the producers
18:18to reveal themselves?
18:20This is not the producer's problem.
18:22It's the hero's problem.
18:24It's not the producer's problem.
18:26The decision-making of Tamil cinema
18:28is mostly about the hero.
18:30Where do they decide?
18:32It's a sin.
18:34If the hero says, they will listen.
18:36This is their problem.
18:38I'm talking about this era.
18:40In this era,
18:42all the films that come out
18:44are made by heroes.
18:46There are no producers.
18:48The hero is the director.
18:50The hero is the first.
18:52The hero is the first.
18:54I don't know what he demands.
18:56I don't know what he demands.
18:58It's not like that.
19:00The hero has worked hard
19:02to develop an image.
19:04I don't know what an image is.
19:06We are seeing a certain kind of image.
19:08What kind of image does an actor need?
19:10An actor needs an image
19:12of a good actor, right?
19:14If an actor is acting,
19:16the audience expects
19:18a certain kind of film.
19:20What kind of image does an actor need?
19:22What kind of image does an audience
19:24need?
19:26Does an actor need an image
19:28of a good actor?
19:30The audience wants a good actor
19:32who is satisfied with the film.
19:34You are trying to impose
19:36an image of a good actor.
19:38You are trying to impose
19:40an image of a good actor.
19:42If you keep on imposing
19:44an image of a good actor,
19:46the audience won't listen to you.
19:48That's why you keep on saying
19:50that you are Manjumal Bais and Prem Mallu.
19:52They are watching something else.
19:56KGFI and Pushpa
19:58were seen as excellent films.
20:00They were seen as excellent films.
20:02They were seen as excellent films.
20:04They were seen as excellent films.
20:06KGFI and Pushpa
20:08were seen as excellent films.
20:10KGFI and Pushpa
20:12were seen as excellent films.
20:14KGFI and Pushpa
20:16were seen as excellent films.
20:18Hammaki Henko is another
20:20film like this.
20:22It has no fighting scenes.
20:24It has no fighting scenes.
20:26It has complete entertainment.
20:28People are ready to watch it.
20:30You shouldn't build up
20:32Don't you think it's boring to just have a build-up without any connection?
20:37They will choose any language that suits them.
20:43That's right. They don't need language for art.
20:47Let's leave the movies and move on. A lot of people have asked this question.
20:51There are a lot of controversies about Aamir.
20:56Generally, celebrities, actors, actors, etc.
21:01If there is a controversy about them, they will leave it and say they don't want to comment on it.
21:08But you are brave enough to say it.
21:11I'm not brave enough to say that I'm a great intellectual.
21:16I'm not ready to advertise myself.
21:19I'm just telling the truth.
21:22I'm just telling the truth.
21:25I'm not brave enough to speak the truth.
21:28That's why I can speak.
21:31I'm not that brave to run away from a crime.
21:36Even if what you say is a crime, I'm not doing it because I know it.
21:42It could be my ignorance.
21:45It could be my behavior.
21:48It could be my behavior.
21:51I'm not in a position to commit a crime.
21:56I don't have any expectations.
21:59I don't want to control my life.
22:02I have said many times that if there is no cinema today, I will go back to my hometown and live a peaceful life.
22:09I like that.
22:12I like to spend time with my relatives and family.
22:17You are criticizing me without understanding me.
22:20You don't know what I think or what my expectations are.
22:23You are criticizing me.
22:26You are trying to live a luxurious life without knowing that.
22:34That's your imagination about me.
22:37You are a weapon to defeat me.
22:40How can it defeat me?
22:43It will hurt me.
22:46In general, it will hurt my dignity.
22:49What else can I do?
22:52I can't do anything.
22:55You keep doing that.
22:58I keep doing my job.
23:01My job is to stand and talk to you.
23:04I didn't come to fight with you.
23:07That's my purpose.
23:10You need to talk to someone and live your life.
23:15That's my necessity.
23:18I don't need that.
23:21You need to talk to someone and live your life.
23:24What you are saying is not true.
23:27You are saying that it's all a lie.
23:30If you say that it's all true, it will hurt me.
23:33We can accept that it's all true.
23:36What you are saying is a lie.
23:39You need to make a video today.
23:42You need to make a video or two tomorrow.
23:45You have already done that.
23:48Someone is talking about politics.
23:51Someone is talking about the ruling party.
23:54Someone is talking about the law in the state.
23:57Someone is talking about that.
24:00Someone is talking about what the actress did 10 years ago.
24:03Someone is talking about that.
24:0610 years ago, an actress could have been wrong.
24:09She could have lived a different life.
24:12Shouldn't she?
24:15You are doing that for your livelihood.
24:18That's a big mistake.
24:21You are doing that for your livelihood.
24:24That's a big mistake.
24:27You are doing that for your livelihood.
24:30That's a big mistake.
24:33That's a new information for today's generation.
24:36That's a new information for today's generation.
24:39That's a new information for those who don't know about cinema.
24:42Do you know what happened in the film, Raman 3?
24:45Do you know what happened to MGR and Jayalalitha?
24:48Do you know what happened to Rajini and Sivaji?
24:51Do you know how Rajini overtook Sivaji?
24:54Do you know how she overtook a film that she didn't read?
24:57Do you know how Sivaji gave up that scene?
25:00That's an interesting news.
25:03If you tell me that an actress did a wrong thing now,
25:06If you tell me that an actress did a wrong thing now,
25:09I don't think it was done at the beginnings.
25:12Whether it happened was a lie.
25:15Let's ask both of them to talk about it.
25:18You understand what I'm saying?
25:21If it happened to Sivaji and Rajini,
25:24We will have to talk about it with the people involved.
25:27We'll have to talk to someone who has worked in cinemas.
25:30You will ask your relatives. You should ask only your relatives.
25:32After 20 years, they will be leading a happy family life.
25:37They may have a son or a daughter.
25:39They may be going to college.
25:41They may be going to work.
25:43Or they may be getting married to their daughter.
25:46Is this a job?
25:48It's a shame, isn't it?
25:50What do they want? What is their purpose?
25:54To earn money, can you do this job for your livelihood?
25:58Do you make videos about your family daily?
26:02Someone may make a video.
26:04How can you make a video about someone else's family?
26:06You shouldn't do that.
26:08That's wrong. It doesn't come in journalism.
26:10It's like that.
26:12We have the right to express our political views.
26:18We have the right to express our political views.
26:22Or someone is going to commit a crime.
26:26He may be a politician.
26:28He may be a public figure.
26:30He may have connections.
26:32He may have connections.
26:34Why did this happen?
26:36He may not know about it.
26:38You can debate about it.
26:40But it's like seeing what happened.
26:42Think about how big a mistake it is.
26:44It's such a big mistake.
26:46I don't know what happened so far.
26:50No one knows.
26:52No one knows.
26:54The officials under the government haven't said anything yet.
26:56That's the truth.
26:58The officials under the government have been changed.
27:00The investigation is still going on.
27:02The investigation is still going on.
27:04So, have the culprits been found yet?
27:06So, have the culprits been found yet?
27:08Or is there a connection in this crime?
27:10Or is there a political connection?
27:12It's not over yet.
27:14Before it's over, there is a connection.
27:16Before it's over, there is a connection.
27:18How can a journalist, a YouTuber,
27:20tell you about it?
27:22Are you the investigation officer?
27:24Are you the justice officer?
27:26Have you been given full authority?
27:28Have you been given full authority?
27:30Have you been given full authority?
27:32So, if you have a YouTube,
27:34anyone can do anything.
27:36I will start a YouTube channel.
27:38I will post about people who speak on YouTube.
27:40I will post about people who speak on YouTube.
27:42I will post about people who speak on YouTube.
27:44What is this?
27:46It's not even half.
27:48It's just this much like a script.
27:50Debunking news comes
27:52in the fourth level
27:54of a public heads.
27:56It so f champagne-covered
27:58in the fourth level.
28:00What a great crime it is.
28:02What a desolation it is.
28:04We don't know.
28:06I am blamed for a crime.
28:08There is a political connection.
28:10But we don't know.
28:12The chief investitor is investigating this case.
28:14and I am giving an explanation. It is not completely over yet. Before it is over, I can't give an opinion.
28:21Even the officials like Mr. Turek can't do it.
28:23They haven't said anything. If they want, they can say it anytime. They haven't decided yet.
28:28They will say it. One day they will say it, right?
28:30Whenever there is a case, it has to be told.
28:32In that case, you keep on saying it. You keep on turning the case in different directions.
28:37You keep on bringing in new people. You keep on giving new information.
28:41What kind of help do you think this is for the society and the government?
28:46Let's say, there is a case. The authorities are investigating the case.
28:54They suspect someone. They are thinking of arresting him.
28:59That news was true for a while.
29:02If they arrest him three days later, you are working to make him escape.
29:08Yes.
29:09Is this the right thing to do?
29:11No.
29:12Is this the help you are doing for the government?
29:14No.
29:15Is this the goodness you are doing for the authorities?
29:17There is nothing like this.
29:19Then, this is not fair in any way.
29:21Okay, you are giving the news to 1-2 lakh people every day.
29:26If you are giving them true information, it is not true.
29:30It is not true for them.
29:32It is not true for the society.
29:34It is not true for anyone.
29:36I am saying that you are doing this for your own well-being.
29:41That is why I am telling you not to do this.
29:43Find out and tell me.
29:45Okay.
29:46Before we end this, I would like to ask you a small segment.
29:50I think it is true that you are a fan of Kamal Haasan.
29:53I am going to tell you about 10 Kamal Haasan films.
29:57I will tell you one by one.
29:59You have to tell me which one is your favourite.
30:01Lastly, we will see which one is at the top.
30:04Okay, the first one.
30:05Do you love Heram?
30:09Heram.
30:10Heram or Gunava?
30:12Gunava.
30:14Gunava or Mahanadhiya?
30:18Mahanadhiya.
30:20Mahanadhiya or Devarmagan?
30:22Devarmagan.
30:24Devarmagan or Gurumandi?
30:26Devarmagan.
30:28Devarmagan or Vasul Raja and BBS?
30:30Devarmagan.
30:32Devarmagan or Alavandhan?
30:34Devarmagan.
30:36Devarmagan or Dasavatharam?
30:38Dasavatharam.
30:40Dasavatharam or Panchatantram?
30:42Dasavatharam.
30:44Dasavatharam or Nayagan?
30:46Nayagan.
30:47Nayagan or Indian?
30:49Nayagan.
30:50Lastly, Nayagan or Uthamavillai?
30:53Nayagan.
30:54So, if it is your all-time favourite Kamal Haasan film,
30:57can we take Nayagan?
30:59No.
31:01When you said each film,
31:03I said it based on each quality.
31:05This is not higher than that.
31:07What was the first film you said?
31:09I said Anbaishvam.
31:11I also said Heram.
31:13Heram has a lot of hard work.
31:15As far as I know,
31:17no other actor has done
31:19Heram's hard work in Tamil cinema.
31:21Was it done by an actor?
31:23Yes, by an actor.
31:25Hard work is
31:27in the film itself.
31:29The hard work in the film
31:31is in the film itself.
31:33You watch Heram now.
31:35The way the story is told,
31:37the way the story is told,
31:39the things that are said in detail,
31:41his get-up,
31:43his efforts,
31:45his efforts,
31:47the way he set up the city of Kolkata
31:49in those days,
31:51this is not in Anbaishvam.
31:53Anbaishvam is on another level.
31:55If you ask Anbaishvam,
31:57I will say Anbaishvam.
31:59If you ask Anbaishvam,
32:01I will say Anbaishvam.
32:03When I see these two,
32:05I can see the hard work.
32:07I am an economist.
32:09I don't see it as a fan.
32:11I see it as hard work.
32:13That's why I said it.
32:15When it comes to Onnanna,
32:17Nayagan is a classic.
32:19It's an all-time classic.
32:21Even if you watch it today,
32:23it will be a mass movie.
32:25It will be a class movie.
32:27Everything will be there.
32:31The Uthamavillan and Nayagan
32:33you mentioned at the end
32:35are different.
32:37He is trying to say something else.
32:39It didn't reach me.
32:41But Nayagan never left my heart.
32:43Thank you.

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